Fukurô no shiro

I bought this expecting a cheesy excuse to see acrobats in black pajamas fight one another, it's a guilty pleasure, but its one I've had since youth - and I'm entitled to nostalgia as much as any other grown man who still says the original Star Wars trilogy are the best films of all time. Upon watching this film, i became increasingly delighted to find that this is a drama that involves characters that are ninja in feudal Japan, and what a great job they did in producing this. First off, the Director really made this film... every shot is perfect, placed together perfectly and really lets you seep into a believable ancient Japanese atmosphere. The script and story is also top notch with highly involved character development that takes it time to entangle all the players in the same drama and at the same time offer a multiplicity of perspective. All the characters are human, they all have their outlooks and goals concerned in the story, and they all add a little bit of a philosophy to the mix. That being said, there is a lot of dialog, but it always keeps it's focus instead of trailing off and losing context. The acting too, is top notch. Everyone brings something fresh and diverse, and colors their performance with so many emotions and situations. This film focuses on its realism, on putting you there, on letting you know and travel with the characters and the acting is one of the sturdy legs that this formula stands on. I can't help but be reminded of Kurosawa throughout this epic, and for anyone familiar with him... it is a high compliment.

All in all, this is a great film. But it is not a martial arts film, it is a drama thats focus is on story and realism. If you are into good film, and not just 'Revenge of the Ninja' style cheese, then i highly recommend this film. It might be hard to get your hands on here in the states, but if you can find it on e-bay or whatever - got for it.

I was always interested by Owl's Castle, but never mustered up quite enough enthusiasm to watch it. I've liked but not loved much of Masahiro Shinoda's work, and I guess the fact this came late in his career and was labelled as an action movie always made it sound interesting. But then on the other hand, it seemed like most claimed it was decent at best, and with a runtime of nearly 2.5 hours, I guess it never really felt like it would be worth it.

I felt ready to eat my words for a while, at least during the first act, because Owl's Castle does begin in a promising way. I was on board and interested to see where it would go, but it ended up meandering and not really going anywhere. I wouldn't call much of it abysmal (besides some janky CGI which I don't think would've looked good in 1999 even); just a bit boring and by the numbers after a promising first few scenes.

I guess I come away a little disappointed, but also not too surprised. At least I've finally crossed it off the watchlist after years.

And it had so much potential. Fukuro no shiro aka Owl's Castle had the budget and story to be a Japanese epic that might have ranked with Crouching Tiger, Hidden Dragon. As it is, it fails to even match the Chinese masterpiece, The Emperor and the Assassin. The first thing that grabs you is the beautiful photography and splendid costumes. A very good looking film. But the potentially stirring tale of a Ninja who seeks revenge against a warlord who destroyed his clan is ruined by needless complications including tedious political subtexts, as well as a hair pulling pace. The hero named Juzo underplays his role with too much restraint, thus making it difficult to get emotionally involved with his character. Also frustrating was the underplayed concept of a female Ninja who ultimately becomes the hero's love interest.

But nothing was as frustrating as the restraint placed upon the action. Here we have a tale in medieval Japan with feuding warlords and Ninja's, so you would think we might see some serious mind blowing sword play ala Hong Kong -- but it's as if the action was treated as a secondary consideration. There is some sword play, but the camera doesn't follow the action, as if we were watching the events unfold on a stage. And the final battle, which could have made everything else forgivable, fails to deliver. In the end, Crouching Tiger, Hidden Dragon is perhaps the finest example of a film that balances a sweeping drama with jaw dropping action. Too bad the same thing cannot be said of the potential masterpiece that is Fukuro no shiro.

This is a serious film made for Japanese people, not an action-drama made for Americans. When will Americans stop thinking that we have an inherently superior culture? We don't. No one does. Life imitates art, and the Japanese people are a serious people, but know how to play hard too. This movie has both serious elements throughout, and a playful morality play some of the time, and part action too. Fukurou no Shiro has many deep elements of drama and film greatness- too many to cover in such a short review. A few of these deep elements are intense art, intense scenery and props, and an intense subliminal story of great depth. Even more than all these, the film and its story reveal a great deal about Japanese people and culture. Some reviews keep repeating "too reserved", but this is one of the most crucial aspects of real Japanese culture in existence. If this movie is for the Japanese people to enjoy fully, then it will have to be a reserved story. The pace is also slow. So what? That is to tell a story, not to produce a fast plot. The art of storytelling is the oldest and most refined art in existence. It takes time to tell a good story. The art in this film is fabulous, as is the scenery. The meticulous detail in many of the outdoor scenes is astounding. No other country could do this- I am sure of this. It would take too much time. Here is a revelation for those in the west: art has no time limit. Art is limitless, as close to eternal as any human endeavor can be- so it can sometimes best be expressed not in a rush. The same goes for people's personalities. While it can be said that most of the characters are somewhat two dimensional, at the same time, some of the core characters portray layers of complexity, and a few of the political leaders are able to do this as well even given only a few minutes of screen time. The morality plays are kept subdued and minimal, but the core elements of those are persistent as the determination of the lead character to complete his job. Two of these lessons are: traitors are not forgiven, and a person with integrity will stick with a task if an important one, or if he or she has given a commitment to do it. Loyalty to the clan is also important (a component of lesson no. 1). This film from the late 1990s is perhaps a culmination of a proud people that long ago completed a major rebound after a long emergence from feudalism; and has realized there are core elements of Japanese culture that are impossible for others to imitate, but if they could it would benefit them. The need to imitate western culture has passed. With art and drama this good, Japan culture is accurately portrayed as fully relevant to itself, complete, something profound and significant in the world, and an example of integrity for other cultures.

Shiba Rytoaro is a historic novelist. The reason why ninjas in this movie don't make use of James Bond gadgets to make their way through booby-trap castles and end the story in a big explosion is because this movie isn't the 2001 ninja-flop Aka Kage, and those things never happened. Don't give me the They-totally-messed-up-history-in-the-Gladiator-but-still-made-a-Russel-Cro we-movie-out-of-it look, Shiba Ryotaro's work is interesting because it is historically plausible. That said, the amount of action they did manage to put in the movie is realistically good. Realistic is the key word, because ninjas really did exist, so why don't you give them a break for once and try to look at them for what they were. This isn't about turtles living in the gutters, nor kids left home alone. I know it's hard to imagine, but these people were real, and that's why this movie deserves to be watched. The color palette of the movie is really beautiful, and the action is shot seriously--they actually had a mercenary choreograph the hand to hand combat scenes, he wasn't a fancy martial arts expert, but he did know how to kill people. Nakai Kiitsu is adequately stoic as the survivor of a clan, determined to assassinate Toyotomi Hideyoshi, and Mako's cunning eyes and sneer recreate the crafty strategist who unified Japan.