IMDb-BEWERTUNG
4,4/10
2757
IHRE BEWERTUNG
Am letzten Schultag beschließen zwei gemobbte Teenager, sich an ihren Peinigern zu rächen.Am letzten Schultag beschließen zwei gemobbte Teenager, sich an ihren Peinigern zu rächen.Am letzten Schultag beschließen zwei gemobbte Teenager, sich an ihren Peinigern zu rächen.
- Regie
- Drehbuch
- Hauptbesetzung
Birkett Turton
- Daniel Lynne
- (as Kett Turton)
Alejandro Rae
- Paul
- (as Alex Rae)
Empfohlene Bewertungen
Uwe Boll isn't exactly a name I praise very highly, actually his movies 'House of the dead' and 'Alone In The Dark' are 2 of the worst movies I've seen.
He does get it right occasionally though, with for instance 'Rampage' and 'Assault On WallStreet' oddly enough both those have a similar theme of mass-shootings as this one, perhaps that's a subjectmatter that Uwe simply connects with the most and thereby where he shines the most in doing.
I have no idea why this is so low rated, I think it could have to do with 2 things:
1. Although it's inspired by Columbine a lot of things have been changed around and perhaps people thought that that was wrong or...
2. The shooters are portrayed as humans, not just psychos going on a rampage and some of the victims are indeed seen as "asking for it". And that might have rubbed some Americans the wrong way, who'd want nothing more than to believe that kids who commit this acts are born monsters.
It's not a flawless movie tho, as it is a ensemble-dramathriller some characters aren't as interesting as others but Brendan Fletcher is amazing as the lead-bully they really couldn't have found anyone better for the job.
Most of the cast does a very good job tho but he and Kett Turton stands out the most and are the main focus of the movie.
It's probably Uwe Boll's greatest movie.
He does get it right occasionally though, with for instance 'Rampage' and 'Assault On WallStreet' oddly enough both those have a similar theme of mass-shootings as this one, perhaps that's a subjectmatter that Uwe simply connects with the most and thereby where he shines the most in doing.
I have no idea why this is so low rated, I think it could have to do with 2 things:
1. Although it's inspired by Columbine a lot of things have been changed around and perhaps people thought that that was wrong or...
2. The shooters are portrayed as humans, not just psychos going on a rampage and some of the victims are indeed seen as "asking for it". And that might have rubbed some Americans the wrong way, who'd want nothing more than to believe that kids who commit this acts are born monsters.
It's not a flawless movie tho, as it is a ensemble-dramathriller some characters aren't as interesting as others but Brendan Fletcher is amazing as the lead-bully they really couldn't have found anyone better for the job.
Most of the cast does a very good job tho but he and Kett Turton stands out the most and are the main focus of the movie.
It's probably Uwe Boll's greatest movie.
I do not know of any other director that has generated so much hatred. There are petitions on the net calling for Uwe Boll to never direct again. Is he really that bad? I am viewing this film, recommended as a good example of his work, with that in mind.
The film did an excellent job of showing the motivation behind the actions of the boys. The rape of the disabled girl was no different than the physical and psychological abuse of the two boys by the jocks. It was a violation of privacy and of their bodies.
But, it wasn't just the two boys or the girl who was raped, there was also other plots going on involving teen pregnancy, pressure to have sex, and unfair teachers. Would there be more than two people to explode on the last day? The end result was very predictable and a cautionary tale of what is allowed by school officials and the result of overpopulated schools.
Bottom line: this was an interesting and engaging movie and Uwe Boll did a very good job of telling the story.
The film did an excellent job of showing the motivation behind the actions of the boys. The rape of the disabled girl was no different than the physical and psychological abuse of the two boys by the jocks. It was a violation of privacy and of their bodies.
But, it wasn't just the two boys or the girl who was raped, there was also other plots going on involving teen pregnancy, pressure to have sex, and unfair teachers. Would there be more than two people to explode on the last day? The end result was very predictable and a cautionary tale of what is allowed by school officials and the result of overpopulated schools.
