Füge eine Handlung in deiner Sprache hinzuRachel flees NYC after another traumatic breakup and arrives at her parents' home in San Diego.Rachel flees NYC after another traumatic breakup and arrives at her parents' home in San Diego.Rachel flees NYC after another traumatic breakup and arrives at her parents' home in San Diego.
- Auszeichnungen
- 3 wins total
Suzana Norberg
- Kathi
- (as Sue Wakefield)
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5=G=
"A Family Affair" is all about Rachel (Lesnick) who runs from a broken relationship in NY to San Diego where she falls for Christine (Shaffer) only to have her ex try to get her back...etc. Lesnick put this little indie together single handedly and it shows. The film is fraught with deficits including hackneyed material, trite dramatic or flip Woodyesque dialogue, stiff delivery, cost cutting everywhere, and Lesnick really belongs behind the lens. In spite of all that, I was marginally engrossed post climax in the drama of the denouement when the flick consolidates itself and finally gets real. Recommended for anyone who's interested in a romantic comedy about a woman who just happens to be gay. (C+)
Billed as a top pick of Gay and Lesbian film festivals around the world, this film left me wanting. Helen Lesnick is an OK enough writer, but her direction is a little pedestrian, and her acting chops don't suit the role. I agree that she seems far too old for the part, playing a 34-year-old? Please! She appears at least 43. Also, I was turned off by the sound of her voice, it drove me mad throughout the whole film. Shaffer isn't much better -- but she suffers aesthetically for two reasons, as well: her hair looks like a very bad horsehair wig all the way through, and she has absolutely RIDICULOUS wardrobe. I have seen Shaffer in other roles, though, and she's not as bad in those as she was in this.
There is no chemistry to speak of between Lesnick and Shaffer, and the relationship seems to develop without any substance -- we don't have much of a clue what they see in each other. Five minutes of what Lesnick wants us to think is witty repartee (but isn't) and then a year has passed and they're deeply in love. It's crazy! Perhaps Lesnick is trying to play on lesbian stereotypes (moving in right after meeting), but it seems like little actual thought went into this.
Michele Greene is given very little to work with in her role as the third member of the love triangle. I felt the film would have benefited if it had given us a little more reason to understand why Rachel (Lesnick) was so attracted to Reggie (Greene) in the first place, and had thrown Reggie back into the mix a little sooner. Despite all of this, Greene's performance is the standout in the film.
As it stands, it seems to be an attempt at comedy about the confusion of love and commitment that really has nothing to say about love and commitment at all.
An attempt at humour falls flat when Christine (Shaffer) is confused about the difference between physics and phys ed, and I think it's a bit below the belt -- this film really tries to give the message that west coast Americans are stupid, and east coast Americans are all intellectual, without really ever giving much of an example of either. It's too easy, pitting a massage therapist against a physics professor. Come on, give the audience some credit! The resolution is a total disappointment: it teaches that you can make life-altering decisions on the basis of a pep talk, and that life-long problems can be solved without real examination of their causes. Plural.
Lesnick is well-meaning -- she tries her best, she puts in lots of cynicism and dark-humour, but it just doesn't cut the mustard. Her follow-up work, Inescapable, which I actually saw BEFORE I saw A Family Affair, suffers from major script and direction problems as well, and it doesn't surprise me at all, now, because it appears that Lesnick's range is fairly limited.
This film bored me to tears. Don't see it if you want to watch LBGT films with some substance.
There is no chemistry to speak of between Lesnick and Shaffer, and the relationship seems to develop without any substance -- we don't have much of a clue what they see in each other. Five minutes of what Lesnick wants us to think is witty repartee (but isn't) and then a year has passed and they're deeply in love. It's crazy! Perhaps Lesnick is trying to play on lesbian stereotypes (moving in right after meeting), but it seems like little actual thought went into this.
Michele Greene is given very little to work with in her role as the third member of the love triangle. I felt the film would have benefited if it had given us a little more reason to understand why Rachel (Lesnick) was so attracted to Reggie (Greene) in the first place, and had thrown Reggie back into the mix a little sooner. Despite all of this, Greene's performance is the standout in the film.
As it stands, it seems to be an attempt at comedy about the confusion of love and commitment that really has nothing to say about love and commitment at all.
