Nick Fallin ist ein angesagter Anwalt, der in der überaus erfolgreichen Anwaltskanzlei seines Vaters in Pittsburgh arbeitet. Leider hat das High Life Nick Fallin in den Schatten gestellt.Nick Fallin ist ein angesagter Anwalt, der in der überaus erfolgreichen Anwaltskanzlei seines Vaters in Pittsburgh arbeitet. Leider hat das High Life Nick Fallin in den Schatten gestellt.Nick Fallin ist ein angesagter Anwalt, der in der überaus erfolgreichen Anwaltskanzlei seines Vaters in Pittsburgh arbeitet. Leider hat das High Life Nick Fallin in den Schatten gestellt.
- Für 1 Primetime Emmy nominiert
- 6 Gewinne & 10 Nominierungen insgesamt
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i don't like most TV drama, but i like this show. it has an edge, has some dark characters, and tackles some heavy issues in an intelligent manner. i especially like how Nick keeps getting into trouble, but is still such a lovable character. Think it'll last for a while.
The Guardian is hands down the best drama currently on television. It's amazing to me how Simon Baker has never won an Emmy for his portrayal of Nick Fallin - the ex cocaine addict who's forced to put in 1600 hours of community service as a child advocate for the legal aid services center in Pittsburgh. This is in addition to being a principal partner in his father's corporate law firm. Watching Nick run from the courtroom to the board room (and occasionally the bedroom) and back again with nary a moment to gather his thoughts can leave the viewer exhausted by the end of the show but this is also part of its appeal. We can feel Nick's stress and associate it with our own harried lives.
None of the central characters on this show are without their flaws - Nick is often aloof and emotionless - caring more about corporate mergers than whether or not he is best serving the interests of those he defends during his community service. He rarely gives his downtrodden, legal aid clients a second thought once he has finished representing them. His father, brilliantly played by the veteran character actor Dabney Coleman can also be abrasive, manipulative, callous and, as the second season finale graphically showed also violent and dangerously obsessed with a twelve year old girl he took in as a foster child. The interaction (or lack thereof) between the two, neither whom is able to really show their true feelings towards one another is often painful to watch.
The rest of the cast with the exception of Wendy Muniz are all expertly cast. Charles Malik Whitfield as James Mooney, the ex gang member who has escaped the ghetto to become a lawyer for the legal aid group is both menacing and heroic at the same time. One powerfull episode has him almost beating to death a young black man who he has been told caused the death of his troubled nephew. He later discovers that this person was innocent and must deal with how to come to terms with almost killing and disfiguring an innocent man. Raphael Sbarge as Jake Straka, another success driven lawyer at Nick's firm, makes us think of all the lawyers we have known who can barely give us the time of day unless the reward is large enough. Alan Rosenberg who plays Alvin Masterson, the director of the clinic, tries to keep the chaos controllable even while fighting his own demons which include an unhealthy weakness for some of his former female clients. Only Wendy Muniz fails to convince in her role as Lulu Archer, another one of the legal aid lawyers. The series' writers seem unable to decide whether she should be a foil to Nick or just another lovesick conquest. Their romantic scenes together lack passion or chemistry and often seem contrived.
All in all though this is a thoughtful, powerful, and at times, emotionally brutal show. Enjoy it while you can - it's sure to be short lived.
None of the central characters on this show are without their flaws - Nick is often aloof and emotionless - caring more about corporate mergers than whether or not he is best serving the interests of those he defends during his community service. He rarely gives his downtrodden, legal aid clients a second thought once he has finished representing them. His father, brilliantly played by the veteran character actor Dabney Coleman can also be abrasive, manipulative, callous and, as the second season finale graphically showed also violent and dangerously obsessed with a twelve year old girl he took in as a foster child. The interaction (or lack thereof) between the two, neither whom is able to really show their true feelings towards one another is often painful to watch.
The rest of the cast with the exception of Wendy Muniz are all expertly cast. Charles Malik Whitfield as James Mooney, the ex gang member who has escaped the ghetto to become a lawyer for the legal aid group is both menacing and heroic at the same time. One powerfull episode has him almost beating to death a young black man who he has been told caused the death of his troubled nephew. He later discovers that this person was innocent and must deal with how to come to terms with almost killing and disfiguring an innocent man. Raphael Sbarge as Jake Straka, another success driven lawyer at Nick's firm, makes us think of all the lawyers we have known who can barely give us the time of day unless the reward is large enough. Alan Rosenberg who plays Alvin Masterson, the director of the clinic, tries to keep the chaos controllable even while fighting his own demons which include an unhealthy weakness for some of his former female clients. Only Wendy Muniz fails to convince in her role as Lulu Archer, another one of the legal aid lawyers. The series' writers seem unable to decide whether she should be a foil to Nick or just another lovesick conquest. Their romantic scenes together lack passion or chemistry and often seem contrived.
All in all though this is a thoughtful, powerful, and at times, emotionally brutal show. Enjoy it while you can - it's sure to be short lived.
This series has potential as a legal drama. The twist is that the main character has been busted for drug use and been sentenced to community service with children, making him look at things from a whole new light. The performances are good, and I like the premise. I might recommend this one if you like Simon Baker and Dabney Coleman.
I know I watched this when it was on air but somehow watching it streaming as a sort of marathon makes it more powerful. Others have commented and disagreed on the acting also speculated why the show didn't last. I wanted to add my couple of cents. Simon Baker basically does play the same role in the Mentalist, (savior) but smiles and wins more hence the show not being canceled. In the Guardian, the hero does not always win, the ending is not always happy and the characters are always flawed. This might be too much for network TV. The theme song and introduction are obnoxious when compared with cable shows such as Dexter, Oz. Lulu's character is not written with as much depth as the others so its hard to fault the acting. I think the viewer felt a bit manipulated by the drawn out back and forth with Nick. Its always hard for writers to get over the hump of what to do with all that sexual tension. Just look at what happened to House. Dabney Coleman is brilliant in his intensity. This show has many shades of gray and is very much worth watching.
The pace of each episode is unusual giving lots of pregnant pauses after each clause of very well written and realistic dialogue. The characters are very flawed and real and I really enjoy the juggling of the legal aid clinic and big corperate law. They have 2 stories in one show that reflect sometimes on each other giving us more occasions to think about the world that the show is based on. The lack of phyisical contact with Nik and clients really increased the tension. You know he wants to hug those kids. Also Dabney Coleman gives a stellar performance of your chain smoking aging corperate lawyer who has many regrets in his life but also really enjoys his job. I could go on and on but Kudos to the producers of this show and keep up the good work.
Wusstest du schon
- WissenswertesInspired by the work of Producer David Hollander's brother, a child advocate lawyer.
- VerbindungenFeatured in CBS Sneak Peek (2001)
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What is the Japanese language plot outline for The Guardian - Retter mit Herz (2001)?
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