Samurai Jack

Samurai Jack is the quintessence of cartoon storytelling today. there is no two-ways about it.

let me break it down for you: Long ago in a distant land, Aku, the shape-shifting master of darkness, unleashed an unspeakable evil, but a samurai warrior wielding a magic sword stepped fourth to oppose him. before the final blow was struck, Aku opened a portal in time, flinging the samurai into the future, where Aku's evil is law. now the samurai seeks to return to the past, and undo the future that is Aku.

the first story involves the samurai landing in the future, he is given a name by some enthusiastic street-urchins (Jack), and finds himself in a rough bar filled with belligerent aliens and talking dogs. these dogs are in desperate peril, and seek jack's help in a very obvious reference to Akira Kurosowa's masterpiece The Seven Samurai.

as the series continues, Jack's quest becomes less a focal point of the story, and more a vehicle for various short stories. great storytelling needs but three things: a setting, a protagonist, and a goal. Jack uses this idea to exploit a formula of diversity. anything the animator/writers throw on the wall, generally sticks. the ambiguity of the show allows for a free-form format that has made shows like Cowboy Bebop and Justice League Unlimited fellow masterpieces of the serial animation format. stories range from horror, science fiction and fantasy, to comedy, Wu shu, drama, noir, giant robo and epic action.

Jack is a child of a lot of inspiration, things like Star Wars and Akira Kurosowa are obvious influences, but the works of Marvel and DC comics, as well as the work of graphic novelist Frank Miller are all very apparent references. (infact Miller's acclaimed graphic novel Ronin is very similar in plot to Samurai Jack, and there is an entire episode based upon the premise of 300, another Miller book which has also become a Hollywood film.)

Jack is, by all means, an action show. in a given show there is maybe 10-15 minutes of action in a 24 minute episode, however in later seasons, the formula of Jack as an action show recedes heavily, and the show becomes more of a sampler-plate of creativeness. the stories are as charming and moving as they are diverse and epic.

Samurai Jack is a brilliant show, it's influences are long-spread and it will undoubtedly be remembered as a staple of artistic television.

Samurai Jack is definitely a classic cartoon, but it has some serious flaws that I think many people are just turning a blind eye to. The first two seasons especially have some very egregious problems, specifically with the animation.

In the first two seasons, the animation is especially choppy and stilted. The animators decided to go style-over-substance in many of these early episodes, using changing frame rates, slow-mo, and other stylistic choices hoping to mask the long portions of reaction-shots, very choppy and non-fluid motion, and almost uncanny movements (or lack thereof) by the characters. That is to say nothing of the character design. I think many are ascribing the geometric body shapes and odd proportions undeserved artistic merit, not to mention the uninspired designs for a myriad of villains and aliens. Not to say that the show is artistically bankrupt, but sometimes it seems obvious that it's not trying as hard as it could.

The episodic structure is a little grating at times, with some continuity ignored. Some of my least favorite episodes are Jack vs. Mad Jack; Jack, the Woolies, and the Critchellites; Jack Learns to Jump Good; and especially Jack vs. the Five Hunters. They all have some problem that I've mentioned here.

So, how could I give all these gripes about a show and still rate it an 8 out of 10? In the third season, the animation gets a significant upgrade, and that also improves the action. I think it was some of those early season 3 episodes where I could really catch the vision of what the creators were trying to do with the show. As I said before, the show is far from artistically bankrupt, and some of the show's best episodes are also from those first two seasons: Jack and the Three Blind Archers; Jack and the Scotsman; Aku's Fairy Tales, among others. The show also had some great comedy. Mako's voice acting (which was probably around 60% of all the voice acting in the show) was tremendous, and the soundtrack was truly superb. I think the show really does hold up as a classic, but there are some errors that are overlooked. Also, season 5 is a beast unto itself, very different from its original run, but inheriting its predecessor's quality.

Samurai Jack is the definition of an action cartoon series.

It shows a magnificent samurai, dubbed the name Jack, on a journey to return to the past after he is sent to a dark and unwelcome future run by his archnemesis, the dark shape-shifting wizard Aku.

Along the way, he helps restore order to the forsaken wasteland run by evil controllers in often incredibly action-packed, or otherwise hilarious, ways (in one episode, Jack is turned into a rooster and is forced to take part in cock fighting--which is actually legal during that time).

Genndy Tartakouvsky is an animation genius, coming out with ideas such as Dexter's Laboratory, The Powerpuff Girls, and the micro-series Star Wars: Clone Wars, which has a second season coming up. The artwork for Samurai Jack is beautiful and the battle scenes are well-thought and brilliantly drawn. The adventures that Jack goes through can be sometimes funny, but still are always action packed. The ideas for Jack's adventures are brilliant as well.

Overall: solid storyline, brilliant characters, well-thought adventures, beautiful artwork, and even more brilliant action.

Rating: 10 out of 10. This series rocks period.

It seems that Genndy Tartakovsky was only getting warmed up with "Dexter's Laboratory" and "Powerpuff Girls". With those shows he proved he was a comic genius; with "Samurai Jack" he demonstrates that he is a genius, period. Every single aspect of the movie premiere is top-notch. Phil LaMarr is wonderful as Jack. James Venable's score beautifully captures the tone and has just the right mix of traditional Oriental and electronic sounds. I liked the fact that there did not seem to be any unnecessary dialogue (in fact several scenes--most notably the beginning--have almost no dialogue at all). The animation and backgrounds are very stylish and striking, and the filmmakers even allow the art to escape the confines of the square 1.33:1 TV ratio with some split-screen and widescreen shots used to great effect. It is my hope that the series continues to be as good as the premiere is. This will be on you "must-watch" list.

I love this show so much. Someone might complain that there isn't much of a plot for this show, but it's meant for people to watch one episode at a time. There's no need to watch the entire series. The art is AMAZING!!!!! (!) Genndy Tartakovsky changes the ratio of the screen for dramatic effects, how they tell the story is amazing. There is no over all plot that carries throughout the series, all the plot you'll ever need is in the episode itself. Even if you don't like the story, the art in itself is beautiful. Full of style and grace.