O Auto da Compadecida

It is amazing how, from the very beginning of this movie, you notice the influence that Terry Gilliam has had on this Brazilian director. The movie has the twists and craziness you would expect of "Adventures of Baron Munchausen", but from the third world, portraying incredible well the way people try to survive where there is not much for them anyway. "O Auto da Compadecida" is definitely a very good movie, with talented actors and unexpected plot. Must-see.

It's hard to find actors with as much charisma and on-screen chemistry as this movie's main duo. Throw in an impeccable script and various Cameos by Brazil's biggest and brightest stars, and you'll have one of the funniest movies ever made (and my personal favorite amongst the post-1980s Brazilian productions. The only downside of this movie is that it was originally a four-hour TV mini-series; the two-hour version is inevitably condensed. If you have the option of choosing between them, go for the complete work. If not... well, half the laugh is still better than no laugh.

"O Auto da Compadecida" figures as the best Brazilian comedy of all times, not only for the jokes itself but for the social and economical context that it shows!! Showing the northeast poor situation it shows an atmosphere that can only be understanded by Brazilians and third world countries citizens.

The movie tells the story of joão grilo and chicó two poor friends that uses their smart to survive. sometimes honestly and sometimes tricking the richer and stronger people. With a smart and simple humor it makes you laugh from the first to the last minute, don't having to appeal to nudity and deliberated violence!!

This one is one of the greatest comedies ever and should be watched by everyone who can understand it context!!

O Auto da compadecida is comedy about survival, we saw the things through the eyes of João and Chicó, both of them represent a great part of a invisible Brazil, poor and simple people that do everything to survive, we saw that even in the poor places there will have a huge social inequality. To survive this people even have to fool the Devil.

"O Auto da Compadecida," commonly translated as "A Dog's Will" (a translation which, to my ears, waters down the significance, the gravitas, and the poetry of the title in the original) is a sure-classic and a phenomenon of the Brazilian cinema and popular culture of the recent past and of modernity in the rural communities of its countryside. The film has marked the heart and the soul of an entire generation since the dawn of the twenty-first century, and features lines and words still common-parlance among the average Brazilian (e.g., João Grilo's : "Não sei não... Só sei que foi assim. ("I don't know--all I know it was so"))

All in all, the film portrays themes of class, spiritual feelings, and some legendary figures of the folklore and of the past of the Brazilian drylands and Northeast. In a way, "O Auto da Compadecida" memorializes through the friendship of Chicó and João Grilo an entire generation and past, an entire dialectic and language, all done with outstanding actors, actresses, and acting overall.

This is surely a landmark of Brazilian cinema, imagination, and one that is sure to delight those open to receive its humor and themes of love, spirituality, redemption, and forgiveness.