Der Aufstieg und Fall des konföderierten Generals Thomas "Stonewall" Jackson, als er von 1861 bis 1863 mit militärischem Erfolg gegen die Union antritt, als er versehentlich von seinen eigen... Alles lesenDer Aufstieg und Fall des konföderierten Generals Thomas "Stonewall" Jackson, als er von 1861 bis 1863 mit militärischem Erfolg gegen die Union antritt, als er versehentlich von seinen eigenen Soldaten getötet wird.Der Aufstieg und Fall des konföderierten Generals Thomas "Stonewall" Jackson, als er von 1861 bis 1863 mit militärischem Erfolg gegen die Union antritt, als er versehentlich von seinen eigenen Soldaten getötet wird.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
- Gen. James Kemper
- (as Royce Applegate)
- Confederate General
- (as Robert C. Byrd)
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I can go on and on, but for me, it falls apart with the sophomoric writing. I counted at least a dozen instances where they shoehorned in actual quotes from these historical figures into places where they made no sense. They even have characters steal each other's quotes which made me LOL hard a few times. Its distracting!
In fact, this entire script is just one scene after another which are structured around famous quotes. The worst example is JEB Stuart, quite literally out of no where, ending a scene with Stonewall Jackson saying "Oh by the way (even though this is very off topic and you did not ask), I will always tell my men to gallop toward the enemy, and trot away". Its stuff like that which makes this movie unbearable, especially when compared to Gettysburg, which had "some" of that but was balanced out by actual character arcs, impressive direction of masses of reenactors, and an A list cast which acted that entire film masterfully, e.g. Sheen, Berringer, Lang, and especially Richard Jordan r.i.p. Gettysburg was able to masterfully (probably in editing phase) take situations before and during the battle to shape a properly structured, easy to follow story despite there being 50+ main characters.
Gods and Generals is just a mess, the complete opposite. I totally understand the propensity for civil war buffs (like myself) to give this a high score (look how many 10 stars skew the results), but, I say quite literally the opposite, because we're civil war buffs we deserve a better film that isn't a mess.
10/10 stars? Is this as good as Glory? Gone with the Wind? Or even Cold Mountain?
I remember reading about the Director's Cut on the old IMDb forums, they said the theater version left major important parts. Add those back in, and it clicks.
With the missing parts in, it's almost as good as Gettysburg, and Stephen Lang's "Sappy Stonewall" is much less irritating. In the theater we were counting the minutes until the next cry, and coughing to wake up the snoring history buffs all around us.
Ps I miss those forums. For things like this alone, they were gold.
Instead of focusing on the main character, his background, why he was a truly great and complicated man, we're constantly distracted from him by many, many different plots. Jeff Daniel's Chamberlain, as seen in the previous movie, multiple unnamed union and confederate soldiers, townsfolk, lots of backstory of Robert E Lee, even John Wilkes Booth is portrayed, for some reason, for extended periods of time. All this time spent on story lines makes the viewer feel alienated and confused any time our main character, Stonewall appears, and we think, "Wait...who was this guy again?"
Jackson was indeed a fascinating character, probably the most fascinating of any of the confederates. He was modest weirdo of a man, employed as a professor at a military school, and was much despised by his students and fellow faculty because of his ineptitude as a teacher. He showed no sign of greatness, or even competence, whatsoever, before the war. He also seems to be a genuinely good man at heart, unconcerned with the conventions of the south aside from his ardent, zealous, devotion to Christianity. He created a bible school for slaves, teaching them to read, and the only slaves he owned were those he met through this, who actually came to him and requested that he buy them, knowing they'd be well treated under his roof. He was unconcerned with the politics of the war, and had always been against the notion of it. He fought for the confederacy simply because Virginia was his home, and that's what side it was on; which was the sole reason many other confederates fought.
What made him famous, however, was not his good nature but his absolute brutality, his single minded devotion to making his war as horrible and unpalatable to both sides of the conflict, in order, in his eyes, to reach the most humane goal of ending it quickly. Something dark and cold seemed to awaken in him, transforming this strange little professor into a rabid, brutal taskmaster of a general who saw men as merely a resource to expend in order to reach his next objective, which was always his sole concern. He forced march his men to death and starvation many times, in fact with regularity so, he constantly quarreled with his subordinates, court-martialing them for any perceived offense, openly admonishing their character and abilities, and he was an ardent believer in the "Black Flag," meaning no quarter for the enemy, all prisoners executed, no restraint shown in any way towards northern civilians (or even southern ones if necessary) or soldiers. He saw it as his godly duty to rampage, to show those who wished to see just what war was, and make them reconsider.