Bottom line: this was an interesting and engaging movie and Uwe Boll did a very good job of telling the story.
I wanted to watch this one because of Michaela Mann, and I didn't know what it was about. After seeing it was Uwe Boll directing i was a little surprised to so many reputable and excellent actors: Moss, Prochnow, Muldoon, Fletcher, Will xXxX and Paré
The movie is clearly about Columbine, just like Gus van Sant's "Elephant" is. However, HoA lacks the quality and artistry of Elephant. And also, it lacks guts, given the conclusion at the end when the reporter DARES to blame computer games for school shootings rather than bullying and availability oof guns. Europe has just as many computer game players, Japan has extreme bullying, neither has a smidge of the American school shooting numbers. So, this movie breathes mediocrity: it's a dumbed down version of Elephant, a straight and very predictable flick. The actual horror is unintentional and comes at the end when several school rampages until 2002 are listed and their death count seem insignificant compared to the rampages in the 2 decades after, Florida, Virginia tech, Sandy Hook, Las Vegas, Breivik and Dylan Rooff
Heart of America, released in Australia as "Home Room", is a well acted and finely crafted film. Uwe Boll tackles a most difficult subject matter with a grace and subtlety that you would not expect from the director of "Alone In The Dark" and "House Of The Dead". Somewhat predictably, Uwe's armchair critics have been sharpening their knives over this film as well. Do these people have anything better to do than rant about a relatively obscure film director's shortcomings? Don't be put off by Uwe's undeserved reputation as the king of crap; Heart of America is a great film.
Heart of America is one of several films to be inspired by recent high school shooting tragedies. This may sound like a perverse topic for Uwe Boll to examine given his subsequent devotion to making gory horror movies. However, Boll has crafted a surprisingly intelligent and thought provoking film. More impressively, Uwe succeeds where the likes of Gus Van Sant have failed - unlike "Elephant", Heart of America actually makes for interesting viewing. By treating this theme within the context of what appears to be a straight forward teen drama, Boll allows viewers to get to know the characters before plunging into tragedy. This makes the eventual outcome all the more affecting.
One of the few complaints about Uwe Boll that carries some validity is his tendency to overlook any kind of character development. This makes the in depth character study in Heart of America all the more satisfying. The lives of both the shooters and the victims are explored, which provides a balanced insight into the circumstances that can lead to such inexplicable events and puts a human face to the perpetrators of such acts. The film is interestingly constructed, revealing a group of very different but equally unhappy and disillusioned teens. One reviewer described these characters as stereotypes and I could not disagree more. The characters are almost hyper-real. The drug dealer might look like an extra from "The O.C." but the bullied teenagers, the frustrated teacher and the perplexed principal are all wonderfully realised.
The acting in the film is mostly outstanding. Once again, Boll has collected a fantastic cast - Juergen Prochnow and Michael Pare are at their very best. It's nice to see a cameo from Maria Conchita Alonso as a school counsellor and Boll regular Will Sanderson is great as the town loser. The younger actors are mostly fine, with the exception of the pregnant girl and the wooden Barbie doll playing the principal's daughter.
The film works best when exploring the lives of its teen characters. The scenes of bullying and the flashback to the rape of a disabled girl are bleak, gritty and powerful. The look on the brother's face as he hears his idolised sibling recount the rape is devastating. The film loses its way occasionally (what was with the secretary and her bizarre hand gesture to celebrate the last day of school?) but everything is held together by slick editing and a very clever script. I have always enjoyed Uwe's unique directorial skills and he outdoes himself here. I can't wait for more computer game adaptations but after seeing this I hope he squeezes another hard hitting drama into his schedule.
Heart of America is a riveting film that deserves a bigger audience. This film is eloquent and thought provoking, while still managing to be interesting and entertaining. This movie should be judged on its merits, not the subsequent films of its director.
