How to Go Out on a Date in Queens

Being a huge fan of the Seinfeld series it seemed only natural to want to see this movie staring Jason Alexander as soon as it was out. I didn't quite know what to expect of it but I wasn't surprised to find it to be a good movie. It's about the dating world with its ups and downs and it makes a strong case in the end. It was nice to see a movie really about something and who's producers and also the actors staring in it certainly weren't interested in just the money. It's not a commercial movie but that doesn't make it just on bit less interesting. Jason Alexander's role is a lot different from what he did in the Seinfeld series but he pulled it of in a true Hollywood star's manner. Him staring in this movie is what made me see it in the first place and I can say it's a great movie. Really really worth seeing! 8/10 for this one.

This script is terrible. The plot makes no sense. The characters have zero depth.

But if you watch the whole movie, you will learn that good actors are worth whatever they get paid.

Jason Alexander's character is just as poorly written as the others. His dialogue is just as dumb as the rest of the script. But his scenes are at least mildly interesting because he knows how to play a character and is able to sound like a human being.

Most of the rest of the cast can't meet this mark. There are one or two reasonable attempts. Allison Eastwood is fine. Rob Estes does not embarrass himself. But anyone else in the cast is trying a little too hard to sound a little too Noo Yawk and they don't know which syllables to accentuate or how to express a feeling other than mild exasperation.

(Ron Perlman is a pro of course too, but he barely speaks and at least one of his lines is laugh out loud funny but not for the right reason.)

I don't know if Alexand and or Pearlman were working off a debt or paying back a favor but this reminds me of Sir Ben Kingley taking the part in Christopher Moltisanti's Cleaver. IYKYK.

Fantastic! Amazing! Hilarious! Funny! I could watch it over and over. It's a MUST see! I'm taking scene study classes with Michelle Danner at The Edgemar Center. She brings a wealth of knowledge and well rounded experience to the class. I have learned SO much from her. Because she has a great directorial eye. Her attention to detail is very supportive. Michelles' feedback is excellent. I always feel like her criticism is constructive and I never feel like she is talking to down to me. I recently got a callback for a feature film that I went in for. I wouldn't have gotten it without her. I've studied with a lot of teachers in Los Angeles and she at the top of my list. She genuinely cares about actors.

What a delightful movie. I laughed, I cried, and I recommended it to all of my friends. It reminded me of MOONSTRUCK.

The directing was spot on, and Michelle Danner did an excellent job weaving an emotionally enticing story that really focused on the relationships between the characters.

I was equally impressed with the acting and thought that this was a great role for Jason Alexander. Rob Estes and Brian Drillinger were also great additions to the cast and I found them both really entertaining.

I would highly recommend this movie to anyone out there looking for a great film to discover.

Here is a classified 'Indie' movie, that nearly stars Jason Alexander amidst a dozen other acting classified ads that have the cohesion of dogs meeting at a park. However, some manage to sustain interest in their performance for a certain melodramatic harpsichord and despite being leashed around through piles of right doo. Too clustered to be considered a B-movie (or realistic D-movie if you will), there is an eccentric, inebriated sway to the nature of seriousness to the plot, which consists of horribly stereotyped themes from 80's cop-movie paced action, single-lady romance novels, and a stab at the 90's harmony of Friends. Also Jason Alexander's acting is in it, and his performance, and occasionally those of others are only the efforts of the man trying to push the boulder up the hill. It is such that will stimulate you to punch through the tacky icons, and the instability that wavers throughout every act of this brooding play.

Ultimately, it becomes its own self-fulfilling storyline, leaving you wishing that the phony Russian mobster just whacked Jason at the beginning, putting him out of the miserable mistake he made with this movie in good valor. Cinematically distressing enough to make me register to write this review, as it is just not fair that movies like this have to be made. The only consideration it deserves as "Indie" is by means of fiscally-latrined pictures that are the conglomerate. Not worth it, unless you are in the producer's classroom vying for a gold star by your comments.