Geständnisse - Confessions of a Dangerous Mind

While quite very obviously a well crafted lie sold as truth this movie does not fail to entertain and was one of the more underrated films of the year of it's release. A commercial failure the film was re-released later based on word of mouth buzz. This film appeals to a fringe audience that remains just out of reach of mainstream films. What do you expect from a screenplay written by Charlie Kaufmann? This film is a telling of the story of Chuck Barris, creator of various TV shows and all around uncomfortable guy. Barris holds many stations in life, TV producer, songwriter and CIA assassin. The meat of this story is not so much in his occupations but the mental condition and back story of Barris throughout the film. With something lurking just below the surface of an ambiguous nature you aren't certain if you should root for Barris or despise him.

Through various twists and turns you follow what is one half mockumentary and one half spy thriller the film plays it very loose and fast and it let's your mind run wild and free without the burden of tension that a spy thriller would give. Definitely worth a watch if you enjoy strong acting performances mixed with offbeat plots.

Clooney takes what is basically a poor mans "THE KID STAYS IN THE PICTURE" and makes a very entertaining and watchable film with great acting and stylish but reigned in technique. Finally a someone takes the theory of taking a bad idea and making a fine film and makes good.

Let me start by saying my respect for Clooney as a producer and now a director continue to go up. Backing this one was also Steven Soderbergh... and as a result you get stellar (for scale only) performances by Julia Roberts and Drew Barrymore. Also watch for Brad Pitt and Matt Damon in fleeting, non-speaking cameo roles.

The film (and book) explore the double life of Chuck Barris who was once described as lowering the bar on television for ever. The double life however, is the life of a CIA contract assassin.

The premise is hard to buy into. But then again, so was the man. True or not, the film and story raise Barris up to the level of Andy Kauffman. In a Tyler Durdensque manner this Beautiful Mind takes you thru Barris' theoretical hell or coming to terms with his own personality foibles.

Rockwell is spot on in his portrayal both on and off the small screen as Barris. The reproduction of Gong Show Antics are spooky to say the least. The film is inter-cut with appearances from actual colleagues from Barris' past (such as J.P. Morgan, Gene Gene the Dancing Machine, and others) in an almost Harry-Met-Sally style of nostalgic interview.

Clooney's use of live scene cuts to transition fluidly from thought to thought or scene to scene are reminiscent of The Graduate's Poolside swan-dive directly into Mrs. Robinson's bed. This is a film that has a touch of "Fight Club", "Forrest Gump", and "La Femme Nikita"... all tied together by the man that brought up Rip Taylor's $1.98 Beauty Show.

The film presents more questions than it answers. Matter of fact the only question the film really answers is whether or not someone really answered the weirdest place they ever had whoopie.

I saw this on Starz thanks to the marvel that is Tivo. The DVD is now definitely on my wish list.

What if the creator and host of two of the 1970s biggest and lamest television game shows was also a part-time CIA hitman? That he used The Dating Game and The Gong Show as a cover to stage assassinations in the netherworld of Cold War espionage. Ridiculous you'd say. But that's what exactly what Chuck Barris claims in his autobiography, and Charlie Kaufman accepts carte blanche as the premise for his screenplay. The film plays it straight up as if Barris were telling the truth.

Can Charlie Kaufman, the screenwriter, and George Clooney, the director pull it off? Mostly. It is competently acted by Sam Rockwell as Barris, Julia Roberts as a fellow spy, Drew Barrymore as his love interest, and director George Clooney as his CIA recruiter and handler. The bizarre landscape, a marriage of television and espionage, is presented without a smirk or wink. If Barris is telling the truth, this is what it must have been like. It's an interesting idea, and Clooney and Kaufman have taken it and crafted an enjoyable film.

Chuck Barris is a man who decides that his future is in television and tries to come up with ideas for new shows to elevate himself up from the position of tour guide. When his show isn't picked up from the pilot, he is approached by Jim Byrd who offers him work with the CIA. When he finds out that this work is basically as an assassin, he still does it and begins to become quite proficient at it. When his show ideas get picked up by the network he continues to kill, using his job as a producer as cover.

