Double Vision - Fünf Höllen bis zur Unsterblichkeit

David morse is a underrated actor that is for sure. He and Tony lueng balance alot of this film on there shoulders which is ok since they can pull it off. Between them and the director they did a good job creating sympathy for the main characters.

This is dark and brooding some times brutal serial killer mystery that has a few really well crafted surprises. I missed a chance to see this on the big screen at the SD asian film fest and i regret missing it. Too bad it played at the same time as giant live action transformers in the returner.

Good pick for fans of asian horror but in that genre nothing beats tell me something and the eye.

When Edgar Allan Poe wrote Rue Morgue and other Dupin stories, he is said to have created two branches of the detective-novel: the sensational and the deductive. Trying to reconcile elements of the detective with the supernatural the way traditional Taiwan has married Westernization, DOUBLE VISION--quite the adequate title--is a hybrid worth watching for its bastardy. The detective part suffers when the movie ventures into the supernatural, and the former has holes of its own without the latter. However, once you've taken the Red Pill and bought the protagonist's story about his daughter, these holes in logic somewhat become intrinsic to elements of the supernatural, and the unexplained becomes the unexplainable that is plainly accepted. This fallacy grows on the film like the hallucinatory mold the plot revolves around, and DOUBLE VISION gains dreamy and poetic dimensions. Undoubtedly, this is not the deductive type of mystery--the cancer of sensationalism is as terminal as a brain tumor better left not operated: it is the entire charm of the movie.

Double Vision is definitely one of the best Asian horror films I've seen in the last few years, and definitely the best out of China/Taiwan.

A dark film with a good storyline (though yes, the last part of the film is a bit hazy), and excellent characters and actors. A real unexpected pearl, far better than what I had expected from promotional material when it was first released.

A very refreshing change to the usual Korean/Japanese/Thai ghost films, it is genuinely frightening without being deliberately gratuitous.

The temple scene mid-way through the film remains my favourite scene, so fast and well done that you're left utterly shocked by the time its over.

For a good dark supernatural horror film, or for something completely different to the increasingly done to death Asian ghost/horror film with long black haired ghosts, see this one.

I am not a devotee of Hong Kong or Asian movies. What initially attracted my attention to Double Vision was the presence of David Morse. Over the years he seems to have had a knack for showing up in interesting, if offbeat, films. This movie is no exception to that pattern. The acting of the leads is good to above average. I don't want to duplicate the comments expressed so well by others. Let me just say that I concur with the general opinion that the film goes offtrack in the third act. Up to that point it relied on the characters of the leads and exposition on Taoism. After that point it veered off into supernatural confusion. However, all in all, worth the viewing.

This film had an engaging premise. A murderer is shooting pellets laced with a mite-bearing, extremely hallucinogenic mold into air conditioners of intended victims. The victims then destroy themselves in a manner orchestrated by their killer.

Now here is the disappointing part... The film could not decided if it was going to remain a mystery or a supernatural thriller. Unfortunately, by the time the credits rolled, I really didn't care.

There are several different sub-plots traveling straight together in the first half of the film. Tony Leung Ka Fai plays a cop failing to cope with the attempted murder of his daughter and the suicide of a corrupt fellow officer he helped bring to justice. His daughter won't speak and his neglected wife is seeking a divorce. Amid the murders, Leung Ka Fai learns that a FBI agent specializing in behavioral science and assigned to work with him, has been summoned by his superiors for show. One of his fellow detectives alludes to this and that the government might have a malevolent purpose behind this. The investigation points towards supernatural forces, and we are led into a temple where we witness a murder take place in the midst of what appears to be a Taiwanese Satanic ceremony.

All this flies straight together, but then each veers off in a separate direction, and in order to make sense and keep up with the story line, the viewer needs "double vision."