Nach einer Familientragödie überprüft ein rassistischer Gefängniswärter seine Einstellung, während er sich in die afroamerikanische Frau des letzten von ihm hingerichteten Gefangenen verlieb... Alles lesenNach einer Familientragödie überprüft ein rassistischer Gefängniswärter seine Einstellung, während er sich in die afroamerikanische Frau des letzten von ihm hingerichteten Gefangenen verliebt.Nach einer Familientragödie überprüft ein rassistischer Gefängniswärter seine Einstellung, während er sich in die afroamerikanische Frau des letzten von ihm hingerichteten Gefangenen verliebt.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 15 Gewinne & 23 Nominierungen insgesamt
- Ryrus Cooper
- (as Mos Def)
- Lawrence Musgrove
- (as Sean Combs)
Empfohlene Bewertungen
Some might ask why, because there seems to be nothing really happening at all during the whole movie. Some say the plot is predictable and flat, and the characters too. In my opinion this is just not true. Try to tell the story in one or two lines. Most of the movies can be told in just a short summary, but this does not work for "Monster's Ball" at all. E.g. : "A prison guard falls in love with the wife of a prisoner he just executed". This is a simple tagline, but if you think of what could have happened to this basic plot with other directors, actors or script writers, the feeling of the movie goes in ten thousand different directions. But none of them matches this version. And this is, what makes "Monster's Ball" extremely outstanding.
This movie offers so many different plotlines, questions, and in-depth-characters you simply cannot describe the feeling of the movie and what is really happening here without telling every little bit of it. Yes, it's sad, and it's depressing, and it gives absolutely no answer to any problem at all (which we basically all want, while watching a movie). But in the end, despite all the drama, it's full of warmth and hope. And this is what it's all about. Just after the credits begin to appear, you sit there and think - about anything.
Technically "Monster's Ball" is nearly perfect. There is not a single scene, which could be missed and everything is at it's right place. The excellent music goes with well played characters and the timing makes the whole athmosphere so intense you cannot escape and switch off, even if you know that there will be no "great solution" at all. Some might say it's boring, and yes, you're right - but in this case "Monster's Ball" is simply not the movie you expected.
This one plays with anything we expect from a drama, and this is why most of the other dramas fail and "Monster's Ball" works. Other "so called drama" try to give us solutions, great feelings, great moments in life, and all the other rubbish. But "Monster's Ball" is so slow and intense and ignores all of the standard "drama issues" you have to think for yourselve what this is all about.
For me it's about love, hate, hope, racism, father-son/mother-son relationships, escaping from your past life, death, depressions, failures and many other things. Everything is shown and nothing is really explained. Just like life basically is - full of complex problems we create for ourselves. Some of them can be solved in one or another way, most of them we just ignore, and life still goes on, because we are able to exist with a whole universe of lies around us.
This movie is a study in ambiguity. The characters are complex with human imperfection, no one (with the exception of Hank's father, played by Peter Boyle) emerging as completely likable or entirely bad. Hank's son played by Heath Ledger fulfills the adage that no good deed goes unpunished, and it's never clear that anyone truly gets whats coming to them.
I'm not sure one should read too much into this movie as a study of attitudes towards race in today's America, but as a portrayal of human frailty and the continuing quest for hope and optimism, Monster's Ball is a can't-miss film experience.
I found it to be one of those rare movies that deals with racism that doesn't come on too heavy-handed with all the political correctness nonsense. It handled the problem intelligently, I thought.
The cinematographer, Robert Schaefer, did a terrific job with this, too, and that is another reason I have come to really enjoy this film. The visuals - and the audio - are outstanding.
None of the characters are particularly likable but I thought Billy Bob Thornton's "Hank Grotowski" was so interesting a character that I concentrated more on that than whether I liked him or not. However, I wound up liking him, anyway, and boy, did his character change in this film. There is a steamy sex scene in here with Billy Bob and Halle Barry that was quite the talk when the film was released. I didn't think it was all that it was made out to be. I've seen steamier moments such as Alec Baldwin and Kim Bassinger going at it in the non-rated version of "The Getaway."
Overall, this a rough film in spots but I think it is a solid, underrated drama that offers far more than the "celebrated" sex scene. This is a well-made movie.
Wusstest du schon
- WissenswertesBilly Bob Thornton says filming sex scenes made his marriage to Angelina Jolie tough. The actor was wed to Jolie from 2000 to 2003, during which time he filmed this movie - featuring explicit scenes with Halle Berry - which put pressure on them both. He told The Sun newspaper: "If you are an actor, even doing a Disney movie or cartoon voices, you could still be away from each other for six months. Look how it applied to me. I go away and do a film like Monster's Ball with a very explicit sex scene with Halle Berry. She is one of the most beautiful women in the world and I am talking on the phone to my wife, and she says, 'What have you been doing today?' And I say, 'Oh, I did that sex scene with Halle Berry.' You are then asked if you actually touch her. I say, 'I had to - it's in the scene'. Other people's situations are hard, with areas of doubt. But if you are a thousand miles from home on a film set simulating sex with a beautiful woman, it's even tougher."
- PatzerThroughout the movie there are conflicting references to its being set in Louisiana, Mississippi, or Georgia although the movie was filmed entirely in Louisiana.
- Zitate
Sonny Grotowski: You hate me. You hate me, don't you? Answer me!
[angrily]
Sonny Grotowski: You hate me don't you?
Hank Grotowski: Yeah, I hate you. I always did.
Sonny Grotowski: Well I've always loved you.
- Crazy CreditsThanks to Sam, Austin, Gabrielle. Scott Lambert is thanked twice.
- Alternative VersionenThe initial cut of the picture included more explicit footage during the sex scene between Halle Berry and Billy Bob Thornton, which was trimmed down after the MPAA threatened to give the film a NC-17 rating. The uncut version premiered at the Berlin Film Festival on February 8, 2001. The R-rated US theatrical release is the cut version; the version released theatrically in Canada and most other countries is the uncut version.
- SoundtracksBroken Up and Blue
(1998)
Performed by Red Meat
Written by Jill Olson
Published by Olson Girl Publishing (ASCAP)
Administered by Bug Music, Inc.
Courtesy of Ranchero Records
Top-Auswahl
- How long is Monster's Ball?Powered by Alexa
- What are the differences between the R-Rated version and the Unrated Version?
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- El pasado nos condena
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.273.922 $
- Eröffnungswochenende in den USA und in Kanada
- 110.552 $
- 30. Dez. 2001
- Weltweiter Bruttoertrag
- 45.011.434 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1