Showtime

I cannot understand why so many people did not like this film. Robert De Niro was on top of his game, delivering his lines with such aplomb, one has to believe this is his everyday demeanor. Granted, the film seemed to take on many buddy-film conventions while trying to make fun of the concept, it goes without saying this film was genuinely funny. From the police dog, to the fact Eddie Murphy didn't annoy the heck out of me, this film is a real keeper. Rene Russo also evened out the rest of the cast perfectly, establishing her role so it does not interfere with the budding relationship between De Niro and Murphy.

Honestly, I've never understood the hate for this movie. Is it the best buddy cop or action comedy movie? Obviously not. Have both Eddie Murphy and Robert DeNiro made better movies? Of course. Does that mean this movie sucks? Not in my opinion.

Most of the people who watched this probably came for three reasons:

1. They liked either one, or both, of the two main stars.

2. They like buddy/buddy cop action comedy films.

3. They came because of both of the first two reasons.

Now, as I said, obviously it's not the best movie, but it was originally intended as a satire, or at least as a little jab, at the 'buddy cop' genre, so naturally it's not going to take itself incredibly seriously. Some have made the case that the film ends up becoming the kind of movie it's supposed to be making fun of, and while that's true, it still ends up being enjoyable.

Critiques:

If you like the loud, potty-mouthed, confident, hilarious, charismatic Eddie Murphy from the 48 HRS or Beverly Hills Cop movies, you will get a little of that, but not as much as you're probably hoping for. Now, obviously, Eddie will have some funny scenes just because he's Eddie Murphy, but he is still limited by the script, and it doesn't seem like he ever is able to really cut loose or be himself, and some of his lines can feel forced at times.

Now, while I didn't find the main plot to be that bad, it is still not the best, and it's not super-engaging. The plot is that two very different police officers (Eddie Murphy, Robert DeNiro) are approached by a TV studio who are looking to make a hit buddy cop show, and the two are coerced into going along with it as the stars. This does prove for some interesting moments, but it's not enough to carry a movie on.

The other main plot, which one could argue, devolves the movie into becoming just like any other buddy cop movie, is the suave, sophisticated, nefarious, foreign arms dealer who rolls into town selling high-powered weaponry. It's not incredibly interesting, but it serves its purpose, and it does take a back seat to the TV show plot, at least until the third act.

As for comedy, this flick did have some funny moments, but it just didn't seem to really try, and other times, it didn't try at all. Overall, it is funny, but not as funny as a lot of the films that it's trying to be.

Postive Things:

The action, at least what's there, ends up being pretty well-done, at least the large-scale car chase about halfway through, the bar fight, and the final climax. I'm glad that the movie didn't focus solely on action, as the action wasn't the point of the movie, but the action that is there, while fine, did't feel entirely realistic, or just not super engaging, but I did like it.

I did enjoy the disagreeable chemistry between the leads, and I definitely think that Eddie Murphy saved this movie, even if he wasn't at the top of his game.

Director Tom Dey hasn't done much, but he does have "Shanghai Noon" as one of his credits, which is honestly a much more enjoyable film. I'd definitely recommend that one over this film.

Overall, I did like it, but it didn't need a sequel, and I'm glad one never came. 6/10.

Showtime (2002)

In 2002, Murphy tried to move away from the kid friendly movies to disastrous box office effect. He started off the year by teaming with Robert De Niro (who was reinventing himself as a comic actor) in this Buddy Cop Picture.

Plot In A Paragraph: Two very different cops are forced to team up on a new reality based television cop show, while tracking down the manufacturer and distributor of an illegally made semi-automatic firearm.

It starts off well (especially the first 30 minuted or so) and I was enjoying myself. Sadly, it ends up becoming the type of movies it is making fun of. So it's early promise is not fully lived up to, but I still liked it.

There is decent chemistry between the two leads. Every good scene in this movie features De Niro and Murphy. Usually without specially effects or action. William Shatner shows up to give Murphy and De Niro acting tips which is a lot of fun.

All in all, it's an enjoyable action comedy for me.

Showtime ended 2002 as the 70th highest grossing movie of the year, with a domestic haul of $38 million dollars. Against an $85 million budget.

