Ein amerikanischer Teenager erfährt, dass ihr Vater ein wohlhabender britischer Politiker ist, der für ein Amt kandidiert. Obwohl sie begierig darauf ist, ihn zu finden, erkennt sie, dass es... Alles lesenEin amerikanischer Teenager erfährt, dass ihr Vater ein wohlhabender britischer Politiker ist, der für ein Amt kandidiert. Obwohl sie begierig darauf ist, ihn zu finden, erkennt sie, dass es einen Skandal verursachen und ihn die Wahl kosten könnte.Ein amerikanischer Teenager erfährt, dass ihr Vater ein wohlhabender britischer Politiker ist, der für ein Amt kandidiert. Obwohl sie begierig darauf ist, ihn zu finden, erkennt sie, dass es einen Skandal verursachen und ihn die Wahl kosten könnte.
- Auszeichnungen
- 1 wins total
Empfohlene Bewertungen
I saw this film on a plane, which perhaps gives some indication of its overall quality. However, it has its moments of clarity from time to time.
The main problem with the film, though, is the horrible casting decision of selecting Amanda Bynes to portray a "free spirit." This presents a huge stumbling blook to the audience -- how are we supposed to believe that such a doe-eyed girl is a street-savvy New Yorker? Her hair is too straight, her wardrobe too designer to be a really down-to-earth girl. (Also, she's got bank! How else could she have skipped town, on Virgin no less [I wonder how much they paid for that snippet], without getting any money from her mother?) Hearing lines 'you were born to stand out' describing Bynes' character provokes laughter... As if any girl who wears a Kangol hat now and again is cosmopolitan!
Apart from that minor (I jest) flaw, the movie isn't terrible. A few of the characters are mildly interesting, enough to keep me somewhat attentive. The film could certainly stand to do without the cheesy "I yam who I yam" moralizing, but, in the end, the film was entertaining, I stayed awake, and I guess that just about says enough.
The main problem with the film, though, is the horrible casting decision of selecting Amanda Bynes to portray a "free spirit." This presents a huge stumbling blook to the audience -- how are we supposed to believe that such a doe-eyed girl is a street-savvy New Yorker? Her hair is too straight, her wardrobe too designer to be a really down-to-earth girl. (Also, she's got bank! How else could she have skipped town, on Virgin no less [I wonder how much they paid for that snippet], without getting any money from her mother?) Hearing lines 'you were born to stand out' describing Bynes' character provokes laughter... As if any girl who wears a Kangol hat now and again is cosmopolitan!
Apart from that minor (I jest) flaw, the movie isn't terrible. A few of the characters are mildly interesting, enough to keep me somewhat attentive. The film could certainly stand to do without the cheesy "I yam who I yam" moralizing, but, in the end, the film was entertaining, I stayed awake, and I guess that just about says enough.
I have noticed a genre that might be termed 'late-ish teens princess story' and until now I could not really like the ones that I have on disk.
So, if the genre was widened a bit to include Trachtenberg's Ice Princess then yes, and there will be many okay stories in such a wider genre. I consider the wider genre to be too relevant, best not maimed in this way. The traditional princess story is a very ancient genre and I prefer to link this sub genre to that.
*
Then I obtained the two disk set of Mandy Moore's Chasing Liberty (2004) and Amanda Bynes' What A Girl Wants (2003) and this genre was suddenly different. Both of these stories stand tall. True, technically the word Princess does not fit here, but it is close enough, even though Amanda's character is only 39th in line to the throne and Mandy is only a USA style temporary princess?
That is all that I need to know about either story. These are stuff that I can really like.
More. What A Girl Wants breaks with tradition. Amanda is 16 playing a 17. Not a 20 playing an 18 or 15. Not an 18 playing a 15. So unusual.
Director commentary: Real princesses were used as extras at the Henley scene.
Detail to hope to ignore: The last of the scenes set in London. What sort of UK political party would display the flag in this way at a political meeting? This is made for an audience with USA type understandings, not UK? Unless this is a comment re UK politics? In England this is equivalent to Amanda's dad, Lord Dashwood, having been working to be elected to parliament as a member for a UK type K.K.K.? I personally consider UK politics to be askew but that does not feel like the right parallel, though it does hint at too far to the right.
With the possible exception of Hairspray, all the Amanda that I have, so far, end in disaster if I interpret them literally from the cues that I notice. That is likely just me, a private language sort of thing. For me, the most subtle is the ending of She's The Man and that is only a box of Gouda that has me wondering if that magnificent story really ends in disaster. I get that by considering a 1980's horror story called ET. For me, the ultimate Amanda scary ending is Love Wrecked.
So, if the genre was widened a bit to include Trachtenberg's Ice Princess then yes, and there will be many okay stories in such a wider genre. I consider the wider genre to be too relevant, best not maimed in this way. The traditional princess story is a very ancient genre and I prefer to link this sub genre to that.
