En la puta vida

Great movie from a country with little cinematic history. Interesting story, very well told. The actors are quite believable and grab your attention from start to finish. Highly recommendable viewing, both for Uruguayans and for other Latin Americans or anyone who enjoys good movies.

A very well done movie about a young girl's life in Uruguay,a real life based history,with a touch of humor and freshness. The history about an ugly reality and the girl's pursuit of her dreams and happiness while trying to take care of her two sons.

"La puta vida" is an outstanding film that captivates with its profound narrative delivered in a refreshingly original manner. Echoing the stylistic flair of Pedro Almodóvar, the movie masterfully intertwines drama and comedy, creating a compelling and multi-dimensional story. Its rich storytelling, combined with sharp wit and emotional depth, makes it a hidden gem worth discovering. This film is a testament to the power of blending genres to offer a unique and memorable cinematic experience.

Based on real events, it exposes the harsh reality faced by Latina women, uncovering a shocking network involving police officers and prominent business figures in a human trafficking ring aimed at exploiting women in Europe. I highly recommend watching it to gain insight into this stark and crucial issue.

This Uruguayan film, one of the most popular films shown at the recent São Paulo Film Festival after breaking box office records at home, is a funny and intelligent film.

It addresses an important ongoing, unresolved pan-Latin American issue which, inexplicably, has not been depicted as it deserves to be, in either Spanish or Latin America cinema. That is, up to now.

Since the 1980s, unemployed, impoverished Latin American women have been lured to Spain, somewhat knowingly or unknowingly, to support their families at home through prostitution. However, once in Spain, these women´s passports and freedom are taken away. They become sex slaves, often with no way out, with no pay, and no one to turn to for help.

This film, mixes comedy, drama, social commentary, tragedy, and the sense of hope, all to great effect. If it plays at a film festival near you, as it may soon, I would definitely recommend this unusual, funny, and touching film.

I had not seen a film as moronic as this in a long time. It plays with prostitution as if it were a "to be or not to be a virgin" comedy starring Doris Day, but even in her vehicles Doris was not as dumb as the main character in this motion picture. Elisa is a vulgar and amoral young woman, a cruel daughter and a terrible mother to two little boys, who leaves the paternal home, breaks up with her boss and lover, quits her job and enters the prostitution world as first choice, to raise money for opening a beauty salon with Lulú, her empty headed partner who introduces her to Madame Jacqueline's brothel. She ends up in Barcelona (Spanish locations, actors or characters are prerequisites in most co-productions done with Spain) with a mafioso lover and Lulú, gets involved in quarrels with Brazilian transvestites that lead to murder, and dealings with policemen. Not even then the film shows a bit of concern for the real facts it is based on, but rather goes on accumulating clichés, that turn Elisa into "Our Lady of the Whores". Bad acting by both lead male actors (Argentinean Silvestre, and Catalan Josep Linuesa) does not help this mess, ironically directed by a woman. Raise a few points if you will for fine technical aspects that can be bought by moneys from so many co-producers (Uruguay, Argentina, Spain, Cuba and Belgium).