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IMDbPro

Avenging Angelo - Die Liebe eines Bodyguard

Originaltitel: Avenging Angelo
  • 2002
  • 12
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
5,1/10
10.534
IHRE BEWERTUNG
Sylvester Stallone and Madeleine Stowe in Avenging Angelo - Die Liebe eines Bodyguard (2002)
Home Video Trailer from Columbia Tristar
trailer wiedergeben0:53
2 Videos
36 Fotos
ActionKomödieKriminalitätRomanze

Füge eine Handlung in deiner Sprache hinzuA woman who has just discovered she is the daughter of a murdered Mafia chieftain seeks revenge, with the aide of her father's faithful bodyguard.A woman who has just discovered she is the daughter of a murdered Mafia chieftain seeks revenge, with the aide of her father's faithful bodyguard.A woman who has just discovered she is the daughter of a murdered Mafia chieftain seeks revenge, with the aide of her father's faithful bodyguard.

  • Regie
    • Martyn Burke
  • Drehbuch
    • William Porter
    • Steve Mackall
  • Hauptbesetzung
    • Sylvester Stallone
    • Madeleine Stowe
    • Anthony Quinn
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,1/10
    10.534
    IHRE BEWERTUNG
    • Regie
      • Martyn Burke
    • Drehbuch
      • William Porter
      • Steve Mackall
    • Hauptbesetzung
      • Sylvester Stallone
      • Madeleine Stowe
      • Anthony Quinn
    • 77Benutzerrezensionen
    • 24Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    Avenging Angelo
    Trailer 0:53
    Avenging Angelo
    Avenging Angelo
    Trailer 0:59
    Avenging Angelo
    Avenging Angelo
    Trailer 0:59
    Avenging Angelo

    Fotos36

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    Topbesetzung44

    Ändern
    Sylvester Stallone
    Sylvester Stallone
    • Frankie Delano
    Madeleine Stowe
    Madeleine Stowe
    • Jennifer Barrett
    Anthony Quinn
    Anthony Quinn
    • Angelo Allieghieri
    Raoul Bova
    Raoul Bova
    • Marcello
    Harry Van Gorkum
    Harry Van Gorkum
    • Kip Barrett
    Billy Gardell
    Billy Gardell
    • Bruno
    George Touliatos
    George Touliatos
    • Lucio Malatesta
    Angelo Celeste
    • The Priest
    Ezra Perlman
    • Rawley Barrett
    Carin Moffat
    Carin Moffat
    • Ashley
    John Gilbert
    John Gilbert
    • Whitney Towers
    Dawn Greenhalgh
    Dawn Greenhalgh
    • Peggy Towers
    Angelo Tsarouchas
    Angelo Tsarouchas
    • Thug
    Nancy Beatty
    • Meter Maid
    Lori Alter
    Lori Alter
    • Kay
    Kristina Nicoll
    Kristina Nicoll
    • Becky
    Gino Marrocco
    • Sammy Carboni
    Francesco Zimone
    • Young Angelo
    • (as Franco Zimone)
    • Regie
      • Martyn Burke
    • Drehbuch
      • William Porter
      • Steve Mackall
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen77

    5,110.5K
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    Empfohlene Bewertungen

    uds3

    "Everybody's going somewhere!"

    If nothing else, the film justifies its existence for the restaurant scene at the beginning, wherein Quinn utters the above line. Short as it may be, THAT scene was cinematic magic, especially if you study Quinn's face as he delivers the words. The briefest of pauses makes you wonder if the reality of that line had momentarily struck him, fatally ill as he was with throat cancer during shooting. He died before the film's release bringing to an end one of Hollywood's most illustrious screen careers - one that spanned six decades. Restricted as the role of Angelo was, it was ENOUGH to say "goodbye" with, and with such dignity too. Quinn "conveyed" more in his ten minutes on screen here than others have amassed in a lifetime. He would have been delighted to be working, up to his last breath, literally. Stallone even, if you really look closely, appears to extend a real reverence to his co-star in those opening minutes.

    I think to have any hope of either understanding or even "liking" this film, you would need to be over 40 with a depth and awareness not everyone has. It is NOT a "surface" film. If that is all you can see, you're wasting your time. There is fun, chemistry, humor- subtle and less so....and a decent storyline. Whether you view it as parodying THE GODFATHER (which at times it appears to be doing) or telling a less than straightforward tale of revenge...mafioso style, this film has genuine moments of endearing drama. Many reviewers appear to feel short-changed expecting as they were, THE VALACHI PAPERS 2 or THE CURSE OF DON CORLEONE....nor was this wallowing in the putrid wake of OSCAR, Stallone's last "stab" as it were, at portraying the unfunny eccentricities of "la cosa nostra."

    I won't bother rehashing the plotline....enough here have done that. I would simply say that it is a great shame it went straight to video - Quinn deserved way more respect than that, and SO did this film. I agree with the reviewer who offered a 6.6 as being reasonable. Like I said though, you have to be able to look past the plot holes, the uneven direction and the oddball characterizations. Stallone and Stowe handed in some good work here!
    ClarkDevlin

    Give it a chance...you might be surprised

    Disclaimer: I am a Stallone fan, so this is not by any means an impartial review. Still, I readily admit that Sylvester Stallone has made both good and bad films. This is definitely one of the former, though not typical of his better work.

