IMDb-BEWERTUNG
7,8/10
56.158
IHRE BEWERTUNG
Eine von Terroristen ausgelöste Explosion setzt ein tödliches Virus frei, und den Kopfgeldjägern der Bebop-Crew fällt die Aufgabe zu, den kaltblütigen Schuldigen dingfest zu machen.Eine von Terroristen ausgelöste Explosion setzt ein tödliches Virus frei, und den Kopfgeldjägern der Bebop-Crew fällt die Aufgabe zu, den kaltblütigen Schuldigen dingfest zu machen.Eine von Terroristen ausgelöste Explosion setzt ein tödliches Virus frei, und den Kopfgeldjägern der Bebop-Crew fällt die Aufgabe zu, den kaltblütigen Schuldigen dingfest zu machen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Beau Billingslea
- Jet Black
- (English version)
- (Synchronisation)
Melissa Fahn
- Edward Wong
- (English version)
- (Synchronisation)
Nicholas Guest
- Rachid
- (English version)
- (Synchronisation)
Kôichi Yamadera
- Spike Spiegel
- (Synchronisation)
Unshô Ishizuka
- Jet Black
- (Synchronisation)
Megumi Hayashibara
- Faye Valentine
- (Synchronisation)
Aoi Tada
- Edward Wong
- (Synchronisation)
Yûsaku Yara
- Hoffman
- (Synchronisation)
Kazuhiko Inoue
- Shadkins
- (Synchronisation)
Jûrôta Kosugi
- Harris
- (Synchronisation)
Kinryû Arimoto
- Captain
- (Synchronisation)
Hidekatsu Shibata
- Colonel
- (Synchronisation)
Nobuo Tobita
- Murata
- (Synchronisation)
Rikiya Koyama
- Steve
- (Synchronisation)
Ai Kobayashi
- Elektra Ovirowa
- (Synchronisation)
Toshihiko Nakajima
- Carlos
- (Synchronisation)
Empfohlene Bewertungen
I'll try to avoid echoing other comments here and cut straight to the chase: This is not perfect, but MAN it's so close. I had some trouble with the pacing, which seemed a bit slow to me--as if they weren't quite sure how to work with a feature-length timeframe; I'm still a bit hazy on just how the villain's threat was resolved, which I'm usually not after a CB episode; and gosh, *why* isn't "Tank!" on the soundtrack? Songs with words just don't cut it in a CB score. --But honestly, those seem like such small problems next to everything that's wonderful about this movie. It has all the stuff you love about Bebop the series: the brilliant, flashing action and fight sequences, the character interaction, Spike's nicotine jones =), the gorgeous cinematic visuals, and the dreamlike melancholy that underlies even the funniest moments. The villain, his grip on the fantasy/reality divide completely erased after a genetic experiment on Titan, makes a neat counterpoint to Spike, forever haunted by his dreams of the perfect future he once believed in. Jet's protective concern for his reckless teammates was never better painted than in a scene where he blusters about how much happier he was without any of them and couldn't care less where they are, only to pounce on the phone's first ring like a worried mom on date night. There's just a *little* more of Faye's skin for the fanboys (but only a very little bit more, honest! we're not talking topless here! x my heart!), Ed has a trick-or-treat encounter that would never make it to American TV, and even the Big Shot duo put in an appearance (despite having absolutely nothing to say).
It's not intended as a wrap-up or finale to CB the series; it occurs in between episodes and should be thought of that way, as an experimental episode both different from and similar to the original sessions. Kind of like an extended jam on an established theme, with improvisations, in the true bebop style.
It's not intended as a wrap-up or finale to CB the series; it occurs in between episodes and should be thought of that way, as an experimental episode both different from and similar to the original sessions. Kind of like an extended jam on an established theme, with improvisations, in the true bebop style.
i suspect that one of the reasons that this film has such a high score is because it contains two very important words to many anime fans: 'cowboy bebop'. and thus it gets a lot of 10's. but it is because of its title that i cant give it that high a score.
this is an ok film, better then sum (spriggan) worse than others but the problem is that it is going with one of, if not the, finest series of anime ever. the characters are there but the story and the dialogue were not. and this is a real shame. eye candy is fine but there must be more to it than this, especially when compared to the epic story lines of 'real folk blues'.
its ok, but with 'cowboy bebop' that just isnt good enough.
this is an ok film, better then sum (spriggan) worse than others but the problem is that it is going with one of, if not the, finest series of anime ever. the characters are there but the story and the dialogue were not. and this is a real shame. eye candy is fine but there must be more to it than this, especially when compared to the epic story lines of 'real folk blues'.
its ok, but with 'cowboy bebop' that just isnt good enough.
I've been one of the lucky people able to see Cowboy Bebop: Knockin' On Heaven's Door at the box office. It kicks so much ### on so many levels. Featuring just about the entire main TV series cast at one point or another(with the exception of TV villain Vicious), it is one of the best movies I've seen in 2003.
