The Outsider

Not just another rehash of Witness or Shane, and in some ways better than either of these classics with the amazing acting talents of Tim Daly and Naomi Watts. Throw David and Keith Carradine into the mix and you have a wonderful, touching film that doesn't rely so much on story as on the characters themselves. From the tearful acceptance of cruel murder at the beginning to the raw emotion carried throughout by the expressive emoting of Tim Daly (when did he get so GOOD?) I thoroughly enjoyed watching and could not tear myself away from the screen. Naomi Watts is a wellspring of sweetness not to be missed, so well does she capture the agony of woman torn between home and heart. David Carradine as the world-weary but caring town doctor is a pleasing surprise. Keith Carradine as the spurned "plain" man also works very well here. If you're a western fan, take the time for this one. If you're a Tim Daly fan or a Naomi Watts fan, make this a must see.

This is a very satisfying western.It is set in the 19th century American West, but some elements would fit in a more modern genre. "Witness" comes to mind. There are also similarities to "Shane". A badly wounded gunfighter is nursed back to health by a young widow with a son, who happens to be a member of an Amish-like sect. The script is good with a mixture of romance, sexual tension, and enough gun play for any western fan. Of course it has its bad guys, and good guys, and a not so good guy,the gunfighter, Johnny Gualt. He is played by the talented Tim Daly who does an excellent and believable job, as does Naomi Watts. The supporting cast includes both David and Keith Carradine. The movie is currently popping up on Hallmark Channel. Its so good, it deserves a wider release, but it started on HBO, and is not likely to challenge the record for a cable western belonging to Tom Selleck and "Crossfire Trail". But, "Try it, you'll like it"

The Outsider (based on a novel by Penelope Williamson) A film review by Joan Mostert

The Outsider, Johnny Gault (Tim Daly), arrives as a wounded stranger in an Amish-like community and is tended by Rebecca Yoder (Naomi Watts) who is a daughter of the 'plain' people. Doc Henry (David Carradine) wonders 'what kind of marks were left on his soul' when he sees the old wounds that were inflicted on Johnny's body. Although Johnny is seen as a 'shootist' and a dark, dangerous man, Rebecca has faith in the good of people.

The 'plain' people are intolerant of strangers and Noah Weaver (Keith Carradine), who is a potential suitor, resents the stranger. It is ironic that the 'plain' people do not realize that they too are Outsiders. Hunter, the cattle baron (John Noble) tells them that his family worked the land for three generations and he will not yield. Noah resents Rebecca's independence of thought. Although she belongs to the community, she does not share their herd instinct.

Rebecca experiences transcendence when she is in harmony with nature, it is then that she hears her inner music. It is pleasant for her to see the sun while Johnny knows how to read eyes because he is a 'shootist'. Because music is forbidden by the 'plain' people, except for the singing of hymns, she does not speak of her inner music to anyone except Johnny.

Johnny is a strong, passionate man and his facial expressions reveal his inner moods of anger, love and hate. He often reveals a sense of humour when, for instance, Rebecca asks him why he is buying a horse he replies, 'because you are the one that promised that I was gonna be gone.'

The preacher and the 'plain' people do not practice what he preaches: 'he who loveth God love his brother.' They see Johnny as the Outsider, not as a 'brother' within their closed community; Johnny sees them as 'kind folk.'

Doc Henry is a perceptive man who, in his quiet, understated way, understands people. The contrast of sun and rain, light and dark during the scenes of emotional intensity underscores the drama. The fine interactions of the ensemble cast all contribute towards the excellent film which is 'truly a pleasant thing to behold.'

Tim Daly looks GORGEOUS as the tough gunslinger with a past. He's rough-edged but with eyes that can be soft. I know its a true western genre flick, but sometimes they're comfortable and comforting. I was amazed to discover that Tim Daly can act ... and that he's strong looking and sexy. Must have been the face-hair and dirty clothes! (He should NEVER go back to the clean-shaven, current-day business clothes look.) The story builds beautifully toward a seemingly breathless relationship between Johnny Gault (Tim's character) and Rebecca (Naomi Watt, who also did a fine job of raising this piece from routine to intriguing). The way their affair (?) is handled, the pacing, the twists along the way - leaving you never sure if they'll actually get together or not (and predictable as I thought the story was seeming, I really didn't know 'til the end) - made this a "cut above" and I very much recommend it. It might seem like a chick-flick at first, but the manly/awkward-yet-tender/sensuous way Tim/Johnny approaches the seemingly foreign nuances of a love affair might give some much needed lessons to modern guys.

Aw, shucks, so "The Outsider" (a Showtime original so it will eventually show up in video stores) is based on the kind of a romance novel (by Penelope Williamson) that probably has a flower on the cover.

But beautiful Queensland, Australia fills in quite nicely for Montana as the usual isolated farmhouse works romantic wonders on a hardened gunman (Tim Daly, in a surprisingly convincing tough guy undergoing physical and slow psychic rehabilitation turn) and a kind, religious yet horny widow (Naomi Watt with an excellent American accent) threatened by evil cattlemen.

From the opening shots, the twist is that she makes the significant moves and decisions in her relationships, and the two leads have dynamic chemistry together.

Another twist is that we get to see two Carradines not playing brothers, and neither gets the girl.

Credit to director Randa Haines for the combination of emoting, setting, cinematography, and editing to emphasize the characters' conflicts and changes.