Kasoor

Mahesh(writer) and Vikram(director) Bhatt are well known for ripping off Hollywood movies and turning 'em into Bollywood crap. Kasoor, to date, remains the only exception. Now here's a "suspense thriller" that actually is pretty suspenseful and keeps you guessing till the end. There are subtly laid clues and misdirection throughout the reel that makes the end result so satisfying(even if you've seen the multiple Hollwyood movies Kasoor has been ripped off of). One thing that really stands out abt this movie to me is how there are no "good" guys. Everybody is gray and this enhances our impressions of the world being depicted. The Bhatts honestly deserve a pat on their back for writing such believable characters.

Kasoor's great script is well supported by the strong star cast. Aftab, IMO, has never given a better performance. His character requires him to be charming, lustful, sympathetic, innocent and even ruthless and Aftab comfortably gets across the required emotions. Lisa Ray, mesmerisingly beautiful&hot she obviously is, gives a very sincere performance. Her character requires her to do a lot of reacting and I thought her facial expressions and body language were bang-on!(a pity she doesn't do Bollywood movies). The supporting cast does a fine job. Special mention should go to Ashutosh Rana as the Aftab/Lisa-hating cop who'll do anything to nail his suspects. One of the most enjoyable actors to watch on screen. I've no clue Y he doesn't do more movies. Irfan Khan as the public prosecutor is reliable as ever. Apoorva Agnihotri is decent.

My final judgement of Kasoor is that it's a surprisingly good movie with a 'different' story(for Bollywood), good performances and a controlled directorial effort from Vikram Bhatt. What more do you want?

I first saw this in 2001 in a theatre and was awestruck at the plagiarism cos i went to see this without knowing that its a blatant rip off of Jagged Edge.

Revisited it recently on a fast forward mode.

One of the thing i liked in this one is the hot babe Lisa Ray.

Another striking thing which they did good in this version is that at least the lead character (Lisa Ray) calls up the police aft discovering the typewriter whereas in the original, the lead character (Glenn Close) never calls up the police but both the versions have that typical poetic justice/end.

before i watched this movie everyone told me its an original story that bollywood has come up with. so i thought it must be quite good the way people were going on about it. so thats when i decided to watch it.

as the movie opened with the murder of a rich man's wife and Aftab being the main suspect ad he hires Lisa Raye to be his lawyer ho falls in love with him, i realised where this film was copied from.

It was a ditto copy of the Hollywood movie "Jagged Edge" starring Jeff Bridges and Glenn Close. I watched it till the end and then thought can bollywood ever come up with an original storyline this good???

One good recommended film has to be i'll say Footpath, when i saw it i was amazed by the story, the sets and the acting as it was directed by the same director of Kasoor.

A refreshing departure from the usual run of the mill bollywood stuff this movie is worth watching at least once. Although blatantly copied from its Hollywood version "Jagged Edge"(upto the character 't' of typewriter), this movie doesn't sound too far fetched even in Indian context. Lisa Ray has done well as a progressive lawyer considering this was her first film. Ashutosh Rana as usual was brilliant. Even Aftab was able to pass muster though just barely. Overall if you don't have to have usual latka-jhatkas to enjoy a bollywood movie don't let this one passby.

Kasoor (guilt) is a movie from the Bhatt camp of bollywood who shamelessly steals stories from the Hollywood movies and put them before the ignorant Indian audience by Indianizing their milieu and characters. Kasoor (2001) is one such movie only which is a clear-cut rip off from the Hollywood thriller, Jagged Edge (1985). However the movie is well-made and entertaining right from the start to the finish.

This is the story of a young and gorgeous female lawyer who is trapped by a criminal through his sweet talks and fake love. The emotional lady, working in good faith, and fascinated by the charms of the cunning criminal, commits the error of mixing her personal life with the professional one, falls into the love of the prince-charming who has been charged for the murder of his wife and quite naturally, performs the job of his defence lawyer, not by her brains but by her heart, seeking wholehearted help of her best buddy and finally gets her lover-cum-client acquitted. The truth comes out before her afterwards only.

I do not put this movie into the mystery genre because there is little doubt about at least the identity of the murderer. Instead, I put it under the category of court-room dramas because it's the scenes of the court-room only which make the movie a thoroughly interesting and entertaining one and keep the viewer glued to the screen throughout. The entry and exit of different supporting characters in the court-room drama add spice to it. Since the central character of the movie is an emotional lady who can be won over by passionate love, there is ample doz of romance and emotions too for the viewers.

Mahesh Bhatt, the writer (?) and Vikram Bhatt, the director have adapted the plot of Jagged Edge quite skillfully for the Indian audience. They have been ably supported by the cinematographer (Praveen Bhatt), the dialogue-writer (Girish Dhamija) and the performers.

Lisa Ray's dialogues have been dubbed in the voice of someone else, but this gorgeous lady has infused life into the role of the intelligent but emotional lady-lawyer whose sentiments make her err. Aftab Shivdasani has done the job of the accused quite admirably and at least in the scenes filled with love and delicate sentiments, he is just superb. Apoorva Agnihotri has underplayed the role of the heroine's best pal, nicely. In the movies of Bhatt Camp, the supporting cast is more or less the same (like permanent labourers) and they perform according to the need of the plot and as instructed by the director. However, Ashutosh Rana stands out with his first rate performance in the role of the investigating officer. In fact, the first 30-40 minutes of the movie belong to him only and it's his performance which makes the viewer to go through the rest of the movie.

Nadeem-Shravan did not get any award for the music of this movie which is definitely an injustice to them because the music (containing the very very meaningful and touching lyrics of Sameer) is soul-comforting and memorable. The album contains six songs and all six are excellent (the first two being outstanding in my opinion) - 1. Kitni Bechain Hoke Tumse Mili, 2. Jo Meri Rooh Ko Chain De Pyar De, 3. Kal Raat Ho Gayi Mulaqaat Ho Gayi, 4, Dil Mera Tod Diya Usne Bura Kyun Manoon, 5. Mohabbat Ho Na Jaaye, 6. Koi To Saathi Chaahiye. If not for the story, the movie can be watched for the songs themselves.

I had watched this movie in the year of its release, i.e., 2001 and recently I watched it again on internet. The viewers who have not seen Jagged Edge, will find it quite interesting. And even if you have watched the Hollywood movie but you are a melody lover and like high-intensity court-room dramas (like me), you will find this watch a satisfactory one for sure.