Die Wahrheit über Charlie

I really wanted to like this movie. Jonathan Demme is one of my favorite film makers and I thought if anyone could remake one of my favorite movies of all time, Demme could. Demme couldn't.

Newton and Robbins are ok, Wahlberg doesn't work at all, and the other "evil" characters who were so memorable in Charade come across as interchangeable cyphers.

I usually like Demme's music selection, but here there didn't seem to be any sort of unifying theme behind his music. And, it certainly wasn't Mancini's wonderful score.

But the biggest Truth about Charlie is that Demme's rewrite is simply awful.

In the original, Charlie is a nobody and so he doesn't get in the way of all the other characters. Here he has a face and is, apparently, the big villain, so we have to be treated to a slew of foggy flashbacks that halt the flow of the story.

Newton and Wahlberg lip-lock so early, there's absolutely none of the playful sexual tension of the original. And, instead of Grant's cocky, end-of-the-film surprise, we get a bathetic Wahlberg begging Newton to forgive him. Bleacch.

The reworking of the story that sets everything in motion is so muddled I'm still not sure just exactly what was happening and why.

And the final big thing missing is the element of wonderful surprise Donen crafted so well. In the original Grant's multiple characters are peeled back with delicious surprise at each new revelation ending with the final, perfect surprise at the end of the film. And the moment when the original film reveals the big secret is still thrilling, even after watching it a dozen times. In Charlie, the big secret becomes a tiny flicker of something in Newton's eyes and when it is finally revealed, it's a moment that the word "anticlimax" was designed for.

It's such a shame that Demme made such a muddle of something that originally was so clean and clearly presented. As so many others have done, I strongly recommend you skip this one and just go back to the original.

OK, so I didn't waste eight bucks at the box office, nor did I spend four bucks at Blockbuster; luckily, I had credit at Netflix.com so I didn't spend a dime to see this latest of Hollywood remakes. Apparently very few screenwriters can come up with original ideas, so we wind up with a new version of an old favorite month after month. I hope that Mr. Demme is out of rehab by now, because he must've been on some kind of delusional trip when he got the idea to remake a classic. I've read all the reviews posted here at IMDB, and for the life of me I cannot see the rants and raves for Thandie Newton. Poor child, why didn't her mother tell her NOT to attempt to recreate an Audrey Hepburn role? She has about as much cinematic charisma as a pile of sawdust. Early in the movie when she's standing between the French Commandant and the Lieutenant, Ms. Newton completely disappears. I was watching the Lt. more than the star of the picture. Seeing the extras on the DVD, Mr. Demme proclaimed he was looking for the right vehicle for Ms. Newton's talent (or did he have more prurient interests in her off camera?). The worst scene was the gunpoint standoff which I found myself looking at my watch, wondering how long could this go on? I've always been a huge fan of Tim Robbins, but what in heaven's name, was the accent he was trying to use? I can't blame Mark Wahlberg, he chomped at the bit to play a romantic lead. Damn! Had he never seen the original film and realized whom he would be compared to? This was truly sad. There's no reason to continue tearing this piece of schlock frame by frame, but the closing credits??? Mr. Demme chose to dedicate this to his late brother...who's surely rolling over in his grave from this. Ms. Portman's music even had to use the Mancini theme to compensate for her lack of originality. Then, I wouldn't have believed this if I hadn't seen it...someone at Universal Pictures had the gall to put the original "Charade" on the flip side of the "Charlie" DVD. Stupidity? Insanity? Audacity? There is NO word for it! God! What a mess!!!

Cinema is art, therefore is not to be copied. Nobody copies a Picasso or a successful romance, for example. No matter how similar it could be, it would be a copy of an artistic piece without any value. Therefore, remakes of great movies are totally unnecessary. The original 'Charade' was not a masterpiece, but a great movie, with a charming central pair (Audrey Hepburn and Cary Grant) and funny situations and dialogues. But this 'The Truth About Charlie' is really ridiculous. Beginning with the choice of the lead actress and actor. Thandie Newton and Mark Wahlberg performing the roles of Audrey Hepburn and Cary Grant respectively is outrageous. The modifications in the original plot made the delight of 'Charade' be lost. Do not waste your time with this film, rent or buy the original one. By the way, I have a friend who knows by heart many dialogues of the original 'Charade'. Jonathan Demme has not probably paid attention on the wonderful original text, otherwise he would try at least to reproduce some of them. My vote is four.

'The Truth About Charlie' is not worthy to be a remake of the great 'Charade'. To be honest, I don't even get why they had to remake that film since it still works today, both as a Hitchcockian thriller and as comedy. But they did remake it, and where the original film stars Cary Grant and Audrey Hepburn, two of the greatest stars in the movies, this film gives us Mark Wahlberg and Thandie Newton. Personally I like Wahlberg, especially in 'Boogie Nights', 'Three Kings' and later film 'The Departed', but apparently this role was for Grant only; Wahlberg does not pull it off. For me personally Newton ruined the film. I never understood whether this film contained the comedic elements as they were in 'Charade' or not, but whatever it was, it felt weird and out of place. Mainly, Newton's performance was the cause of this.

The second distraction comes from Paris as the setting. Director Jonathan Demme, who has lost most of his 'The Silence of the Lambs'-touch, is too much in love with it. By now the world has seen the Eiffel Tower, and for that matter has heard Charles Aznavour (who appears from time to time), and the film does not realize this. If the story is only a backdrop for a place and an atmosphere, at least show us elements of both things we are not acquainted with. The story, by the way, deals with Newton as Regina Lambert who finds out Charlie, her husband for three months, now dead, used to lead more than one life. Apparently he had six million dollars in diamonds and now the French police, a couple of former soldiers who fought with Charlie, and a character played by Tim Robbins are after it. Mark Wahlberg's character named Joshua Peters pops up everywhere Newton seems to need him, meaning his role will stay vague as long as the film wants it to be.

When the closing scenes finally arrived I did not care anymore. Who was who and why and for what reason; it didn't matter to me, I was just glad the film was over. The final scenes were supposed to have some suspense in it, but even that was spoiled by annoying close-ups and many cuts. I have seen quite some bad films over the years but this time I was really amazed with such good material wasted in such a complete way.

This was strange. I had no idea what this film was about as it was a free loan and I just put in the machine, not even reading the back of the box. Well, obviously it didn't take long to figure out this was a re-make of the famous 1963 film "Charade."

It's not really bad on it's own but if you've watched and admired Charade a half dozen times as I have, this film isn't even close measuring up. Mark Wahlberg is no Cary Grant; Thandie Newton is no Audry Hepburn and Tim Robbins in no Walter Matthau.

Why settle for second-rate after having first-rate? I mean, why even bother? It's not like you are updating some old black-and-white movie to accommodate today's crowd which won't look at B&W. The original still looks good (on the Criterion DVD).