Alle lieben Oscar

Oscar Grubman (Aaron Stanford) is a fifteen years old French student, who lives in USA, and spends the Thanksgiving with his father Stanley Grubman (John Ritter) and his stepmother Eve (Sigourney Weaver) in their apartment in New York. His mother is French and lives in France. Oscar is very precocious, cultured, polyglot and loves poetry, and he finds the girls of his age very silly, feeling a great attraction for older women. Oscar has a crush on his stepmother. However, her forty and something years best friend Diane Lodder (Bebe Neuwirth) has an affair with Oscar, and he becomes quite confused with this new situation. "Tadpole" is a reasonable comedy only, having some funny situations, but never reaching a target, having a terrible conclusion. When the viewer finishes watching the film, he will certainly ask: -What is the point? Further, in accordance with the information in IMDb, Aaron Stanford was born in 1977. Therefore, he was completely miscast, being twenty-five years old and pretending he is fifteen. Further, he is not charismatic as his character would require. John Ritter is a reasonable actor, but looks very snob in the role of a history professor of Columbia. Sigourney Weaver is lost, in a character who is neither "Mrs. Robinson" nor an example of a faithful wife. The best parts of the story belong to Bebe Neuwirth, who is amazingly funny and makes the film worth, together with its soundtrack. In summary, "Tadpole" is a forgettable entertainment, recommended for killing time. My vote is six.

Title (Brazil): "Um Jovem Sedutor" ("A Young Seducer")

With subject matter that many might consider offensive (fifteen year-old boy in love with his step-mother and seduced by older woman), TADPOLE manages to be a charming, witty light comedy with a sensitive look at a controversial theme--a coming-of-age story with heart.

And its hero, a sophisticated fifteen year-old played by a twenty-five year-old actor (AARON STANFORD), is a natural in the title role, completely convincing as the impressionable youth living with his step-mother (SIGOURNEY WEAVER) and father (JOHN RITTER) in a fancy New York City apartment. Ritter plays the busy working father in one of his rare serious roles and is excellent, as is Weaver as the woman who discovers that her son has been having an affair with her best friend (BEBE NEUWIRTH). Neuwirth makes the most of her sly comic scenes as a temptress who awakens hormones in the teen-ager. A restaurant scene with the boy and his parents is a highlight of the story, where her deceptive conduct is exposed by Ritter's observation of an indiscretion in a mirrored image.

Witty and humorous, never taking itself seriously, it's an amiable tale told with deft touches and it moves briskly under Gary Winick's nimble direction with some nice glimpses of Manhattan's upper east side.

I've read some other comments about the poor film quality/picture quality of this low-budget, quickly done fairly short (77 minutes) film. Frankly, I'd rather watch Tadpole ten times than sit through the horribly boring technically beautiful special effects of either StarWars I or II. Tadpole captures the essence of interesting film making by focusing on the characters, the story, the situations; and it does so in a way that's doesn't parrot yet another low-brow TV situation comedy. Between the inspired writing, the well nuanced acting on all counts (with nary a weak performance anywhere), and the decent editing, I fail to see how one can complain about this movie from the perspective of it being an enjoyable mini-novella/romp through New York. Comments I've read on the weak acting I find unsupportable by any normative standard.

TADPOLE (2002) ** Sigourney Weaver, Aaron Stanford, Bebe Neuwirth, John Ritter, Robert Iler, Kate Mara, Adam LeFevre, Peter Appel, Alicia Van Couvering, Hope Chernov, Debbon Ayer, Ron Rifkin. Indie hit at Sundance doesn't always mean surefire instant classic as proven in this precious mix of `The Catcher in the Rye' meets `Rushmore' via `The Graduate': snob prep schooler Stanford (suggesting Topher Grace's lethargic brother) returns to his Upper West Side environs for Thanksgiving break to announce his long-hidden secret to his step mother (Weaver): he loves her. Along the way instead he's detoured into a troubling one-nighter with her best friend (Neuwirth, the true saving grace of this overrated film) who proves to be a problem with his desire to come clean about his notions of what love is. Weaver's talent is muted here but Ritter provides some much needed comic relief in one of cinema's best 'choke takes' ever seen. The biggest setback of this otherwise tedious debut by director Gary Winick (who collaborated with his writers Niels Mueller and Heather McGowan) is its anti-hero being such a one-note faux intellectual spouting quotes form Voltaire and pretending not to like girls his age (notably the fetching Mara) that one wants to ring his neck from frustration of his dreadful putting on airs. Why anyone would find him attractive is beyond me since he is a total turn off socially; speaking French only hastens the matter! What could've been a slice of a John Updike short story in its approach fails in its myopic assumption of creating a cult hero like Benjamin Braddock or Holden Caulfield.

Better and cleaner than Mrs. Robinson, however the themes are disturbing and even illegal or criminal. In Canada, the age of consent is down to 14, and that behavior may be legal here, if none of those adults were in a position of authority.

However, the story is well acted, and appeared to be convincing as a drama. A well thought out story. It is not a porn type movie and only french kissing was really played, and there was no nudity at all in the movie. That being said, it is given a positive rating here, because it is a well-thought out drama involving a socio-sexual taboo. It's rated higher because it's a good movie for debate and discussion on sexuality as a whole, and the other features I stated above.

What really drives this movie is the socio-sexual taboo of a teenage boy and 40 year old women in romantic interactions. It is natural for a teenager to want to explore their sexuality - which makes them vulnerable to sexual predators - and perhaps this movie shows that these predators do not have to be a sick old male psycho going after a school girl, but could be any female. If it were a sex addicted 40 year old man going after a 15 year old school girl, this movie would have been banned.