Eine Bergungsmannschaft entdeckt ein lang verlorenes Passagierschiff aus dem Jahr 1962, das leblos in einer abgelegenen Region des Beringmeeres schwimmt, und bemerkt bald, dass sich seine lä... Alles lesenEine Bergungsmannschaft entdeckt ein lang verlorenes Passagierschiff aus dem Jahr 1962, das leblos in einer abgelegenen Region des Beringmeeres schwimmt, und bemerkt bald, dass sich seine längst verstorbenen Bewohner noch an Bord befinden könnten.Eine Bergungsmannschaft entdeckt ein lang verlorenes Passagierschiff aus dem Jahr 1962, das leblos in einer abgelegenen Region des Beringmeeres schwimmt, und bemerkt bald, dass sich seine längst verstorbenen Bewohner noch an Bord befinden könnten.
- Auszeichnungen
- 1 Nominierung insgesamt
Bob Ruggiero
- Captain
- (as Robert Ruggiero)
Matthew Wollaston
- Steward Number 3
- (Nicht genannt)
Empfohlene Bewertungen
This films best bits are in the special effects and those moments when you jump out of your seat. The opening sequence lulls you into a false sense of calm, from then on its guess the scenario. The viewer is always two steps ahead of the actors but, for the most, grips you nevertheless. The special effects are especially good and the acting, although no top-notch stars are evident, is not bad. The end is a real twist. Better to watch this than many others I could mention, certainly worth the video rental and a pizza.
Now this I would call exactly an average film. For me, it landed precisely at the very center of imdb's 10 point scale, right at 5.5. This means that I found exactly as much to like as I did to dislike. There is a bit of inspiration here, but just as much that's stolen from other better horror movies. If it had opted for tone and real fear instead of cheap shocks, the movie could have been great. The story is good enough that it could have been great if handled well. But we do live in these times, and, although there are scholars of the modern era who would try to have us believe that the current generation consists of a bunch of kids who get everything instantly and process it on a billion levels at once, the truth is indeed the exact opposite. No, there is no subtlety here. It would go over your average teenager's head in a heartbeat. Nope, better play it safe and provide us with a gruesome scene up front where a couple of dozen people are sliced in half by a loose cable during a ball. Gore is not scary. I did however produce a dry heave during this sequence, which is more than I can say for any other gore scene that I've viewed lately. As the gore accumulates, I began to appreciate the artistry that was put into the enormous number of deaths. These are some sickeningly creative people, let me tell you. Unfortunately, the director (or screenwriters or whoever) ruins any real potential by revealing every detail about what happened on the titular boat in a fast-motion sequence accompanied by techno music! It's the kind of moment where you just slap your head for the lack of talent involved. And then there was more stuff I liked. For example, the art direction is very impressive. The revelation of one character's identity, while not particularly surprising, is at least somewhat new. I give this film a 5/10, rounding down because I felt the final moment was a bit groan-inducing.
With visions of riches spinning in their heads, a group of irritating boat salvagers set out to explore what's left of a luxurious passenger ship lost for over forty years on the high seas. Given that this film is a horror flick, the viewer understands from the beginning that the ship has an array of spooky surprises waiting for our adventurous fools.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
The third movie produced by the production company "Dark Castle" and managed by Joel Silver and Robert Zemeckis, "Ghost Ship" (2002) marks a step forward and constitutes a neat improvement in comparison with the two previous movies, "the House on the Haunted Hill" (1999) and "13 Ghosts" (2001). This can be checked at the level of a meticulous making and quite outstanding special effects. It is all the more positive as with "Ghost Ship", we deal with a B movie. Another good point: the change of scenery. It is a judicious choice to have replaced the threadbare topic of the haunted house by the haunted ship.