    Stallone will never get any respect for his acting in the mainstream press, which is too bad: if he were an unknown in this role, and had given an identical performance, the press would laud him for his ability to handle subtle bits of comedy interspersed with action and gunplay. But he's Stallone- with all the baggage that carries, both good and bad- so his work is often overlooked.

    If I were assisting Mr. Stallone's career, I would have suggested putting this out in film, and keeping 'Get Carter' for video.

    Madeline Stowe has always been vaguely annoying to me, but not in this film. For one thing, one has to give kudos to her for her amazing physical shape: she's beautiful, with a figure that a lot of current 20-year-olds should aspire to! She deftly handles both the comic and the pathos of the script.

    Rent it with an open mind. I think you'll be pleasantly surprised.
    sat-elite

    Give it a chance...you might be surprised

    Disclaimer: I am not a Stallone fan, . but I readily admit that Sylvester Stallone has made both good and bad films. This is definitely one of the former.

    Stallone rarely gets any respect for his acting in the mainstream press, which is accurate rather than biased: if he were an unknown in this role, and had given an identical performance, the press would laud him for his ability to handle subtle bits of comedy interspersed with action and gun-play. But he's Stallone- with all the baggage that this carries, both good and bad- so whilst he should know better, his work in the light hearted flicks is quite often overlooked.

    If I were assisting Mr. Stallone's career, I would have suggested putting this out in film, and keeping 'Get Carter' for the nearest black hole. The director of this film works well but should be shot on sight for one scene, where the Merc is accelerating from the garage and the cars behind are happily catching up.

    Madeline Stowe has rarely been annoying to me, and in this film, one has to admire her (again) her for her amazing physical shape: she's beautiful, with a figure that a lot of current 20-year-olds round here could never aspire to! She deftly handles both the comic and the pathos of the script, in much the same way as Stakeout 1.

    Nice to know that Quinn and Stowe did it again for the last time with a simple story about adultery and revenge rather than a simple story about adultery and revenge.

    Rent it with an open mind. I think you'll be pleasantly surprised. Quinn R.I.P.
    mycatslyone

    A Love Story For Sly

    I was pleasantly surprised when I eyed this Sly film! He is so good with comedy! He has a sarcastic wit about him & he can do things with those big brown puppy eyes that just make ya melt!! He's also in GREAT shape but I'm sorry, his hairpiece in this is just too noticeable. (Sorry, Sly! We still love ya tho!)

    Story Line: Frankie (Sly) is bodyguard for Mr. Alegheri (the late great Anthony Quinn). He gets "hit" in a restaurant when Frankie leaves him unattended for a minute or two. All his life, he's been 'on the job' for Quinn, watching his daughter who doesn't even know she's his daughter (Stowe, with the HUGE brown eyes!!) Anyway, it's time for her to find out & to have Frankie watching her closer than ever now & they soon fall in love. Like he says, "I couldn't keep the distance anymore!") He almost loses her to another handsome Italian (the young guy who played opposite Diane Lane in Under the Tuscan Sun) but that relationship went "dead"! (Pun intended!)

    I don't know why this film was given an R rating. Granted, there were 2 times the "f" word was used but I've heard that in PG-13's!! Perhaps it would have gotten seen by more people if it were rated PG-13. I know I would have seen it sooner! This is clearly a woman's movie, a love story for Sly FINALLY!! (Unless you count The Specialist?) Too bad he didn't get them when he was younger. Ooooooooh - to heat up the screen!! YO!!
    7roger_nt

    Good clean fun!

    I bought this movie for two reasons, first, I wanted to get something my wife and I could watch together and Wal-Mart was selling it for $5.50, and secondly, it was filmed partly in the city where I work, and I saw Stallone standing between two sound trucks, looking just like Sylvester Stallone as I was leaving my office one night. I had always thought I should have a look at the movie.

    I expected a grim-mouthed actioner, but having seen some of Stallone's other work I should have known better. The movie is played with a lot of good humour, and fine interplay between Stallone and Stowe. There were a couple of places where I actually laughed out loud, and it's hard to make me laugh.

    If you want a movie you can watch on a quiet night with your teen-aged kids and your wife, this'll do fine.

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    Verwandte Interessen

    Bruce Willis in Stirb langsam (1988)
    Action
    Will Ferrell in Anchorman - Die Legende von Ron Burgundy (2004)
    Komödie
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Die Sopranos (1999)
    Kriminalität
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romanze

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Never released theatrically in the United States. Went direct to DVD.
    • Patzer
      At the opera, the book and the candle on the table switch positions.
    • Zitate

      Frankie Delano: You ever read this book?

      Bruno: Have I ever read that book? Not only does that insult my intelligence but it insults my ignorance. Why would a man like me, who happens to like himself, be caught dead reading a bit of boy toy fluff like that?

      Frankie Delano: [using his book to muffle his pistol fire] Because it's a killer.

    • Verbindungen
      Featured in Making 'Avenging Angelo' (2003)

    Top-Auswahl

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    FAQ17

    • How long is Avenging Angelo?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 11. August 2004 (Frankreich)
    • Herkunftsländer
      • Vereinigte Staaten
      • Frankreich
      • Schweiz
    • Sprache
      • Englisch
    • Auch bekannt als
      • Avenging Angelo
    • Drehorte
      • Castellammare del Golfo, Trapani, Sicily, Italien
    • Produktionsfirmen
      • Dante Entertainment
      • Epsilon Motion Pictures
      • Quinta Communications
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 17.000.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 824.597 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 37 Min.(97 min)
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 2.35 : 1

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