*
Then I obtained the two disk set of Mandy Moore's Chasing Liberty (2004) and Amanda Bynes' What A Girl Wants (2003) and this genre was suddenly different. Both of these stories stand tall. True, technically the word Princess does not fit here, but it is close enough, even though Amanda's character is only 39th in line to the throne and Mandy is only a USA style temporary princess?
That is all that I need to know about either story. These are stuff that I can really like.
More. What A Girl Wants breaks with tradition. Amanda is 16 playing a 17. Not a 20 playing an 18 or 15. Not an 18 playing a 15. So unusual.
Director commentary: Real princesses were used as extras at the Henley scene.
Detail to hope to ignore: The last of the scenes set in London. What sort of UK political party would display the flag in this way at a political meeting? This is made for an audience with USA type understandings, not UK? Unless this is a comment re UK politics? In England this is equivalent to Amanda's dad, Lord Dashwood, having been working to be elected to parliament as a member for a UK type K.K.K.? I personally consider UK politics to be askew but that does not feel like the right parallel, though it does hint at too far to the right.
With the possible exception of Hairspray, all the Amanda that I have, so far, end in disaster if I interpret them literally from the cues that I notice. That is likely just me, a private language sort of thing. For me, the most subtle is the ending of She's The Man and that is only a box of Gouda that has me wondering if that magnificent story really ends in disaster. I get that by considering a 1980's horror story called ET. For me, the ultimate Amanda scary ending is Love Wrecked.
I was actually surprised by this movie. Yes, it was probably conceived by a marketing team. Yes, it isn't very original and yes, some of it is embarassingly obvious. That being said, I was very entertained by this movie. I thought it was well directed, and well acted. I wouldn't be surprised to see Amanda Bynes start taking on more serious roles in the future with great success. This movie does what it set out to do: entertain teenage girls. Anyone who is a fan of lighthearted tween comedies should check this movie out. It is better than most of the teenage girl movies out there and much better than that stupid Big Fat Greek Wedding movie. **1/2 out of ****
I have read several reviews of this film, and I have to say that men just aren't going to "get" this one. Our local paper's reviewer said he just didn't get the "stars in the eyes" of the women leaving the theater. His review didn't even MENTION Colin Firth. Well, I will! Colin is what is going to attract women to this film, and he does not disappoint. He is the best thing about the movie. Amanda Bynes is cute, and I enjoyed her too. The rest of the cast is quite good too...Anna Chancellor (Caroline Bingley, for those Pride and Prejudice fans...), and Eileen Atkins, particularly. I found the storyline about the daughter longing for her father and the father who just discovered her quite sweet and moving. Yes, the script was a bit sloppy and the humor often falls flat, but overall, Colin Firth's performance made it worth seeing for me. This is definitely a chick flick, though :)
I saw the movie with my mid-teen sister who's exactly the target audience of this film. Now there are many films that are not for everybody, they do not excel in acting, directing, screenplay or effects to be called a 'good movie'. They are meant for certain part of the audience who, if it sticks to the specific formula, just love them. Now I wasn't meant to love "What a girl wants", but I guess, thinking from my point of view, it's a good diversion from me.
The script is above the level I was expecting and young Amanda Bynes acted quite well. Colin Firth seemed a little wooden. There are bits of little innocent humors in places that makes it a relief to watch. The shooting locations and the sets are fine. The soundtrack too is catchy. So even the storyline is very very shallow, one should not complain or analyze too much about such films.
The script is above the level I was expecting and young Amanda Bynes acted quite well. Colin Firth seemed a little wooden. There are bits of little innocent humors in places that makes it a relief to watch. The shooting locations and the sets are fine. The soundtrack too is catchy. So even the storyline is very very shallow, one should not complain or analyze too much about such films.
Wusstest du schon
- WissenswertesThis movie opened during war with Iraq which made Warner Brothers change the poster art for this movie. Because the original artwork showed Amanda Bynes displaying a peace symbol, the artwork was changed so that the peace symbol was airbrushed out. The studio did not want anyone to think the artwork was a war protest.
- PatzerAll invitations from Queen Elizabeth II are commands, forwarded by the appropriate member of the royal household. As such when the film says 'Her Majesty the Queen invites you to the Annual Garden Party' in reality the invitation would read 'The Lord Chamberlain is commanded by Her Majesty to invite Lord Dashwood and the Honourable Daphne Dashwood to a Garden Party'
- VerbindungenFeatured in WatchMojo: Top 10 Father and Daughter Movies (2014)
- SoundtracksGood Life
Written by Leslie Mills and Chris Pelcer
Performed by Leslie Mills
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Strategic Marketing
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is What a Girl Wants?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Lo que una chica quiere
- Drehorte
- West Wycombe Park, West Wycombe, Buckinghamshire, England, Vereinigtes Königreich(Dashwood Manor/ wedding scenes/Ian and Daphne on lake)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.105.433 $
- Eröffnungswochenende in den USA und in Kanada
- 11.434.964 $
- 6. Apr. 2003
- Weltweiter Bruttoertrag
- 50.732.139 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen