Mein Bruder Tom

'Teenage love is rarely this painful.' said the blurb outside the cinema. 'My Brother Tom' is a film full of pain and sadness. This film has not been written for fun, as entertainment, nor as a job of work, but has been wrenched out of the reality of someone's suffering. It shows life from the perspective of a child who has experienced and seen things more painful than her tender years can accommodate. But it does not leave one without hope. The director has been courageously faithful to the script and the challenging roles are fulfilled without self-consciousness. The film bears a degree of honesty that is rarely seen in life, let alone on screen, and perhaps for some viewers it will be too much. 'Man cannot bear too much reality'. It also carries an exhilarating sense of freedom - the two children have been let down by society, and understandably and with true childlike spirit they abandon it. They choose for their home the 'good wood', and the film's sense of hope comes from nature. Society may be 'f***** up', but mother nature is a refuge, full of nurture and protection and love.

Theologically speaking - for though in a sense iconoclastic the film is not secular - it is the product of an age in which the Church has become a shrine to its own conventions, and has lost sight of the 'living spirit' which was once its source. Thus far from being offensive to the religious, 'My Brother Tom' is on the side of the Spirit, desperately wanting to resurrect the Spirit from the sepulchre of conventional 'religion'.

As for the hand held camera, I did not once find it an irritation or a distraction, as I did occasionally, for example, in 'Festen'. On the contrary, it suited the film, adding to its wildness and immediacy in a way I never really believed that this technique could.

If you regard film as primarily for relaxation and entertainment, this is clearly not a film for you. If, however, you are someone ready to wrestle with all the truth and pain that this world holds, and if you regard film as a fit medium for this wrestling, then do not miss 'My Brother Tom'.

The way it is haphazardly edited, the poor quality of the sound and the general disturbed nature of the plot and it's character's, all suggest that Dom Rotheroe has been watching too much of Lars von Trier at al.

We begin with 15 minutes of absolutely nothing - walking to and from school, little dialogue, little plot development apart from a hedgehog and the odd jump from a tree. But this laboured pacing sets us up for the almost 'mentioned-in-passing' rape of a young schoolgirl by her teacher. In her own bedroom. With her mother downstairs in the living room. We know from here that what we are watching is pretty serious stuff.

With an air of 'Heavenly Creatures', the two kids become almost inseparable, stripping off but doing little more than feeling each other and banging foreheads - we are shown an extremely intense relationship between two seriously messed up children.

I thought I recognised the girl who played Jessica from somewhere else, but looking at her bio there is nothing on there that rings a bell. She puts in an impressive performance which she'll probably never match, and one which I'm sure she'd be disappointed has only been witnessed by a small number.

On the whole, the film was very engaging and very hard-hitting - but the biggest compliment I can give, is that I'm pretty sure Mr von Trier would have loved it.

I found this film very disturbing. I had to watch it until the end.

The acting was such that I had to remind myself that it was acting sometimes. I feel that some actors are very brave to take on certain parts.

I think that in some darker places in the world (e.g. USA), elements of the population would confuse the actor with the part and abuse him. Congratulations to all involved for an excellent performance. The tension is never "Watch out behind you" but "Please, please, not that".

If this film causes just one adult to reflect on how his actions may damage a child then it is very worthwhile.

Rarely do first time directors have the confidence to abandon superfluous dialogue and concentrate on the raw emotion of their story. Rotheroe is an exception. Not a frame is wasted as he explores the sexual trauma of two teenagers groping towards understanding in the magical woods.

I really loved this film! I was watching it from about 12:40 midnight and I was falling asleep, but i had to watch it to the end. It highlights really well the reasons why some people seem crazy and shows how we should look for reasons rather than just scorn or punish people. Raw, but tender passionate, painful, blissful. It had all of these and really captured the mental instability of both characters through brilliant filming.

The acting was superb. Ben Whislaw was excellent as Tom, really getting underneath the skin of the character, and Jenna Harrison also gave an excellent debut performance, making the story so real and so passionate. Well done!