If the screenplay doesn't avoid all the Hollywood conventions, neither all the clichés of the horror film, the director Steve Beck makes up for it by shrouding his movie an atmosphere of mystery as soon as the crew discovers the ship. He's also imposing (slowly but surely) a progressive rise of the tension which reaches its climax in the end. The result: we come in for a few real moments of fright and Beck, in the long run puts the spectator in his pocket.
As far as the cast is concerned, there are two surprises. First: Julianna Margulies who for once decided to give up scalpels in the "ER" series and especially Gabriel Byrne. An ambitious actor who isn't reluctant to sometimes act in a horror movie which is potboiler for him like "End of Days" (1999) or "Stigmata" (1999).
It is a shame that the end isn't really satisfying and suits badly to the whole. But no matter, "Ghost Ship" remains a nice little horror movie whose main function is to make shiver. For this, it reaches its goal. One last thing, if the movies that come out of the "Dark Castle" production company keep on gaining in quality, maybe will they create a masterpiece one day...
NB:it borrows a bit from "shining".
If the screenplay doesn't avoid all the Hollywood conventions, neither all the clichés of the horror film, the director Steve Beck makes up for it by shrouding his movie an atmosphere of mystery as soon as the crew discovers the ship. He's also imposing (slowly but surely) a progressive rise of the tension which reaches its climax in the end. The result: we come in for a few real moments of fright and Beck, in the long run puts the spectator in his pocket.
As far as the cast is concerned, there are two surprises. First: Julianna Margulies who for once decided to give up scalpels in the "ER" series and especially Gabriel Byrne. An ambitious actor who isn't reluctant to sometimes act in a horror movie which is potboiler for him like "End of Days" (1999) or "Stigmata" (1999).
It is a shame that the end isn't really satisfying and suits badly to the whole. But no matter, "Ghost Ship" remains a nice little horror movie whose main function is to make shiver. For this, it reaches its goal. One last thing, if the movies that come out of the "Dark Castle" production company keep on gaining in quality, maybe will they create a masterpiece one day...
NB:it borrows a bit from "shining".
The cast is so great and so is the style of cinematography; lots of murky gross scenery to appreciate! Karl Urban and Gabriel Byrne are a delight. So much of the bulk of the film is definitely horror I don't know why a few said it's not. I really like the scene when a couple of the guys eat and unlike others I really like the ending - Ghost Ship is fantastic for what it is! Has some of the best horror sequences in my opinion highly effective!
Wusstest du schon
- WissenswertesIn 2016, the media website ComingSoon named the film's opening scene one of the greatest in horror film history.
- Patzer(at around 24 mins) Captain Murphy's story of the Mary Celeste is largely inaccurate. According to him, it was a two-mast brigantine leaving Charleston, South Carolina, during the American Civil War. She carried a load of cotton for London, England. Fishermen off the coast of Tripoli found the ship under sail with no one on board; its last log entry was 59 days prior. Somehow an unmanned ship sailed through the Strait of Gibraltar and into the Mediterranean Sea.
In truth, the Mary Celeste left New York Harbor in late October 1872 with a cargo of 1,701 barrels of denatured alcohol bound for Genoa, Italy. She was found off the coast of Portugal, under sail yet abandoned, with its last log entry nine days before she was found.
- Crazy CreditsThe opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening.
- Alternative VersionenThe version aired on Indian cable networks omitted a huge chunk of the opening mass-decapitation scene and most of the gore and graphic shots throughout the film. The scene where Francesca seduces Greer was also edited significantly in order to obscure any nudity.
- VerbindungenFeatured in Spurensuche - Umwege zur Wahrheit (2004)
- SoundtracksSenza Fine
Written by Gino Paoli
Produced by John Frizzell
Performed by Monica Mancini
Courtesy of Concord Records
[Francesca sings the song in the opening sequence; the salvage crew later hears her singing the song]
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Barco fantasma
- Drehorte
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Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.113.491 $
- Eröffnungswochenende in den USA und in Kanada
- 11.503.423 $
- 27. Okt. 2002
- Weltweiter Bruttoertrag
- 68.349.884 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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