Maniacts

I don't know who designed the cover art for this movie...but they have NO idea how to market a good movie. Based on the cover art, which depicts a ghostly, screaming face with metal things holding the eyes, nose and mouth open, I thought this was just another post-90s garbage, straight-to-video horror romp following in the footsteps of other crap like Python, Subterrano, The Vault, She Creature and Dead and Rotting. What I was presented with WAS IN FACT not a horror film by any standards. The film begins with the arrest of a psychopathic killer (Jeff Fahey) and an atmosphere of a cliche suspense. Then what follows is a tongue-in-the-cheek look at a corrupt mental institution where the inmates are abused by the guards. The humor, especially Fahey's impersonation of Christ on the cross and other antics which get him sent to solitary, and his romance with woman whose violence is induced when hit in the face, drive this relatively entertaining film that ultimate concludes in a literally depressing manner. Worth watching, provided you can force yourself past the HORRID box art.

I'm a big fan of slashers and thrillers, so I grabbed "Maniacts" from the video store thinking it would be right up my alley. Imagine my surprise when it completely went against my expectations and left me stunned -- in a good way.

Joe and Beth are our "heroes" in this offering, convicted serial killers living in a corrupt insane asylum for violent felons. Once the two meet, we are taken on an increasingly gripping ride loaded with fascinating twists and turns. Director Curt Cressler has given us what may be among the finest pair of psychotic murderers/lovers ever presented, complemented that coupling with a well-played secondary protagonist and given us villains we can't help but despise from the get-go.

But what left my jaw hanging (almost literally) was the ending. The bizarre couple's relationship takes an unexpected turn, then leaves you throbbing in the chest and smiling all the way to the credits. I can't remember a finale this good on a budget this low in many years.

Definitely give this one a look-see. It's not high-dollar slick and overly filled with clichés, which should be all the more reason to check it out. I'm a gore monger and a thrill rider, and this film threw me for quite a (pleasant) loop.

I saw this movie at the Santa Fe Film Festival in the beginning of December I also worked on it for a day, I thought it was great, witty and intelligent a fun movie. I recommend anyone who notices this movie coming to there town go see it, we had 3 sold out showings in Santa Fe and nothing but good things were said about the movie.

I agree with other users comments I picked this up as an ex-rental for about £1, thinking it was going to be remotely enjoyable pap. But it is a very funny, dark and original take on mental insanity. It has everything good gore, great dialogue, especially some of Jeff Fahy's one liner's, and a story & plot that keeps you interested & care about the two main characters. I can't understand why this has not had greater recognition, The cover does it no justice, as my summary say's it is a type of poor mans Benny & Joon, Eg two complicated souls trying to find themselves in society. The film is also dedicated to Jo Spinel of such fame as, Taxi Driver, Maniac, Fanactic & The Godfather. A fine film and worth seeing if you get the chance

It's hard not to have your attention grabbed by the poster for this film, a disturbing closeup of a demented face in "scream" pose with highly unsettling wire thingees going in and out of the face's nostrils, mouth and eyeballs. The marketing wizard who came up with that image needs to apply for a job at Asylum Films (the low budget studio that brought us such masterpieces as "Sharknado" and "Sharknado 2: The Second One"). This film, "Maniacts" is actually a love story/road movie along the lines of Tom Tykwer's "Heaven", David Lynch's "Wild at Heart", or--this is a stretch but--possibly the Wim Wenders epic "Until the End of the World".

If you're not familiar with those flicks then I'll try to explain. The story presents an odd romance between 2 fugitives on the run, taking us through episodic events that are seemingly unrelated (sort of like a modern Alice in Wonderland) but ultimately bringing the story to a powerful conclusion. Yes, there are bits of action, violence and terror in the beginning, but these are handled with a very tongue-in-cheek attitude, and this soon evolves into a slower-paced drama as we follow the journey of these 2 oddballs in love.

Joe & Beth are convicted serial killers locked up in a torturous mental institution worse than anything we saw in "One Flew Over the Cuckoo's Nest". This part of the film is a bit disturbing but that's offset by the satirical, comedic presentation which I really enjoyed. Joe is a bit of a simpleton, almost like the dumb loveable brute Lenny in "Of Mice and Men" while Beth is the brains of the outfit. Their initial meeting and acquaintance is really fun and entertaining, and their chemistry is phenomenal. Stellar acting by both, and sadly I must mention that the actress who played Beth (Kelly Waymire) died 2 years after this production with it being her final feature film. Real shame because if this movie was any indication, she was a very talented actress with extreme diversity.

The title "Maniacts" refers to 5 acts, or chapters, depicting their story. Intertitles introduce each one, such as "Art is a Maniact", "Love is a Maniact", "Faith is a Maniact", and so on. (Note: I may have miscounted, but I'm assuming that there were 5 because that's the standard Shakespearean dramatic structure, as well as the way your 10th grade English teacher probably taught you to compose an essay). The point being, there is an interesting structure holding this film together even though the different episodes may seem random at first.

I see that other reviewers really liked the direction the story took and the ending it gives us. Me personally, I didn't really like the way things were wrapped up because things shifted very suddenly toward the end, but that's just a personal opinion, not an artistic criticism. The cheeky vibe of the first 30 minutes evolves into something more serious, sentimental and dramatic, which was handled well, but it can be a bit hard to digest if you're not expecting it. I feel like the film could have been at least 30 mins longer so that the final events could slowly emerge rather than suddenly hitting us. But maybe if I watch it a 2nd time with that in mind (or maybe if you watch it forewarned) it'll be a better viewing experience.

Also be forewarned that this is a "low budget" production, meaning there's no Hollywood gloss. But that doesn't mean that it looks cheap. It's actually very well done within the constraints, and I imagine if this were ever remastered in Blu-ray HD (as I type this in 2019, eighteen years after the film's release, the only available copies are VHS and DVD, both at full-screen 4:3) it might be a real treat for the eyes especially when they get to the natural desert landscapes of Santa Fe where it was filmed. But alas, this is probably the best we'll get so you'll have to lower your viewing standards a bit. If that doesn't scare you off then this is definitely a worthwhile watch.

In any case, do NOT judge this book by its cover. It's not horror, it's not really a thriller or an action flick or even a comedy, even though all those elements figure in. Think road movie romance with a dark, violent setting & quirky characters, and proceed from there. One thing I'm sure everyone can agree on: if they ever reissue this on home media, I hope they change that damn cover!