Kick It Like Beckham

Parminder Nagra wants to "Bend it Like Beckham" in this 2002 film also starring Keira Knightley and Jonathan Rhys-Meyers. Set it England, Nagra is Jesminder, nicknamed "Jess" who loves to play soccer and is recruited into a women's team by a fellow player Jules (Keira Knightley). There, she meets the team's coach, Joe (Rhys-Meyers) on whom Jules has a crush.

But playing soccer is at odds with Jesminder's traditional Indian family, so she is constantly lying and sneaking out of the house. Joe encourages her to live her own dream, but it's hard for Jesminder to break away from what her family expects. And with her sister about to get married, she's expected to help out. When her sister's wedding falls on the day of their big tournament where a talent scout from America will be present, Jess is forced to make a decision.

This is a really lovely film with many warm and funny moments and situations. The beautiful Nagra, who was so good on "ER" is sympathetic as Jess, with Keira Knightley a feisty Jules. At one point, Jules' mother believes that Jules and Jess are lovers. A very funny performance by Juliet Stevenson as Jules' mother.

"Bend it Like Beckham" covers a lot of ground - compromising your dreams, going after your dreams, prejudice, looking butch, and the perception of women in Indian vs. modern culture. In the end, it's really a story of finding out who you are and not being afraid to state it.

This is a family film. Someone mentioned that it is bashed on this site. I really can't understand that. It doesn't pretend to be anything other than it is - ethnic tradition versus the modern world and a young girl caught in between. No special effects, no enormous names, just a nice story and script with good performances. Very enjoyable.

Thoroughly enjoyable film about a Sikh girl wanting to be a footballer. Highly unlikely in real life but you want her to be victorious and the film is put together very well to hold your attention. Whilst the football element isn't worth very much, the film is well worth watching

`Bend It Like Beckam' is a heartwarming charmer about a young girl's search for identity in 21st Century England. Like `Fiddler on the Roof,' `Beckam' deals with the painful struggles tradition-bound cultures must go through as they enter a looser, more freedom-loving modern world. The culture in this case is that of immigrant and first-generation Indians living in Great Britain. As with all such tales, it is the young folk who feel the need to pull away from the stuffy values of the past, and who end up dragging the reluctant older folk kicking and screaming into the future right along with them.

Jess Bharma is a fairly typical teen with dreams of becoming a world-class soccer player. However, Jess also comes from a very traditional Indian family that believes a girl should not play around with boys, show her legs in public, or aspire to much beyond marrying a good Indian boy and raising a family. We've seen this kind of set-up countless times before and `Bend It Like Beckam' will certainly not win any prizes for creativity or originality. It does, however, have a youthful exuberance and a generous spirit that can't help but captivate even the most diehard, coldhearted cynic. Parminder K. Nagra is utterly winning as young Jess, capturing all the innate optimism and unquenchable enthusiasm of this irrepressible character. She receives superb support from a cast of outstanding actors, both young and old, including Keira Knightley as Jules, her inspirational buddy who provides Jess with the opportunity to bring her dreams to fruition; Jonathan Rhys-Meyers as Joe, the handsome young coach who provides lessons in love along with lessons in soccer; Anupam Kher as Jess' father, who turns out to have some of his own personal demons to deal with; Shaheen Khan as Jess' mother, who doesn't understand why her daughter can't be content with the pre-ordained life her parents have laid out for her; and Juliet Stevenson as Jules' mother, who proves that Indians don't hold a patent on tradition-obsessed parents. In its quiet, gentle way, the film also confronts the issue of racism, particularly in terms of how the Indians are often still treated as second-class citizens in British society.

As directed by Gurinder Chadha, `Bend It Like Beckham' is a light-on-its-feet `feel-good' film that never takes itself too seriously. The movie suffers a bit from a sitcom mentality, as when, for instance, Jules' parents labor under the illusion that their daughter and Jess are actually lesbian lovers. The plotting, in addition to being predictable at times, often seems contrived and excessively melodramatic (the rivalry between Jess and Jules over Joe being the primary offender). But this isn't enough to do any serious damage to the film as a whole.

