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This is a movie about secrets. Those we have. Those we share. And those we'll do anything to protect.

Rowena (Halle Berry) is an investigative reporter who has perfected the art of exposing other people's secrets. So when childhood friend Grace Clayton, who was having an affair with married advertising executive Harrison (Bruce Willis), turns up murdered, Rowena is determined to find the truth. Thanks to her associate, tech-savvy Miles (Giovanni Ribisi), Rowena gains access to Grace's e-mail and learns that Grace was threatening to go to Hill's wife. Armed with that knowledge, Rowena goes undercover and becomes the perfect stranger – first as a temp, Katherine, in Hill's advertising agency, and then as Rocketgirl aka Veronica, another one of his online paramours. She watches the unsuspecting Hill from all sides, taking note of his wife doing the same. This is a man with an appetite for power, a weakness for women, and a wife on alert. But in exposing Hill's secrets Ro unwittingly discovers a connection between Grace and two significant people in her life; her boyfriend, Cameron (Gary Dourdan) and her best friend, Miles, leaving her feeling confused, betrayed, and with no one to trust on this journey. The closer Ro gets to the truth, the more we begin to ask:

What was this secret Grace had?

And why would someone kill to protect it?

In a film about secrets and advertising, not everything is as it seems.

This film touched me when i watched at a movie theater mostly as the last film of the young director Sergei Bodrov Jr. The story of a possible kidnapping of a child is common but you feel weird watching this film, you consider the power of money is above the human souls, bodies and lives in the birth of a new nation from its ashes... It was very melancholic to notice that S. B. Jr. is dead and SYOSTRY was his first and last movie. For this man and his dream to show us the new "corrupted" face of Russia the jobbery and the "corrosion" comparing with old "pure" and bureaucratic face of USSR, this is like an ode to life and death. He seems to fight the mobs inside the "story" even if the happy end became really "deadly" to this young cinematic "poet" through the strong family relations between two sisters, the "old Russia" and the "new Russia"... the Russia of Capital and the modern gangsters...

Music of the film was lyric, melodic and full of different emotions with sadness being the top as Victor Tsoy is dead too, as much many realistic things happened we felt spooky and chill more about the young children or adults "victims" of "mobs".

This is a must to see if you love Russian cinema, old or new, and i am sure that you will be touched very much. The