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FLCL

  • Miniserie
  • 2000–2001
  • 12
  • 30 Min.
IMDb-BEWERTUNG
8,1/10
21.151
IHRE BEWERTUNG
BELIEBTHEIT
3.874
1.106
FLCL (2000)
Trailer for FLCL: The Complete Series
trailer wiedergeben1:09
1 Video
43 Fotos
Animation für ErwachseneAnimeEin Stück aus dem Leben (Slice of Life)Handgezeichnete AnimationPsychologisches DramaActionAnimationsfilmDramaKomödieScience-Fiction

Mysteriöse Dinge geschehen, als der 12-jährige Naota eine seltsame Frau auf einer Vespa trifft, die eine große Gitarre schwingt.Mysteriöse Dinge geschehen, als der 12-jährige Naota eine seltsame Frau auf einer Vespa trifft, die eine große Gitarre schwingt.Mysteriöse Dinge geschehen, als der 12-jährige Naota eine seltsame Frau auf einer Vespa trifft, die eine große Gitarre schwingt.

  • Stoffentwicklung
    • Kazuya Tsurumaki
  • Hauptbesetzung
    • Jun Mizuki
    • Mayumi Shintani
    • Izumi Kasagi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,1/10
    21.151
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.874
    1.106
    • Stoffentwicklung
      • Kazuya Tsurumaki
    • Hauptbesetzung
      • Jun Mizuki
      • Mayumi Shintani
      • Izumi Kasagi
    • 116Benutzerrezensionen
    • 20Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Episoden6

    Folgen durchsuchen
    HöchsteAm besten bewertet1 Jahreszeit

    Videos1

    FLCL: The Complete Series
    Trailer 1:09
    FLCL: The Complete Series

    Fotos43

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    Topbesetzung60

    Ändern
    Jun Mizuki
    • Naota Nandaba
    • 2000–2001
    Mayumi Shintani
    • Haruko Haruhara
    • 2000–2001
    Izumi Kasagi
    • Mamimi Samejima
    • 2000–2001
    Suzuki Matsuo
    • Kamon Nandaba
    • 2000–2001
    Hiroshi Ito
    • Shigekuni Nandaba
    • 2000–2001
    Mika Itô
    • Eri Ninamori
    • 2000–2001
    Kazuhito Suzuki
    • Masashi Masamune
    • 2000–2001
    Sho Miyajima
    • Gaku Manabe
    • 2000
    Kôji Ohkura
    • Amarao
    • 2000–2001
    Chiemi Chiba
    • Kiturubami
    • 2000–2001
    Steve Blum
    Steve Blum
    • Masashi…
    • 2000
    Kari Wahlgren
    Kari Wahlgren
    • Haruko Haruhara
    • 2000
    Stephanie Sheh
    Stephanie Sheh
    • Additional Voices…
    • 2000
    Barbara Goodson
    Barbara Goodson
    • Naota Nandaba
    • 2000
    Melissa Fahn
    Melissa Fahn
    • Eri Ninamori
    • 2000
    Steve Kramer
    Steve Kramer
    • Shigekuni…
    • 2000
    R. Martin Klein
    R. Martin Klein
    • Gaku…
    • 2000
    Joe Martin
    • Kamon Nandaba
    • 2000
    • Stoffentwicklung
      • Kazuya Tsurumaki
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen116

    8,121.1K
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    Empfohlene Bewertungen

    10lvlln

    The greatest anime of all time.

    At first glance, FLCL seems like a foolish attempt at putting too much randomness into an anime. Indeed, it's impossible to summarize the show without making it sound completely stupid: "It's about an alien woman who hits a boy with a guitar, and robots start popping out of his head." Yeah, that's gonna make people want to see it (not). But then again, it's also one of the most artistically perfect pieces of work ever.

    The best short summary I can come up with it is that it's a coming-of-age story about a wacky woman who takes advantage of a 12 year old boy. But that doesn't explain half of it. It perfectly molds hidden themes into a beautiful story. The style of this anime is incredibly unique. It completely departs from the classic realistic anime style, and seems to emulate more American cartoons by not letting the characters show very exaggerated characteristics at times.

    While it indeed is filled with craziness, there is an obvious and very strong structure to the plot. Every scene is intimately connected to every other scene, and it works perfectly. There are inherent themes about love, friendship, jealousy, and the discovery of all those as one grows up. I've read someone write that watching FLCL is like falling in love for the first time again, and it's a great description. After all, as a coming-of-age story, those are the feelings that the main character Naota is going through himself.

    The music is simply the best in anime, period. Every major sequence has rock music by The Pillows in the background, and every time, it seems to fit perfectly with the scene. While the music is excellent by itself, it strengthens the emotions that FLCL is trying to deliver in those scenes.

    At just 6 episodes, it's short. But because of its shortness, the plot structure is incredibly tight, allowing it to have such great connections within. FLCL is simply an excellent work of art. Don't look at it as the best anime ever created. Look at it as a beautiful piece of art that chose anime as the medium to deliver itself in.
    Bressanellic-1

    Once is not enough

    When I was watching FLCL for the first time, I had no idea what was going on. I'd never seen anything like it. So, the movie started switching gears from sweet and tragic to insane and funny, it really took me by surprise. Basically, I was holding on 'till the end because I wanted to know what it was all about. But even without that, it rocked. You may not be entirely sure at some moments why or how, but it rocks. The story starts off in a town that reminds one of one's own home town. The kid's are depressed, bored, and pretty much just drag themselves out of bed in the mourning. The adults are hyper, child-like and very annoying to the children of the town. But then she shows up. Like some kind of pop-metal not quite evil not quite good bubble gum haired goddess shows up and turns reality into chicken soup. This woman and the main character are somehow tied together through a story that involves sex, baseball, aliens, robots, secret government organizations and an underlying message about growing up and finding who you are.