Thus, if you're looking for a film that is easygoing, uplifting and comfortably old-fashioned in its demeanor and theme, `Bend It Like Beckham' is for you.

This movie might best be characterized as a collection of formulas - underdog sports flick, culture clash flick, generational conflict flick, young-love-overcomes-obstacles flick. The setting of transplanted Indian-ness makes it feel like one of Mira Nair's films - `Monsoon Wedding' or `Mississippi Masala.' There's also quite a bit of youthful, flippant, foul-mouthed, blue-collar London impertinence going on - an episode of `Eastenders,' perhaps.

And yet to dismiss the movie with this quick sketch and a few references would do it a terrible injustice. OK, no, it is perhaps not `great.' It's a feelgood movie, and while it dips a bit into serious subject waters, it doesn't stay down too long. And, it really IS a collection of all these movie formulas - and, I submit, they do exactly what they're intended to do. It's ALMOST too much, but it's not. The formulas lead to their inevitable pay offs, of course, but they pay off in ways that are not quite expected. The final outcome is rarely in doubt, but throughout the twists and turns, the audience (at least the audience where I was watching), find themselves shamelessly twisting their hankies on the sidelines, crying just a little where they're supposed to cry, and cheering when they can't but cheer. There is a point at which you want to stand up and clap wildly - it's not at the end, so you can't, but the audience where I saw it sure wanted to. I think they felt a little cheated that they couldn't. The mood of the end is not one conducive to raising the rafters, but many clapped softly anyway. Granted the movie isn't timed quite right, but it really IS that good - it makes you want to show your gratefulness for the efforts of writer, director, and actors.

Any flaws of timing or plausibility I find I can easily forgive due to the overwhelming charm of the movie's star, Parminder K. Nagra. Her expressions, her boundless energy and defiance, her ability to convey the conflict her character feels between duty to family and wishing for something more - I was completely taken in, from start to finish. This actress is going places. She has the kind of playful wit and irreverence you see in the best early John Cusack, coupled with a depth to play convincing disappointment and struggle. If you love `Say Anything,' with the passion that most true devotees, including me, do - you will love this film. In fact, if `Say Anything' is your favorite film, drop whatever you're doing and RUN out to see this film, before it leaves theatres. Drive 100 miles if you have to. It has that same magic.

It doesn't hurt that Ms. Nagra possesses a true, deep, classic beauty and grace akin to that of, say, a Kelly or a Bergman. I mean, my fellow red-blooded males, this woman is flat-out, drop-dead stunning. She's equally fetching as a feisty tomboy jock (my personal preference) or as an elegant, traditionally clad Sikh woman. Go see it to watch her, even if the subject matter isn't your thing.

It is perhaps not a great movie, but it's one that will, due to its sheer quirkiness and great heart, likely find its way onto the `favorites' shelves of many, and not just young girls aspiring to make it big and become soccer stars. Evidently the movie is a huge hit in England and Germany, and Parminder is well on her way to becoming a superstar. Go out and see what all the fuss is about.

P.S. I must beg to differ with the reviewer who claims that women's soccer is not big in the U.S. Women's soccer is HUGE in the U.S. - there are perhaps ten times as many young women playing soccer in America as in the whole of Europe. The U.S. national team is THE powerhouse international women's team, and has been for almost a decade. Brandi Chastain's shirt-removing gesture in the 1999 Women's World Cup, which graced the cover of Time, Newsweek and Sports Illustrated, has become iconic. Young women from around the world most certainly DO aspire to be on American college teams - North Carolina and Santa Clara, I believe, particularly. American Mia Hamm, far and away the greatest women's player of all time, dominates the sport like a Michael Jordan. I'm fairly sure the U.S. is the only country to have a professional women's soccer league (maybe Japan as well?). This film is fully aware of this. If girls' soccer coaches from age five on up don't make this film required viewing for their team, they should consider leaving coaching.

It's really refreshing to re-visit this film, 16 years later, lots of know British actors, the most famous of course being Keira Knightley. Perhaps football has moved on slightly for women and some cultural traditions too, but I'm sure both still have a relevance.