The film touches on the duality of the man, though very scarcely, very incompletely. It portrays him as basically a very good man, who just happened to be a successful general. When in reality he had become a deadly, horribly efficient destroyer of men, who just happened to be a very agreeable, if somewhat eccentric, good person at heart. The film, of course, doesn't get much into that dark side of him, which is shame because it's really the soul of the story, and we're left with a basic question that is never answered: why are we even watching this? What's interesting about him? Why are we watching a four and half hour long movie about this ultra-christian dork?
Of other note, Robert Duvall is pretty mediocre in is role as Robert E. lee, he resembles the real person more than Martin Sheen did, but lacks the command, the gravitas the later possessed. The film also has some of the absolute worst CGI scenes I've ever seen. In general ,the Battle scenes are more well done than Gettysburg, it does a much better job at depicted the massed numbers of men involved as opposed to the previous movie which seems to show Pickett's last charge as a couple hundred dudes marching through the field as opposed to the ten thousand or so it was in reality.
But at the end of it all, after watching this movie many times over the years, I'm left scratching my head, and trying to figured out: what story was it they were trying to tell here?
I find it interesting how almost no emphasis is put on any commanding Union general in either film, with only about 2 minutes of dialouge between Hancock and Burnside before the disaster at Fredericksberg. It should always be noted that Lee's early victories can be credited equally on the Union commanders utter incompotence as well as Lee's exeptional stratigic ability.
I'm sure "The last full measure" (the final film of the trilogy) will put a fair amount of emphasis on General Grant as he assumes command for the Army of the Potamac in 1864. I just hope we dont have another 10-year interval between films.
They are both great films. They have not been the box-office hits because of their legnth and a lack of hard-core history lovers to pay up at the theatre. I'm sure that "Gods" will be aired on TBS soon in a 2 part "mini-series" format to very good ratings as "Gettysberg" did.
Wusstest du schon
- WissenswertesSome scenes were filmed on Robert Duvall's estate in Virginia, which was the site of some Civil War skirmishes.
- PatzerRobert Edward Lee and Thomas Jonathan Jackson are shown wearing full beards at the very start of the Civil War, but they did not look like this until sometime later. Lee had dark hair going gray and wore a drooping mustache of the type favored by army officers in the 1850s. He grew his well known beard while serving as Jefferson Davis's military advisor. Jackson was clean shaven and grew a beard later out of his well known disinterest in personal grooming and appearance.
- Zitate
Joshua Lawrence Chamberlain: All these thousands of men. Many of them not much more than boys. Each one of them some mother's son, some sister's brother, some daughter's father. Each one of them a whole person loved and cherished in some home far away. Many of them will never return. An army is power. Its entire purpose is to coerce others. This power can not be used carelessly or recklessly. This power can do great harm. We have seen more suffering than any man should ever see, and if there is going to be an end to it, it must be an end that justifies the cost. Now, somewhere out there is the Confederate army. They claim they are fighting for their independence, for their freedom. Now, I can not question their integrity. I believe they are wrong but I can not question it. But I do question a system that defends its own freedom while it denies it to an entire race of men. I will admit it, Tom. War is a scourge, but so is slavery. It is the systematic coercion of one group of men over another. It has been around since the book of Genesis. It exists in every corner of the world, but that is no excuse for us to tolerate it here when we find it right infront of our very eyes in our own country. As God as my witness, there is no one I hold in my heart dearer than you. But if your life, or mine,is part of the price to end this curse and free the Negro, then let God's work be done.
- Crazy CreditsNo reenactors were credited individualy, rather there was general thank you to all the reenactors who participated in the filming.
- Alternative VersionenThe Director's Cut of the film includes additional action scenes from the Battle of Antietam. The battle scenes are shown from the perspectives of Jackson and Chamberlain, and mostly focus on the fighting in Miller's Cornfield which was a major deciding point of the battle.
- VerbindungenFeatured in Bob Dylan: Cross the Green Mountain (2003)
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- Given that slavery was a brutal and immoral practice, why would anyone today (including the makers of this film) side with the Confederates, who supported slavery, against the Union, which sought to abolish it?
- What are the differences between the Theatrical Version and the Extended Cut?
Details
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Box Office
- Budget
- 56.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.882.934 $
- Eröffnungswochenende in den USA und in Kanada
- 4.675.246 $
- 23. Feb. 2003
- Weltweiter Bruttoertrag
- 12.923.936 $
- Laufzeit3 Stunden 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1