    The first time you watch it, you will not get it. I didn't, and most other people don't. When it's over, you only think about the crazy parts that made no sense, and you don't remember the deeper and sometimes creepy moments that kind of puts everything together. And even if you were able to get it the first time (*cough* not gonna happen.) this movie moves you more every time you watch it. It's the kind of thing you want to see again. It's extroadinarilly good. If you have an open mind, a little time, and feel like your out of place with the world (I'm betting you do. Everybody else does) then you will love this movie. Whether or not you understand it
    10InzyWimzy

    Attitude with a bass

    My all time favorite anime series. It's difficult to explain and must be seen to enjoy its creativity and cleverness. This is one of best ways to show the strides GAINAX is making as well as other greats like Evangelion, Gunbuster, and others.

    Almost everyone in this series undergoes change especially Naota. I finally watched episode 5 and 6 and I never picked up on the role of Naota's brother. How about lefties, sour and sweet, or mild or spicy?? "Brittle Bullet" may be my new favorite...how can you not be amazed by its final scene and the rich color schemes. Haruko is epitome of female anime coolness and she looks so creepy with that smile and no eyes! Mamimi's manic self always brings a laugh and who wouldn't want their own Canti? Great secondary characters who just add more to the richness of the story. And a heavy emphasis on EYEBROWS. The show is linear but tangents are strewn throughout which makes this a great series and repeated viewings. I probably still won't get it, but I think it's meant to kick back, relax, and enjoy the show. Also, FLCL would not be the same without the Pillows soundtrack which fits perfect with the show. The end credit sequence makes you want to get a vespa.

    For those who enjoy originality, terrific tunes, and just so bizarre it's tasty anime to munch up.
    9deepion

    the most insane anime ever?

    when you start to watch this anime, it won't be long before you go... "what the heck!?". of course, this is exactly what it wants you to do. there is no use trying to understand it, and there is no point you getting upset about it. if you don't like it, don't watch it. this is an anime which stretches your imagination, as well as the boundaries of animation. this is one of the most beautifully animated shows i have seen and without a doubt the most charming. the wonderful mix of characters and weird story, along with a cruel and wicked sense of humour and craziness makes for one outrageous anime which will not disappoint. a must view, just make sure to not give up on it, after a few viewings, you'll start to notice new things and realise what a true masterpiece this really is. you want something really different? fed up with all the usual rubbish? you can't get further from reality than FLCL.
    chrispchenry

    Total Riot

    This is the most original anime I have ever seen in my life! It's totally insane, really fast and hysterical. Full of pop-cultural references and giant robots. Great action sequences and a top-notch soundtrack provided by JPop band The Pillows. The one thing I noticed the most is the distinct animation style, which actually changes randomly. The first and last episode feature a mind-blowing and dizzying manga sequence where pages from the manga are animated.

    This is totally original, anyone who calls themselves a fan of anime should check this one out.

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    Verwandte Interessen

    Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in Family Guy (1999)
    Animation für Erwachsene
    Steve Blum and Kôichi Yamadera in Cowboy Bebop (1998)
    Anime
    Barakamon (2014)
    Ein Stück aus dem Leben (Slice of Life)
    Jodi Benson, Jason Marin, and Samuel E. Wright in Arielle, die Meerjungfrau (1989)
    Handgezeichnete Animation
    Jim Carrey and Kate Winslet in Vergiss mein nicht (2004)
    Psychologisches Drama
    Bruce Willis in Stirb langsam (1988)
    Action
    Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Chihiros Reise ins Zauberland (2001)
    Animationsfilm
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Will Ferrell in Anchorman - Die Legende von Ron Burgundy (2004)
    Komödie
    James Earl Jones and David Prowse in Star Wars: Episode V - Das Imperium schlägt zurück (1980)
    Science-Fiction

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Though credited with a question mark, the voice of Miyu Miyu is provided by Evangelion director Hideaki Anno.
    • Patzer
      When there's a bird's eye view of the floor, 'medical mechanica' was misspelled 'medical meccanica.'
    • Zitate

      Naota: When you're in a town like this all covered with smoke, you forget that there's a world outside. Nothing amazing happens here. And you get used to that, used to a world where everything is ordinary. Every day we spend here is like a whole lifetime of dying slowly. But now Haruko is here. That's how I know there really is a world outside.

    • Crazy Credits
      Miyu Miyu - ?
    • Alternative Versionen
      When screened on Cartoon Network's Adult Swim in the US, the ending credits are displayed in untranslated Japanese. The North American DVD however, released by Synch-Point, only has the ending credits translated in English.
    • Verbindungen
      Edited into FLCL Reanimated (2025)
    • Soundtracks
      Ride on shooting star
      Performed by the pillows

      Lyrics and Music by Sawao Yamanaka

      Arrangement by the pillows

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    FAQ18

    • How many seasons does FLCL have?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 21. November 2009 (Deutschland)
    • Herkunftsländer
      • Japan
      • Kanada
      • Vereinigtes Königreich
      • Frankreich
    • Offizieller Standort
      • gainax.co. (Japan)
    • Sprachen
      • Japanisch
      • Englisch
    • Auch bekannt als
      • Fooly Cooly
    • Produktionsfirmen
      • Gainax
      • Production I.G.
      • Star Child Recording
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    Technische Daten

    Ändern
    • Laufzeit
      • 30 Min.
    • Farbe
      • Color
    • Sound-Mix
      • Dolby SR
    • Seitenverhältnis
      • 1.33 : 1

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