Regarded by many as the Thai epic that was successful enough to launch a new wave of internationally-popular movies from Thailand, BANG RAJAN is similar to Hollywood's BRAVEHEART, and just as interesting. That's impressive alone, seeing as the budget is about a thousand times lower than the Mel Gibson epic, but when you consider that the bloody battle sequences are just as good as in that and the likes of THE LAST SAMURAI, you'll realise that BANG RAJAN is a very good film indeed. The movie tells a SEVEN SAMURAI-style tale about villagers holding out against an army, and that cues two hours of bloody mayhem, heartfelt speeches, strong character building and tons of suspense. The budget is low and the camera-work sometimes choppy, but that's where the negatives end; in all other respects this is an epic movie with a high entertainment value.
I always feel that 'true story' movies – like this one – have an extra 'oomph' to their fictional counterparts, and knowing this really happened makes BANG RAJAN a really interesting film to watch. Some Western viewers have found problems with the villagers themselves, seeing as they all have the same haircuts, are all mostly naked, and all look pretty much the same. That's not too much trouble though, as the main characters are easily distinguishable, from the drunken axe-wielding guy (who reminded me of Ajax from TROY) to the moustachioed hero and the younger family man and his pregnant wife. Acting from the unknown cast is surprisingly strong, and combined with a workable script, you end up with characters you really care for – and shed a tear or two about – in the battle sequences.
The latter are varied and exciting, and easily the best parts of the movie. This film is chock-full of action and it never lets up, delivering more and more bloodshed until the exciting, climatic showdown. Thai filmmakers don't skimp on the gore either, so there are tons of bloody arrow hits, decapitations, flying limbs and people being blown to smithereens; sure, they're all shown very quickly, almost glimpses, but somehow that makes the battles seem more realistic and more hard-hitting. Sometimes the film transcends predictability and becomes inspired, like the bit where the heroes ride massively horned buffalos into battle, or when the villagers decide to make their own cannons from scrap metal. Other images, like the husband and wife on the battlefield, or the warriors emerging from the river, really stick in the mind for days to come. All in all, this is a highly rewatchable war film that offers pretty much everything for fans of the genre; even the cheapo special effects (like the digital explosions) are good enough to convince.