SHOWTIME(2002) (3/5stars)

Starring ROBERT DE NIRO EDDIE MURPHY RENE RUSSO And WILLIAM SHATNER

In the new cop-buddy film Showtime, Robert De Niro plays Mitch Preston, a tough NYC cop, who in the opening credits distinctly points out that being a cop is nothing like the movies portray with their clichés . Eddie Murphy plays Trey Sellers, a cop who dreams of acting in films. After Mitch shoots out a TV camera at a crime scene, a network executive (Rene Russo) decides that they will sue the police department, unless Mitch agrees to be part of their new reality based cop show. When Mitch is forced to become part of the show, he ends up getting Trey Sellers as a partner. Trey is nothing like Mitch. Trey is goofy, doesn't follow standard police procedures, and doesn't take his police work seriously. Mitch is the exact opposite. So here comes the average cop-buddy film, right? Two opposites, forced to work together, who in the end patch everything up and become best friends? Not exactly.

What makes Showtime different from the rest of the cop-buddy films in the genre, is that the whole situation is different, and is not exactly what you'd expect. Never before has a cop-buddy movie had the officers followed around with a camera. So with this in mind, this movie might be great, right? Again, not exactly.

The problem with Showtime is, it could have been so much better. The camera really could've gotten some funny stuff. But in this film, instead of focusing more on the fact that they're constantly being filmed, most of the film we don't see the camera man following them. We see them at home, or talking about things, doing things. We never see the camera man with them. The film focuses more on what it's like to be followed by a camera, instead of WITH a camera. What I mean by this, is that we are shown footage of how Mitch and Trey react AFTER filming. It's like a celebrity bio. We see them behind the camera, their ordinary lives, and how they cope with paparazzi and spotlight. However, in Showtime, that's not what we want to see. We want to see the camera chasing them the whole way through the movie. We want to see Mitch and Trey react on the spot, dealing with the camera THERE and THEN, not later. It would be so much more of a fun movie, if we could just see Mitch and Trey, the whole time being followed on the street, getting into funny situations instead of what Showtime gives us-a look at how Mitch and Trey deal with it after their work day is over, and the cameras stop rolling. I'll admit, this happened a few times in the film, but it should've been more. The director really missed out on a funny movie here, by not portraying it the right way, and not taking it in the right direction.

We find the plot in this film, to not really be taken seriously at all. No one really cares. At one point, Mitch and Trey get a big lead, and the camera doesn't show them react at all to it. They just go off, and we see them joking around driving in the car again.

The acting in Showtime was good, but the chemistry between the characters wasn't all that special. Nothing jumped out at me with DeNiro and Murphy. I've seen much better chemistry between actors. It wasn't horrible chemistry, but it wasn't great, either.

All in all, what Showtime could've been, it isn't. It more or less forgets the cameras are following these cops, and just leads us away from caring about anything going on. Showtime is like a mix between Lethal Weapon, Beverly Hills cop, COPS, and Turner and Hootch. It may sound like a weird combo, but it's true. Some of those films/shows are great, but if you combined them the wrong way, with wrong directing style and progression, what would you get? Showtime.

So, do I recommend this film to you? Believe it or not, yes, I do. Because though it wasn't great, and wasn't half of what it could've been, it's still got some funny moments, and Robert DeNiro gives us the ‘ol tough guy cop image like some of his other films, and Eddie Murphy redoes his `Break all the rules/procedures, goof off and triumph!' attitude. So though Showtime isn't great, a one time viewing isn't going to hurt. DeNiro's expressions throughout the movie help a lot. That's why I recommend renting and viewing the film once. 3/5 stars, enjoy!

Of course, I could be wrong but I seriously doubt that the film in question, Showtime is not to too many folks the greatest movie ever made. However, Showtime is a pretty decent buddy action/comedy that is fairly entertaining. Eddie Murphy and Robert De Niro are a mismatched pair of cops that are working together and are being filmed on a reality cop show called Showtime. Both of these actors are great at what they do with De Niro being an excellent dramatic actor Eddie is a comic genius and while Robert De Niro is one of the best actors of his time Eddie Murphy is equally talented in the comedic realm. Also, both of these guys worked with director Martin Breast and made two of the best action comedies, Beverly Hills Cop and Midnight Run. Showtime can't really hold a candle against either of these classics, but still is pretty fast paced, lighthearted and action packed entertainment. Both Murphy and De Niro are great here, but the film itself is nothing spectacular. You could do much worst for an evenings entertainment and this is in my opinion, Eddie Murphy's best modern comedy that suites my tastes much better than the crappy family movies he has focused on since his classic period in the 80's and early 90's.