Heart of America is one of several films to be inspired by recent high school shooting tragedies. This may sound like a perverse topic for Uwe Boll to examine given his subsequent devotion to making gory horror movies. However, Boll has crafted a surprisingly intelligent and thought provoking film. More impressively, Uwe succeeds where the likes of Gus Van Sant have failed - unlike "Elephant", Heart of America actually makes for interesting viewing. By treating this theme within the context of what appears to be a straight forward teen drama, Boll allows viewers to get to know the characters before plunging into tragedy. This makes the eventual outcome all the more affecting.
One of the few complaints about Uwe Boll that carries some validity is his tendency to overlook any kind of character development. This makes the in depth character study in Heart of America all the more satisfying. The lives of both the shooters and the victims are explored, which provides a balanced insight into the circumstances that can lead to such inexplicable events and puts a human face to the perpetrators of such acts. The film is interestingly constructed, revealing a group of very different but equally unhappy and disillusioned teens. One reviewer described these characters as stereotypes and I could not disagree more. The characters are almost hyper-real. The drug dealer might look like an extra from "The O.C." but the bullied teenagers, the frustrated teacher and the perplexed principal are all wonderfully realised.
The acting in the film is mostly outstanding. Once again, Boll has collected a fantastic cast - Juergen Prochnow and Michael Pare are at their very best. It's nice to see a cameo from Maria Conchita Alonso as a school counsellor and Boll regular Will Sanderson is great as the town loser. The younger actors are mostly fine, with the exception of the pregnant girl and the wooden Barbie doll playing the principal's daughter.
The film works best when exploring the lives of its teen characters. The scenes of bullying and the flashback to the rape of a disabled girl are bleak, gritty and powerful. The look on the brother's face as he hears his idolised sibling recount the rape is devastating. The film loses its way occasionally (what was with the secretary and her bizarre hand gesture to celebrate the last day of school?) but everything is held together by slick editing and a very clever script. I have always enjoyed Uwe's unique directorial skills and he outdoes himself here. I can't wait for more computer game adaptations but after seeing this I hope he squeezes another hard hitting drama into his schedule.
Heart of America is a riveting film that deserves a bigger audience. This film is eloquent and thought provoking, while still managing to be interesting and entertaining. This movie should be judged on its merits, not the subsequent films of its director.
As everyone realizes by now, this is probably Boll's best work, but that's hardly a compliment considering his abhorrent filmography. This one detracts from his usual game-to-movie adaptation, and it's basically a remake of Columbine. It tries to create insight regarding the shooting, but it's mostly just banal sentimentality with copycat flair, one-dimensional, predictable characters with conventional, exaggerated teenage problems, and slow-paced, pointless black-and-white sequences to show us the 'troubled' past of these kids.
It offers nothing new to the subject. It creates a mundane, melodramatic explanation, it annoys you with slow-paced, trite, uninteresting drama, and it takes no risks. It doesn't try to offer an innovative, thought-provoking look at these kids motives, and considering that Boll wrote and directed the film, a risk would've probably been a disaster. Well, at least it wouldn't have been an already established, pointless, boring recreation.
It offers nothing new to the subject. It creates a mundane, melodramatic explanation, it annoys you with slow-paced, trite, uninteresting drama, and it takes no risks. It doesn't try to offer an innovative, thought-provoking look at these kids motives, and considering that Boll wrote and directed the film, a risk would've probably been a disaster. Well, at least it wouldn't have been an already established, pointless, boring recreation.
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- WissenswertesDirector Ron Howard said he personally enjoyed the film calling it "A very sobering, thought provoking film"
- Zitate
Daniel Lyne: What's our legacy? We saw, we came, we got pissed on weekly?
- VerbindungenReferenced in The Important Cinema Club: #405 - Is There a Case for Uwe Boll? (2024)
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- Erscheinungsdatum
- Herkunftsländer
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- Auch bekannt als
- Deadly Trust
- Drehorte
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- Budget
- 3.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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