Das große Rennen von Belleville

Within the first five minutes of The Triplets of Belleville I knew I was about to see either one of the worst films of the year, or one of the best- writer/director Sylvain Chomet and art director/designer Evgnei Tomov have created a (animated) world in which they seem to be in love with every frame, every image, every musical note, and at first there is that sense that this is an off-putting style. But soon I realized that what Chomet and Tomov were doing was much like what Luis Bunuel and Salvador Dali did with their classic Un Chien Andalou. The story is not incomprehensible because it's simple enough so that a child could follow along, and the strategy thus is to tell it with an artistic, intense, mad-cap, whatever you can think to call it, personalized view on the characters and the environments they get themselves into. That the film is from France adds a charm once the elements get skewed (the animators tackle the Tour de France, big cities, ocean-liners, singers, frogs, and the gangster underworld), and that it doesn't have- and doesn't need- subtitles to tell the story is another remarkable feat.

As the film reached into the last act, I then realized two things- 1) this is one of those films, like Un Chien Andalou and The Wall (the great Gerald Scarfe's influence was one that I guessed, though there's probably more I didn't catch on), that won't appeal to everyone. Those expecting a cute French animated film can expect that, however a movie-goer needs to have an open mind to the material, and that the term "cute" would be taken for granted while being immersed in this film. 2) since the film is made like an original, without much compromise to where the story has to be headed or which characters do and say what, at the least The Triplets of Belleville works superbly to create an overwhelming state of mind for the viewer. Personally, I get exhilarated watching a movie where I don't even WANT to expect where the story is headed. Throughout most of the 80 minutes I felt an un-canny faith in the filmmakers that their oddball, free-wheeling visions wouldn't go up in smoke. And by the end I left wanting more for some reason or another. Like I said, some might be turned sour by the execution of the material, yet for others the fantasy-like nature of The Triplets of Belleville should make for an interesting night-out. For one thing, you won't get those frogs out of your mind very easily. A+

From the moment I pressed play on the DVD remote, the whole family was transfixed by this wonderful movie. It was so good, that we immediately watched it again. So what was so good about it? Well, firstly Bruno has to be the best dog (either animated or live) in any movie. The subtle observation of its daily routines are among my favourite scenes. Second, the humour is refreshingly dark and constantly surprising (it's not too far removed from Gary Larson's The Far Side). The scene showing the expansion of Paris to convey the passing of time had us in hysterics. Thirdly, it's just so imaginative. Everything is exaggerated beyond belief. If you like your animation to have a touch of realism, then stay away. In Belleville, things are grotesquely exaggerated. I've noticed a few negative comments about this film, which raises the question of who is going to like it and who isn't. I guess the fairest comment I can make is to say that this probably isn't mainstream stuff. If your favourite movies are summer blockbusters, then maybe this isn't for you. If, on the other hand, you like discovering quiet gems from time to time, stumbling across something a little different on a cable channel, then this could be just what you're looking for.

What a wonderful gem of work this is, and I am glad that it was done RECENTLY.

In a time when Pixar is setting the standard for "animation", here comes a film that makes you remember why you liked animation in the first place. This is a wonderful technique film, a study of art film, an abstract film, a joy to watch. The story might be a bit complicated for most to keep up but the beauty of it is - it's complexity. The grandmother was wonderful as well as the dog and the cyclist -- but what blew me away was the overdrawn charatures of the characters.

And there will be no more "frogs" for me, ladies! :)

A deserved USA Oscar nomination. In a Pixar world, bring on more like these to keep the balance too!

I found "The Triplets of Belleville" to be one of the most charming movies I've had the pleasure of seeing the last couple of years. This delightful movie follows the adventures of Madame Souza, her son, Champion, and their dog, Bruno.

Madame Souza recognizes that something is missing from Champion's life. His parents are, clearly, gone. All he has left from them is a picture of the pair of them on a bicycle. As she silently pieces together what Champion needs to be happy, she and he discover a new life as participants in the Tour de France - he as a competitor and her as his coach and trainer.

They live a life of quiet, simple joys until he is kidnapped, an event that leads to a trip to Belleville for all three. This fictional city will prove oddly familiar to most viewers. Here, Madame Souza is befriended by the titular characters - I will leave the "book report" style commenting here.

There are so many delights in this picture, but I am going to focus on my favorite character, Bruno the dog. I don't think I have ever seen a movie capture a real dog as well as this one does. We see him from a puppy, learn the event that leads him to hate trains, feel anxious for him when he paws at his bowl while the silly humans finish their own dinners, and fear for him when his canine instincts lead him to places of danger.

Throughout this all, Bruno is gloriously canine. He dreams of the things that are important to him, he sees the world as smells and images. He is awesome. Or, perhaps, she is awesome. Bruno is a male name, but many have suggested he is a she.

Anyhow, the other characters are great fun as well, but my heart belongs to this big fat dog. Even if I hadn't loved the rest of the movie (I did), I would recomend it for Bruno alone.

Madame Souza raises her grandson Champion and tries to make him happier with a baby dog, Bruno. However, the boy remains sad, and the grandmother gives a tricycle for him. The boy gets excited with the gift, and trained by Madame Souza along the years, he finally competes the Tour de France. When Champion is kidnapped by two MIBs from the French mafia, Madame Souza and Bruno travel to Belleville to rescue him, with the support of the elder singers, the Belleville Sisters.

What a wonderful surprise "Les Triplettes de Belleville" is! An original, impressive and very bizarre dark story, that recalls the style of Tim Burton, supported by an amazing music score. The scene on the sea, while playing Mozart's Mass in C Minor, is fantastic and maybe my favorite. The city of Belleville, visibly inspired in New York, with a fat Statue of Liberty, is impressive. The intentional exxageration in the proportions of the ships and sky-scrapers is amazing and stylish. The grotesque and ugly characters are very unusual for heroes and even villains, and this movie is basically the opposite of the animations of Pixar and Disney. Madame Souza has a shorter leg; Champion has deformed legs and long nose; Bruno is horribly fat; the MIBs are plane; their boss is very short; the old singers look like witches; in common, all of them are very ugly. I really recommend this movie for viewers that aim to see a fresh idea of animation, with dark comedy and weird adventure. My vote is eight.

Title (Brazil): "As Bicicletas de Belleville" ("The Bicycles of Belleville")