Zwei Kriminalbeamte der Mordkommission von Los Angeles werden in eine Stadt im Norden entsendet, in der die Sonne nicht untergeht, um den akribisch geplanten Mord an einer Jugendlichen aus d... Alles lesenZwei Kriminalbeamte der Mordkommission von Los Angeles werden in eine Stadt im Norden entsendet, in der die Sonne nicht untergeht, um den akribisch geplanten Mord an einer Jugendlichen aus dem Ort zu untersuchen.Zwei Kriminalbeamte der Mordkommission von Los Angeles werden in eine Stadt im Norden entsendet, in der die Sonne nicht untergeht, um den akribisch geplanten Mord an einer Jugendlichen aus dem Ort zu untersuchen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 11 Nominierungen insgesamt
- Kay Connell
- (as Crystal Lowe)
Empfohlene Bewertungen
Christopher Nolan is the acclaimed director of "Memento" and he scores yet again, with this beautifully constructed thriller. I was intrigued from start to finish. Nolan's use of lighting is dark and murky, wonderfully setting the noirish tone. Nolan shows great promise as an up-and-coming director, and with a good outlet he can possibly become the next Kubrick. I greatly look forward to seeing his next project, whenever that may be.
I recommend "Insomnia" to anyone who loved Nolan's previous "Memento" or anyone who simply enjoys a great, multi-faceted mystery/thriller that will keep you guessing at every turn. I think it's too early to vote this movie as one of the best films of 2002, but it's a possible candidate. We don't see too many "great" films anymore, and whenever they're out there it's good to take advantage.
My score: 9 (out of 10)
Christopher Nolan takes all that was the 1997 film, and brings it to the next level, using his own style of directing, a musical score with shades of Memento, and an all star cast. Al Pacino and Robin Williams pulls out the greatest performances of their careers in the past decade, if not in their ENTIRE careers in my eyes.
Pacino once again excels in the role of master dective, while Williams takes this chance to show his "dark side", and he does it so well. I can only hope that this is a rebirth of Robin Williams, and as it stands with his upcoming film One Hour Photo (which he once again plays a dark, psychotic role), it seems to be just that! Hilary Swank also pulls out what is the greatest role of her career.
Insomnia brings you in as an audience, with it's perfectly woven plot, with a film noir feel to it, just as Nolan's first two films. It is a rollercoster ride of drama and suspense as you watch Al Pacino from the very beginning unravel, and the rest of the story and his past catches up with him. I can not say much more about it, as I do not wish to spoil anything about if for you, but I do want to say this... ...go see it, right now, and enjoy. If you love crime/mystery/drama films with that wonderful Film Noir feel to it, you will love this film. If that isn't your thing, then the performances of the three main actors are worth the price of a ticket in itself.
Finally I just want to say, that Insomnia proves once and for all that Christopher Nolan will indeed be a force to reckoned with in Hollywood. I've said it before, and I'll say it again... ...Christopher Nolan is well on his way to becoming the Hollywood legend which he proves he is capable of becoming.
The insomnia of the title is suffered by the Pacino character, who can't sleep during the movie's 7-day span. And each day his eyes are more sunken, he's groggier, less focused. This parallels his descent into guilt, remorse, and desperation. But to provide any more details would be to give away key plot elements. "Insomnia" is gripping and it's best to see the movie cold.
The acting, especially Robin Williams as the key suspect in the child slaying, is top notch. Williams is made for these roles, he should kiss the suck-up feel-good stuff goodbye for good. The photography is excellent, Alaska never looked so ominous, and the direction delivers the goods. Highly recommended.
The original movie had a tiny budget and also an excellent cast, led by the terrific Swede Stellan Skarsgård, growing as pale as that relentless sunshine during the course of the film; the usually haggard-looking Al Pacino interprets his insomnia visually through an ever more haggard face.
Though the original film isn't given as the source material until well into the closing credits, this follows the main thrust of the story closely. The changes, though, are both subtle and significant and intriguingly as American as Sam Spade when the mise en scene gets moved to Alaska (actually shot in Vancouver). Significantly, there is less sex and more morality.
Hilary Swank's character is more naive than her counterpart; Martin Donovan's character's role is more central to the story and, of course, Robin Williams gets more screen time than his original counterpart, as the conflict is less in the lead's mind and more on the screen as a duel. The plot twists are done differently so I shamefully got confused between the two movies.
While not as overwhelming as the original, I do think this version should rank right up with the great detective/cop-does-the-right-thing movies, and the plot makes more sense than "The Big Sleep."
(originally written 6/16/2002)
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- WissenswertesSir Christopher Nolan told TIME Magazine that he had to deal with leading actors with highly different approaches. Al Pacino insisted on meticulous preparation, serious talks about character motivation and lots of takes, Robin Williams preferred hardly any rehearsal, but many takes, and Hilary Swank wished to do just a few takes to stay completely focused. Nolan therefore let Pacino and Williams freely experiment and work things out together, in order to get attuned to each other.
- PatzerAfter Will and Walter's conversation on the ferry, the officer who got shot in the leg earlier by Walter is shown walking normally at the police station. Later he's shown limping and using crutches.
- Zitate
Ellie Burr: A good cop can't sleep because he's missing a piece of the puzzle. And a bad cop can't sleep because his conscience won't let him.
- VerbindungenFeatured in Day for Night: The Making of 'Insomnia' (2002)
- SoundtracksSparks
Written by Guy Berryman, Jon Buckland, Will Champion, Chris Martin
Performed by Coldplay
Courtesy of EMI Records Ltd.
Under license from EMI-Capitol Music Special Markets
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Insomnia
- Drehorte
- Alaska, USA(aerial photography)
- Produktionsfirmen
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Box Office
- Budget
- 46.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 67.355.513 $
- Eröffnungswochenende in den USA und in Kanada
- 20.930.169 $
- 26. Mai 2002
- Weltweiter Bruttoertrag
- 113.759.177 $
- Laufzeit
- 1 Std. 58 Min.(118 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1