The plot is a bit haunting, especially with the bad guy being a bio-terrorist, but then again, this was made back in 2001, before any of the stuff was going to happen. I'm not going to say much, except it is a bit hard to understand if you only see it once. Also, it helps to better understand the characters if you've seen the TV series.
Yoko Kanno once again composes the music, and it's awesome. Just about every tune perfectly fits in with the scenes.
And what scenes they are. The action scenes kick dirt in the faces of most live action movies I've seen recently. The fight scenes literally make the weak action in the Matrix films look like ballet. Just see the fight at the end of the film and you'll know what I mean. It's just...... wow. I can't really describe it without spoiling anything, and I do not want to do that. Another thing good about animation... you can get away with stuff you could never do in live films, without a ton of CGI. This helps when you see some really big animation stunt. And of course, it couldn't be CB without one of those awesome chases in Spike's ship, the swordfish.
BOTTOM LINE: With the DVD out at most stores, including places like Walmart, you have no excuse to miss this thrill ride.
The plot is a bit haunting, especially with the bad guy being a bio-terrorist, but then again, this was made back in 2001, before any of the stuff was going to happen. I'm not going to say much, except it is a bit hard to understand if you only see it once. Also, it helps to better understand the characters if you've seen the TV series.
Yoko Kanno once again composes the music, and it's awesome. Just about every tune perfectly fits in with the scenes.
And what scenes they are. The action scenes kick dirt in the faces of most live action movies I've seen recently. The fight scenes literally make the weak action in the Matrix films look like ballet. Just see the fight at the end of the film and you'll know what I mean. It's just...... wow. I can't really describe it without spoiling anything, and I do not want to do that. Another thing good about animation... you can get away with stuff you could never do in live films, without a ton of CGI. This helps when you see some really big animation stunt. And of course, it couldn't be CB without one of those awesome chases in Spike's ship, the swordfish.
BOTTOM LINE: With the DVD out at most stores, including places like Walmart, you have no excuse to miss this thrill ride.
I have to disagree with anyone who says that Knockin' on Heavens Door (Tengoku no tobira) is a throw-away movie version of a popular anime series.
I have seen this movie and I loved it. The plot is involving and keeps the viewer involved in the story.
The aspect of Vincent being the one who is searching for a way to see if he is really dreaming or awake is a nice twist from it just being Spike who wonders the question. The soundtrack fits well with the action in the movie and heightens the action and suspense.
The scenery is dynamic and the characters, the main cast as well as the new additions, carry the weight (yes, yes, I know they're not real) of the movie and the script which is well written and very Bebopish.
This movie is a perfect addition to the Cowboy Bebop series and is definitely not a throw-away.
I have seen this movie and I loved it. The plot is involving and keeps the viewer involved in the story.
The aspect of Vincent being the one who is searching for a way to see if he is really dreaming or awake is a nice twist from it just being Spike who wonders the question. The soundtrack fits well with the action in the movie and heightens the action and suspense.
The scenery is dynamic and the characters, the main cast as well as the new additions, carry the weight (yes, yes, I know they're not real) of the movie and the script which is well written and very Bebopish.
This movie is a perfect addition to the Cowboy Bebop series and is definitely not a throw-away.
As a new Anime enthusiast and watching it for the 1st time in 2013, Cowboy Bebop has surpassed its era by simply detailing it more maturely with less kiddish characters. Even though the story line is pretty predictable, you'll be wondering that an Anime made some 12 years ago isn't out of shape or features. It will not disappoint you. To add some information about it, I have not watched any episodes of the series itself, I'm merely commending on the movie itself. If you're a new Anime fan like me, it would definitely help you achieve familiarity and conclusion of you're own grasp of genre. With that Cowboy Bebop have to be on your watch list. Its a lot better Anime than some of the current Anime movies.
Wusstest du schon
- WissenswertesThis film takes place between Session 22 Cowboy Funk (1999) and Session 23 Brain Scratch (1999) of the Cowboy Bebop (1998) series.
- PatzerNumerous grammatical and spelling errors on computer screens (this was a loose translation by the Japanese crew).
- Crazy CreditsAfter the closing credits we are taken back to the Bebop living room. Spike naps on the couch. Spike: He was just all alone. He couldn't enjoy a game with anyone else. Like living in a dream... That's the kind of man he was... He spots a butterfly in the air and grabs it. He opens his hand. Nothing is there. TEXT: ARE YOU LIVING IN THE REAL WORLD?
- Alternative VersionenIn the American theatrical release prints, a Samuel Goldwyn logo was displayed after the Destination Films logo in the beginning of the film. The logo is missing from subsequent DVD and television versions seen in the US.
- VerbindungenFeatured in Cowboy Bebop: The Movie - Featurettes (2003)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Cowboy Bebop: The Movie
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.000.045 $
- Eröffnungswochenende in den USA und in Kanada
- 234.429 $
- 6. Apr. 2003
- Weltweiter Bruttoertrag
- 1.210.802 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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