Avenging Angelo - Die Liebe eines Bodyguard

This was Tony Quinn's last film. He was dying of cancer of the throat when the film was being made and it shows in his weakness in the film. Appropriately, he gets offed and indeed, he was dying and died before the film was released. A grand old man who gave us lots of moments in hundreds of films from bad guys to good guys, always in the character realm. This film with Maddy Stowe and Sly Stallone is a fun film that wanders between being a kind of Prizzi's Honor in the chick-flick mode to a rather slap-stick comedy. However, what the reviewers herein who are panning Stallone with their "he's over the hill" comments seem to miss is that old Sly can do more than Arnie Swartzenegger clenched teeth grimacing action films with usually lousy story lines. True, this film at times can't seem to make up its mind whether to be a black comedy or pratt-fall filled lampoon of the traditional gangster/mafioso genre. No matter. It's fun because Stowe and Stallone are a delight to watch. Although, it does make one sad to know this was old Tony's last film, we should appreciate he worked right up to the last gasp, as it were. Ciao, Tony and thanks for all the good times. You'll be missed.

Disclaimer: I am not a Stallone fan, . but I readily admit that Sylvester Stallone has made both good and bad films. This is definitely one of the former.

Stallone rarely gets any respect for his acting in the mainstream press, which is accurate rather than biased: if he were an unknown in this role, and had given an identical performance, the press would laud him for his ability to handle subtle bits of comedy interspersed with action and gun-play. But he's Stallone- with all the baggage that this carries, both good and bad- so whilst he should know better, his work in the light hearted flicks is quite often overlooked.

If I were assisting Mr. Stallone's career, I would have suggested putting this out in film, and keeping 'Get Carter' for the nearest black hole. The director of this film works well but should be shot on sight for one scene, where the Merc is accelerating from the garage and the cars behind are happily catching up.

Madeline Stowe has rarely been annoying to me, and in this film, one has to admire her (again) her for her amazing physical shape: she's beautiful, with a figure that a lot of current 20-year-olds round here could never aspire to! She deftly handles both the comic and the pathos of the script, in much the same way as Stakeout 1.

Nice to know that Quinn and Stowe did it again for the last time with a simple story about adultery and revenge rather than a simple story about adultery and revenge.

Rent it with an open mind. I think you'll be pleasantly surprised. Quinn R.I.P.

I bought this movie for two reasons, first, I wanted to get something my wife and I could watch together and Wal-Mart was selling it for $5.50, and secondly, it was filmed partly in the city where I work, and I saw Stallone standing between two sound trucks, looking just like Sylvester Stallone as I was leaving my office one night. I had always thought I should have a look at the movie.

I expected a grim-mouthed actioner, but having seen some of Stallone's other work I should have known better. The movie is played with a lot of good humour, and fine interplay between Stallone and Stowe. There were a couple of places where I actually laughed out loud, and it's hard to make me laugh.

If you want a movie you can watch on a quiet night with your teen-aged kids and your wife, this'll do fine.

This is a story about a woman who is not who she believes she was. After a family boss, Angelo (Anthony Quinn in his last role before his death), is whacked by a rival family. His former bodyguard, Frankie (Sylvester Stallone), delivers a tape to his daughter, Jennifer (Madeleine Stowe). The tape informs her that he was her father and had to give her to another couple for her own safety, due to the business he was in and the danger she was in. From that point on, Frankie then began looking after Jennifer until he was sure she was safe.

It sounds and looks more like an action/crime drama movie at first but once she finds out who she is, that is where it turns into a chick flick. Madeleine Stowe was all right as Jennifer, but they could have made a much better choice. Jennifer Lopez could have played the role which proves it is a chick flick, but I'd still rather have someone different. Need more proof? There is a scene where Frankie tries to teach Jennifer how to walk more like a woman through demonstration.

Although it did fall more into the chick flick category more than any other, it did have it's moments to keep the men entertained as well. A few shootings, fight scenes and even a few farts for laughs. If I had to pick a movie that was similar, it would be The Whole Nine Yards with Bruce Willis as the suburbanite hit-man, although Avenging Angelo was not meant to be a comedy.

I hate to say this, but Stallone is not aging well at all. He needs to pick better roles altogether. This was one of his better ones, recently, but can do better. Shade comes to mind as one of his better achievements of recent years and should pick more roles like that. He pretty much "jumped the shark" around Copland and he certainly does not look like Rocky or Rambo anymore, which is a shame. I loved those movies and would have liked to see more of that nature from him. Time waits for no man I suppose.

Another actor who did a good job here was Billy Gardell, who played Bruno the hit-man. He reminds me a bit of Chris Penn and I liked his character here. 6.5/10

Disclaimer: I am a Stallone fan, so this is not by any means an impartial review. Still, I readily admit that Sylvester Stallone has made both good and bad films. This is definitely one of the former, though not typical of his better work.

Stallone will never get any respect for his acting in the mainstream press, which is too bad: if he were an unknown in this role, and had given an identical performance, the press would laud him for his ability to handle subtle bits of comedy interspersed with action and gunplay. But he's Stallone- with all the baggage that carries, both good and bad- so his work is often overlooked.

If I were assisting Mr. Stallone's career, I would have suggested putting this out in film, and keeping 'Get Carter' for video.

Madeline Stowe has always been vaguely annoying to me, but not in this film. For one thing, one has to give kudos to her for her amazing physical shape: she's beautiful, with a figure that a lot of current 20-year-olds should aspire to! She deftly handles both the comic and the pathos of the script.

Rent it with an open mind. I think you'll be pleasantly surprised.