An attempt at humour falls flat when Christine (Shaffer) is confused about the difference between physics and phys ed, and I think it's a bit below the belt -- this film really tries to give the message that west coast Americans are stupid, and east coast Americans are all intellectual, without really ever giving much of an example of either. It's too easy, pitting a massage therapist against a physics professor. Come on, give the audience some credit! The resolution is a total disappointment: it teaches that you can make life-altering decisions on the basis of a pep talk, and that life-long problems can be solved without real examination of their causes. Plural.
Lesnick is well-meaning -- she tries her best, she puts in lots of cynicism and dark-humour, but it just doesn't cut the mustard. Her follow-up work, Inescapable, which I actually saw BEFORE I saw A Family Affair, suffers from major script and direction problems as well, and it doesn't surprise me at all, now, because it appears that Lesnick's range is fairly limited.
This film bored me to tears. Don't see it if you want to watch LBGT films with some substance.
Rachel is a Jewish lesbian. Her parents are initially shocked by this revelation (the lesbian part, that is), but have come around so far that they are now leaders of PFLAG (Parents and Friends of Lesbians And Gays). After a long, on again, off again relationship with a woman named Reggie in New York, Rachel moves to southern California and meets Christine.
This romantic comedy stars Helen Lesnick, who also wrote and directed it. Her character breaks the fourth wall frequently, speaking to the camera on and off from the very beginning of the film. While I really enjoyed the film, a couple of minor problems stood out: the actress/writer/director looks much closer to the age of the actress playing her mother than to that of her love interest, and the dialog seemed stilted and occasionally badly overdubbed. I can't help but compare this to "Kissing Jessica Stein," which I saw in Toronto last year but is only now being released in theaters. This film is more real, but is not as inventive or as well delivered, so I would have to give the edge to KJS. Seen at Cinequest (the San Jose, CA film festival) on 3/1/2002.
This romantic comedy stars Helen Lesnick, who also wrote and directed it. Her character breaks the fourth wall frequently, speaking to the camera on and off from the very beginning of the film. While I really enjoyed the film, a couple of minor problems stood out: the actress/writer/director looks much closer to the age of the actress playing her mother than to that of her love interest, and the dialog seemed stilted and occasionally badly overdubbed. I can't help but compare this to "Kissing Jessica Stein," which I saw in Toronto last year but is only now being released in theaters. This film is more real, but is not as inventive or as well delivered, so I would have to give the edge to KJS. Seen at Cinequest (the San Jose, CA film festival) on 3/1/2002.
Fabulous movie......I was not expecting it to be so funny and interesting at the same time! Everything in it is really exceptionnal, from the actresses, to the script, to the story, to the directing, to the pictures, to the location (san Diego of course)....etc
Two thumbs up, and Congratulations....Continue the great work!
Two thumbs up, and Congratulations....Continue the great work!
I'm actually in the middle of this movie as I type this review. I had to log on to IMDb to see if I was the only person who found this movie to be completely dreadful. At the moment I'm on a marathon of watching all the LGTBQ movies I can find for free on the internet. This is the first one that I found hard to watch. Christine not only isn't believable in her relationship but she doesn't even make a believable blonde. Rachel is definitely not the 34 she claims to be and she DEFINITELY isn't funny. There's a line between funny cynicism and annoying sarcasm and oh man did she cross it. I did enjoy Rachel's mother, I saw a lot of myself in her, even though I'm probably around 40 years younger then her character.
I guess that's all I have to say except... did that mother just proudly proclaim her status as a WASP? Although you may be proud of all the things that entails, that has never been mistaken as a compliment for anyone. Horrifying.
I guess that's all I have to say except... did that mother just proudly proclaim her status as a WASP? Although you may be proud of all the things that entails, that has never been mistaken as a compliment for anyone. Horrifying.
Wusstest du schon
- WissenswertesFinal film of Barbara Stuart and Arlene Golonka.
- VerbindungenReferenced in Inescapable (2003)
- SoundtracksDirty Water
Written by Kelly Neill (as Neill), Robert Westlind (as Westlind), Danny De La Isla (as De La Isla)
Performed by Natasha's Ghost
Courtesy of FUA Records
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 50.075 $
- Eröffnungswochenende in den USA und in Kanada
- 3.156 $
- 23. Feb. 2003
- Weltweiter Bruttoertrag
- 50.075 $
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