Although I missed this at the cinema, I was keen to get this film when it came out on DVD and wasn't disappointed by the film. The tone from the start is darkly comic, becoming increasingly dark and decreasingly comic as it goes along. Supposedly based on a true story this can be enjoyed with little or no knowledge of the characters and TV shows involved - indeed I had never heard of Barris even if I was aware of what UK TV calls Blind Date. I don't know if it makes it a better or worse film for supposedly being true - I enjoyed it even with me treating it like a work of fiction more than anything else.

Not all the plot really worked of course. As it gets darker it begins to lose it's grip and become slightly less entertaining but strangely more watchable. It is at it's best in the first half though. While Barris and Byrd are good characters, some aren't as well used and you get the impression that the script wishes they weren't involved at all, certainly Penny and Patricia were a little confused and what was hinted at was never revealed in terms of who they were.

Rockwell runs the film really well and copes with the comic stuff and the darker stuff. Clooney is quite a good character in a small role but he does better as director. He uses cross cuts really well and has a lot of help from his cinematographer in terms of effective use of lighting and such. Considering this is his debut as director he does a surprisingly assured job and has a good sense of style. Stars clutter the support cast, some in OK roles and some in cameos. Barrymore is OK but I didn't find her character that interesting, Roberts is more interesting but the significance of her character in Barris' life wasn't developed well enough. Hauer is good and Pitt, Damon and Gyllenhaal make fleeting appearances.

Overall this was a very enjoyable film with it's own unique dark tone and comic content. It may not be 100% successful but it is a film more worthy of viewing than most of the stuff that you see on the shelves at your local video store. Not to everyone tastes perhaps (and it didn't make money at the box office) but Rockwell is great, Clooney shows a deft touch as director and the story is both funny and dramatic even if I'm still unsure whether it is true (or semi-true) or not.

George Clooney's directorial debut is a compelling dramatic biopic about `Gong Show' host Chuck Barris, who claims to be a hit man for the CIA. Barris started out small, but decided to go for the big time and move to New York, where he got a job at NBC. Soon he becomes a manager type person, and creates an idea for a game show called `The Dating Game'. It becomes a hit, but he feels unfulfilled, even though he has Penny (Drew Barrymore). Also, Jim Byrd (Clooney) from the CIA recruits Barris to kill for the CIA. As we watch the movie, we don't know which is true and which is a figment of his imagination. Think of it as an R-rated Beautiful Mind.

Barris is played with great intensity by Sam Rockwell. Clooney took a risk of planting a not-well-known name as the lead. With such star power behind him like Clooney, Barrymore, and Julia Roberts, he stands out. Rockwell has starred in such movies before like Heist and The Green Mile, all three times with great acting. He brings out the inner demons of Barris. Rockwell was exceptional, and exceptionally believable. Even though he was billed fourth, he has his name out now and we can expect him in larger things.

Many scenes were standout, with their camera angles and unique way of playing it. At times it seemed like a play, with a wall disappearing, for instance. However, Confessions of a Dangerous Mind wasn't as funny as I was hoping. Sure, some scenes were quite funny (like the scenes in the beginning where it was a montage of the f-word). It had an authentic feel to the 60's (including the soundtrack), like Catch Me If You Can did. At times, it had a documentary style to it, which would have been more effective if they had more substance behind it, such as more of the interviews or none at all. Many of the camera shots were close-ups, which looked quite cool. I am a game show aficionado, so I thought that most of the time would be spent on Barris going onto the CIA, but it was evenly divided between the two, so I was happy.

At times, the mood was light-hearted, almost satirical, but at other points it was serious drama that poked at your emotions. As I said before, Rockwell is definitely lead material. Clooney did a good job portraying the CIA recruiter, and Barrymore is the other standout as Barris' girlfriend. She and Rockwell, besides good chemistry, both displayed true emotions. Roberts, as another CIA agent, put in her usual mediocre performance, though she was better than normal. However, many characters have no substance behind them, namely Roberts, who was billed third and had about three scenes (which, I guess, is better than Jennifer Aniston in Office Space).

Possible the only downpoint of the movie was that at times, it got too trippy for its own good. Even Barris didn't know what was real and what wasn't. It got a little too muddled in plot, such as who is who, at times. When Barris sees everyone who he killed, that was just…weird. Anyway, I would highly recommend Confessions of a Dangerous Mind to about anyone.

My rating: 8/10

Rated R for language, sexual content and violence.