Comic Book Villains

Comic Book Villains

The semi-sociopath who reigns over the other similar souls in his comic book emporium has been worked enough to be a cliché. There is even such a chubby unkempt looser lovingly portrayed as part of the Simpsons repertoire. Other than displaying a life that many of us can look at condescendingly, can this be a lead character for a movie?

Opening in a vein of light hearted reminiscence of small town Americana, the drama builds with the discovery of the death of a "collector." This man had lived with his mom his entire fifty some years with only one love, collecting comics. Our Simpsonesque character is now in a contest with another store owner to see who can finagle the mother of the deceased into selling this bonanza.

A standard criticism of many films is that the characters devolve into cartoon figures. This film does quite the opposite. It starts with clichés and whimsy and slowly peels away this facade to expose a throbbing violent human conflict. When goaded by their true passion, love of comics and the wealth to transcend their limited horizons, greed rears it's transforming head. What is more amazing, the fim still manages to keep a sense of wit, but now with a mordant ironic tinge that is intrinsic to the human condition when raw passion transcends reason.

This is inspired filmmaking. Not a scene, not a line, not an expression was included that did not ring true. This movie was not well received by the voters of my internet site, so what you have just read it a minority report.

"Comic Book Villains" tells of an old lady who's sitting on her late son's valuable comic book collection and two competing comic book store owners who want it at any cost. Among its many deficits this shabby film has a handful of second rate actors, an amateurish screen play, obvious low budgetness, awful music, and a generally lame execution. Cinematic junk food. (C-)

Kind of a unique idea for a dark comedy. Competing comic book store owners trying to outwit each other for a prize collection. Unfortunately the crazed collectors are all, except one, unlikable, unsympathetic, and greedy. The movie is very uneven, with characters morphing from just scheming crazies, to murderers. It is at this point, when almost everyone has transformed into killers, that "Comic Book Villains" seems to have run out of ideas, and rapidly spirals downhill. If after the confrontation in the old ladies home, the script had been fully developed, the movie might have worked better on several levels. As it stands, it is at best, a very mediocre black comedy. - MERK

Comic Book Villains is a satirical black comedy about, you guessed it, comic books and the sometimes strange people that collect them. The movie is a little darker than expected so perhaps I would have enjoyed it more had I known what I was about to see. Still, it was a fun movie that pokes fun at the world of comic book collecting/collectors.

DJ Qualls plays Archie, an all around good guy and the narrator of the story as well. Qualls is perfect as the comic book geek type. His favorite place to hang out and buy/read comics is at Raymond McGillicudy's (Donal Logue) comic shop (the names of the shops escapes me). Raymond is into the comic book scene and has the shop because he loves dealing with comic books. Across town is Norman and Judy Link's (Michael Rapaport & Natasha Lyonne) comic shop. Norman and Judy are there strictly for the money. Archie loves Raymond's shop and his knowledge in comics plus he finds everything he likes there so he has never found a reason to visit the other shop. On the other hand, there is "Conan", played by Danny Masterson from That 70's Show. Conan claims he is a descendant of the creator of Conan The Barbarian comic books and is the instigator for the whole movie because he visits both shops regularly and provides information to both.

The movie takes it's dark turn after both shop owners discover there is a pristine collection of comic books that belonged to a deceased comic book collector who had a great collection. After that, the backstabbing, double-crossing, dirty tricks and much more begins the dark tone of the movie.

My favorite characters were Norman and Judy Link. Rapaport usually plays a tougher character and it was different to see him in more of a submissive position here, especially to his wife. Lyonne also did a great job as a "comic book villain" and certainly looked her best here as well. Also, Danny Masterson played a subtle instigator well, not unlike his character Hyde from That 70's Show. Overall, worth a look. 6.5/10

"Comic Book Villains" requires a familiarity for the themes of comic books, rather than the comics themselves. There are three types of comic book 'geeks' in the movie: the hardcore collector, represented by Logue's character; the famous book reader, who knows everything about popular comics, but nothing about less-known ones; and the casual reader, represented by DJ Quall's character of Archie. His role is where the problems begin. Every moment that Logue, Rappaport, or Cary Elwes is on screen, the movie shines of brilliant observation and attention to dialogue. However, Archie was written as the ideal reader, a guy who understands that comics are entertainment, not reality. He epitomizes everything i dislike about this movie. Every scene he is in is either hinting at a message, or explaining a message. The theme Archie brings to the story is furthered by ridiculously pathetic acts of violence and obsession, which ruin the film's last 4th. If one were to watch the ending of the movie and then the beginning, he would not have any idea they belonged to the same picture. Take Natasha Lyonne's character for instance. At the opening of the movie, she is a bright woman who runs a comic book store very casually. A slow change and character ark would have been brilliant for her character. However, after one stupid plot-hole-filled scene, she becomes a vengeful warrior obsessed with getting the mcguffin of the piece, the dead man's comics.

This film deserves more attention than it gets; it's more enjoyable than a lot of the comedies out there even if one has no interest in the comic book aspect shown in the film. That can be looked at as a frame for the characters and an incidental device to move the plot along. The actors bring the characters to life in a believable fashion. The real surprise for me was Cary Elwes, who I generally think of in stick-up-his-wazoo, pretty-boy roles like in "Twister" or his turn on "The X-Files". Here, he manages to play a nasty two-bit, low-life punk with some edge, and I almost didn't recognize him. It's a low-budget, independent film, but a cast of names we recognize from other films give it some prestige. Robinson also makes a statement on the comic industry as it has gotten into through the 90's and into the new millennium. It is held together quite well by the narration of one of the main characters, and in spite of its title manages to hit more than one emotional note throughout. It deserves a much wider audience because of the fine character acting of the entire cast.

Overall rating: 7 out of 10.