Die göttlichen Geheimnisse der Ya-Ya Schwestern

My wife loves this film. This is a woman whose favorite films include any woman whose last name is Hepburn. Yes, she is a romanticist from the past — understandable since she has a Ph.D. in medieval history.

Because she's played the film enough times, I've had the opportunity to watch it both in its entirety and in bits and pieces. And there's really a lot to it that most viewers are missing.

Why?

I think it's because it grows on you. The parts are all incredibly well played — certainly expected of mature actors like Maggie Smith, Fionnula Flanagan and Ellen Burstyn. But here even Sandra Bullock is enticing not just in her looks but in her expression of her character.

Some films you like right out of the gate. We all know which ones they are. Others have to grow on you. And unfortunately too many films are never given a second chance. YA-YA SISTERHOOD is one.

Watching it a second or third time is like sitting around a campfire and telling the same story over for the umpteenth time. We've all heard it before, but we still want to hear it again.

For those who have dissed this film, give it another chance. Perhaps when you're older. Perhaps when you're in a romantic mood. Perhaps when you're tired of stupid comedies, disgusting horror films and over-the-top action thrillers. Then I'm sure you'll see it in a different light and think, "Well maybe YA-YA SISTERHOOD is indeed a little hidden gem."

`The Divine Secrets of the Ya-Ya Sisterhood' is about a mother/daughter conflict and then friends come to the rescue. A simple plot about some of our society's unimaginably complex unwritten and unspoken rules.

Ya-Ya is a wonderful cinematic experience. The acting and dialog are absolutely first rate and every major role is virtually perfect. They will be throwing darts at the cast credits to pick award winners. The movie is worth the price of admission just to see Maggie Smith perform even when she has no dialogue.

The movie's most remarkable aspect is what happens when it is viewed through a testosterone filter. It is illuminating to look at the IMDB voting demographics. One quarter of the males voting on this movie have given it a `1' out of 10 while only about 3% of the females gave it a `1'. Considering that there always appears to be a 3-5% background noise on any voting this an astounding gender discrepancy. As a 56 year old male it has only been in the last decade that I've had any inkling of the intricacies of female interactive dynamics. I suspect that puts me ahead of the curve as far as males go. As a society we indoctrinate our young females into the issues of the emotional power struggle, the dynamics of the `pecking order', and day-to-day collegial help and support at a level far removed from that which most males experience. I won't argue whether or not this is sexist but I believe the observation to be valid. This movie deals with these issues and, as such, I suspect the fundamental substance of the movie is illusive for much of the male audience.

At its heart this is not a chick movie. A `chick movie' is about things that female moviegoers like. This movie is about what it is to be raised a female in our society. Ya Ya 9/10

This film is really a celebration of female relationships between; mothers and daughters, between girl friends and between wife and husband. There are numerous flash backs, but the film flows at a good pace that it is not a distraction at all.

The storyline is very light hearted to begin with, but gets darker. Ashley Judd does a great performance as an Alcohol addicted mother and Ellen Burstyn is also good as the older character, played by Ashley Judd. The humour is funny enough and does not go overboard. See this film with your girl friends, and make sure you bring a box of Kleenex with you. A two thumbs up.

I liked this movie. I really did. Someone very close to me has a mother very much like this. It's reality folks, not everyone has a sensible loving mother that grasps the role of "motherhood" like a duck to water. Some people remain stuck in a selfish state where they blame everyone/thing else for all their unhappiness and the misdirection of their lives. I'm glad there's a movie that brought that subject to light. One user said the movie is celebrating an alcoholic, but that's untrue. You're watching a woman go further and further into a downward spiral of self-pitying despair and hatred for the events of her life. I also didn't find Vivi's mother to be evil, but she seemed to have been desperately trying to claim her role as a respectable wife. When your husband treats horses better than you, you get a little miffed. He dismissed her as his partner in life for a child she gave him, so the woman aimed her frustrations at her child, instead of her husband. At that time, what could she have really done to the husband? He would've beaten her most likely. I appreciated the fact that Vivi was flawed. Just humanly flawed and admitted it. It sucks that people have parents like this, but Sidda learned to deal with it in her own way. I'm glad it wasn't a typical reaction, like drugs or promiscuity. She just accepted her mother for what she is: flawed and screwed up. Motherhood doesn't make you unselfish and well-versed in letting go of your troubles. That's something you learn over time, and the movie showed that. It might take 40-odd years as it did them, or someone could get it the moment the child is born. What I got from the film is that your parents had dreams and nightmares before you came into the picture, and it takes a lot out of them to come to terms with being responsible for a life that they may or may not be ready for. I also really loved the part where Sidda begins to question her ability to be a good mother and wife. I think that resonated well. I certainly would start to wonder. Parents can screw up their kids easily I tell ya. It's not a responsibility to enter into lightly. I'm sure there were flaws like the accents of Louisiana and technical stuff, but altogether, the movie really reaches many levels.

What a shame!!! This is the worst excuse for an adaptation of a novel I have ever seen. Nothing is explained about Siddalee, Shep, Vivi, the Ya-Yas, the younger siblings, Buggy, etc. No one will understand fully the anguish that the children went through as children or the anguish that Vivi went through in her own childhood. Shortcuts were taken left and right in this film, much to the detriment of the storyline. For instance, Shep is not a living saint, Vivi did not simply beat her children because of dexamyl, Teensy's mother is barely mentioned, Vivi's stay at the boarding school was left out, and where is Aunt Jezie, grownup Lulu, Little Shep, and Baylor? I realize that it was a two hour film, but an adaptation should never have been attempted if it wasn't going to be done faithfully. Everything in this film was explained away too easily. Sidda needed much more than a sob story about her mother's loss and use of dexamyl to explain her behavior. Too easy, too simple, too cheesy. No one could possibly come away with a clear understanding and resolution of the plot.

My recommendation: SKIP IT and read the fabulous books this was supposedly based on: Little Altars Everywhere and The Divine Secrets of the Ya-Ya sisterhood.