Vacuuming Completely Nude in Paradise
- Fernsehfilm
- 2001
- 1 Std. 16 Min.
Füge eine Handlung in deiner Sprache hinzuPete has recently got a new job as a vacuum cleaner salesman. His mentor is the veteran Tommy, whose methods are rather rude; his sole target is to be the best salesman in his team and to re... Alles lesenPete has recently got a new job as a vacuum cleaner salesman. His mentor is the veteran Tommy, whose methods are rather rude; his sole target is to be the best salesman in his team and to receive the "Golden Hoover". Their temperaments are quite different and the apprentice days ... Alles lesenPete has recently got a new job as a vacuum cleaner salesman. His mentor is the veteran Tommy, whose methods are rather rude; his sole target is to be the best salesman in his team and to receive the "Golden Hoover". Their temperaments are quite different and the apprentice days turn wilder and wilder.
- Nominiert für 1 BAFTA Award
- 1 Nominierung insgesamt
- Sheila
- (as Katy Cavanagh)
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While its style of jump cuts, close-ups and abrupt, energetic camera movement is jarring, this is a deliberate ploy on behalf of Boyle to unsettle the audience. We are drawn in to the hectic and aggressive lifestyle of the salesmen by the in-your-face action and dialogue. The combination of Boyle's exciting camera-work and Cartwright's intelligent, dark, witty script is, in my mind, perfect. There is an amazing amount of humour interspersed in the poverty, destitution and desperation of the backdrop.
But what really sets this drama apart is the amazing performance of Timothy Spall as the obsessive salesman. Despite playing an unadulterated b**tard, you can still see some humanity in his bullying and ruthless behaviour, and even feel pity at the person he has become. A lesser actor would surely have struggled to show the two sides to his character but Spall is utterly convincing and compelling in his intensity.
And if you like this, be sure to watch the other Boyle/Cartwright collaboration, 'Strumpet'.
Danny Boyle is back, after slumming it with "A Life Less Ordinary" and "The Beach." He's in familiar territory here, similar to that of "Trainspotting." We see working class angst, social realism and a healthy dose of the fantastic.
It's gritty, it's dirty, and it's incredibly entertaining. Boyle manages to find gold in the gutters of the slums.
He's also assembled a fine cast of actors, including Timothy Spall and Christopher Eccleston (in "Strumpet.").
Perhaps the biggest triumph lies in Boyle's ability to use digital video to his advantage. The possibilities of the medium are fully displayed here, and the result is breathtaking.
One hopes that Boyle will stick to what he does best and leave Hollywood behind him!
in fact it is a black humour film, very bright and funny on the surface but very sad at the core.
i recommend it with no reserves. it´s sense of humour may be thick, but it´s still worth the seeing.
All that good stuff said, I just wish this was deeper. It's dark, certainly, but there's a certain familiarity and even glibness to it's manic attack on capitalism. Enjoyable, fun, sad, but it feels like inside this good movie was a great one looking to get out.
Wusstest du schon
- PatzerNear the beginning, the chap with the glass eye proudly announces "Look at me, I made it. And I've got a glass eye". Both eyes then swivel to look at Pete, then away, showing us that it is a contact lens.
- Zitate
Pete: The lady downstairs has collapsed - in there! She's in there all... collapsed! And then, there was fire, and I'm puttin' it out. I kicked a door. Oh god, I didn't know! She's still lying there! She's in there, dead, dead I tell ya! Sheila's gone. Oh, Sheila left me. I was in the street, I went in there
[Pete points to the old lady's room]
Pete: , you came; I don't know what's happening. Say something.
Tommy Rag: Supercalifragilisticexpialidocious. Say it.
Pete: No!
Tommy Rag: Go on! Say it! Docious-ali-expi-fragilistic-ali-super! You're late! And you've got a partial picture of the 1966 England Wall Cop Squad on your forehead...
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