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The 4th Tenor

  • 2002
  • PG-13
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
5,0/10
391
IHRE BEWERTUNG
The 4th Tenor (2002)
Rodney Dangerfield stars as a man who travels to Italy to learn to sing in hopes of impressing a woman
trailer wiedergeben3:23
2 Videos
11 Fotos
ComedyMusicRomance

Füge eine Handlung in deiner Sprache hinzuA restaurant owner falls in love with an opera singer and, desperate to impress her, travels to Italy to learn how to sing.A restaurant owner falls in love with an opera singer and, desperate to impress her, travels to Italy to learn how to sing.A restaurant owner falls in love with an opera singer and, desperate to impress her, travels to Italy to learn how to sing.

  • Regie
    • Harry Basil
  • Drehbuch
    • Rodney Dangerfield
    • Harry Basil
  • Hauptbesetzung
    • Rodney Dangerfield
    • Anita De Simone
    • Annabelle Gurwitch
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,0/10
    391
    IHRE BEWERTUNG
    • Regie
      • Harry Basil
    • Drehbuch
      • Rodney Dangerfield
      • Harry Basil
    • Hauptbesetzung
      • Rodney Dangerfield
      • Anita De Simone
      • Annabelle Gurwitch
    • 12Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    The 4th Tenor
    Trailer 3:23
    The 4th Tenor
    The 4th Tenor
    Trailer 0:35
    The 4th Tenor
    The 4th Tenor
    Trailer 0:35
    The 4th Tenor

    Fotos10

    Poster ansehen
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    + 4
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    Topbesetzung48

    Ändern
    Rodney Dangerfield
    Rodney Dangerfield
    • Lupo
    Anita De Simone
    • Rosa
    Annabelle Gurwitch
    Annabelle Gurwitch
    • Gina
    Charles Fleischer
    Charles Fleischer
    • Alphonse
    Robert Davi
    Robert Davi
    • Ierra
    Hamilton Camp
    Hamilton Camp
    • Papa
    Elsa Raven
    Elsa Raven
    • Mama
    Jacob Urrutia
    • Mario
    Richard Libertini
    Richard Libertini
    • Vincenzo
    Dom Irrera
    Dom Irrera
    • Petey
    • (as Dominick Irrera)
    Patrick Cupo
    Patrick Cupo
    • Nunzio
    Anney Giobbe
    • Francesca
    Vincent Schiavelli
    Vincent Schiavelli
    • Marcello
    Pierrino Mascarino
    Pierrino Mascarino
    • Roberto
    Marty Belafsky
    Marty Belafsky
    • Johnny
    Don Stark
    Don Stark
    • Tony
    Lisa Mende
    Lisa Mende
    • Sonia
    Carmen Filpi
    Carmen Filpi
    • Bum #1
    • Regie
      • Harry Basil
    • Drehbuch
      • Rodney Dangerfield
      • Harry Basil
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    5,0391
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    Empfohlene Bewertungen

    7guyfromjerzee

    More sad than funny, but the movie still ain't bad

    Being a huge Rodney Dangerfield fan, it was more of a sad than funny experience watching this film. It's not for the simple reason that I know that Rodney is no longer with us, but the fact that he looks extremely sick throughout this movie. His face is pale, his eyes are really puffy. There are quite a few scenes in the film where it's evident that Rodney would've rather been lying in bed than performing. So right off the bat, don't expect that same relentless energy you saw in "Back to School" or "Easy Money." There are even scenes where he screws up the timing of his one-liners. It had nothing to do with incompetence (Hell, Rodney's the GREATEST comedian of all time, in my opinion), but because sickness and old age had gotten to him. Now let's go on to what I did like about "The 4th Tenor." It may not work perfectly as a comedy, but it makes a touching and light-hearted romance. I really did feel for Rodney's character, as the woman who captured his heart would continually blow him off. And I also felt his new-found love for the Italian woman, who would treat him with nothing but love and respect, but is forced to marry the man her father wants her to marry. The movie even has a climax, involving Rodney rushing to the wedding. Normally, I hate when I see that cliché in romantic comedies, but since I was taken by the story, I was able to forgive the cliché. This is in no way a memorable film, and the gags come in an intermittent fashion. I don't think director/comedian Harry Basil was talented enough to find the right balance to make this film work as a comedy. The comedy arrives in a too-little-too-late fashion, amidst handfuls of sentimental moments. If you're in the mood to laugh, I'd better suggest any of Rodney's other films. Or you can simply pop in his great "No Respect" CD. But I enjoyed this film for what it was. It went straight-to-video, and has straight-to-video written all over it. The filmmakers didn't even put in a half-assed effort to make the sets appear like Italy. And the New York scenes were obviously filmed on backlots. Harry Basil's a comedian and not a director, and it shows in his amateurish style.
    9vcranerlzk

    Great movie (But only as a straight to video)

    Rodney did spectacular in this movie, especially for pushing 80. It had a great charm, and made me laugh. I did not really enjoy some of the mysterious magical effects, but it was still great, if a bit cheesy. I thought all in all, it was great. If I had to watch it again, I would not mind. It was, definitely, a straight to video type film. It had cheesy qualities, and did not have too great effects. Rodney is pushing 80 and just plain couldn't deliver like he used to. But I still liked it. Time one a look at me i know what I'm doing, Bwahahahahahahaah. Midnight, foresight, the clock has run out, we're going past midnight.

    Daft Punk - Around the World

    around the world, around the world (x 54)

    One two three. You cannot escape the cube.
    1RJV

    Rodney Earns No Respect Here

    Do you find Rodney Dangerfield amusing? Would you like to see an entertaining Dangerfield film? Then avoid THE 4TH TENOR. It is a pitiful vanity project where Rodney generally neglects his strengths and wallows in sickening bathos.

    As a prosperous Italian restaurant owner named Lupo, Dangerfield falls in love with a young luscious singer Gina (Annabelle Gurwitch). She doesn't return his affections, especially since Lupo can't sing opera. So he goes to Italy to take opera lessons. There, he meets a sweet local girl named Rosa (Anita De Simone) and learns the secret of great singing. Will Lupo find true love? Who really cares?

    Part of the problem with THE 4TH TENOR is that Dangerfield is far less interested in generating laughs than in endearing himself to his audience. Rarely does he spew his customary one-liners. Instead he spends an awful lot of time acting lovelorn and wistful. But his strivings for sentimentality are so humorless and effortful, he becomes embarrassingly cloying. Even more disturbing is the concept of the geriatric, physically homely Dangerfield romancing women young enough to be his granddaughters. Part of the appeal in Dangerfield's stand-up act was that he acknowledged he was ugly and therefore unsuccessful with women. If he wanted to be a romantic lead in his dotage, why couldn't Rodney pursue women his own age?

    The pedestrian supporting cast cannot enliven the dreary material. They are the type of bland performers you'd expect in a film deemed too poor for theatrical release.

    THE 4TH TENOR is truly a morbid experience. One watches an embalmed looking man who, in attempting to touch our hearts, dies in the course of his performance, a once bright star whose career has been dying. If this is the best Rodney can offer, it's time for him to retire.
    9karlericsson

    it's opera and with humour - that alone merits 7 stars

    totally predictable and really cheap movie in every way but one and that's opera. lovely opera, lovely arias and everything else becomes lovely that would otherwise stink. some genuinely good jokes, however, which merits another 2 stars.

    lovely scenery, lovely italy, lovely....further enforces the extra 2 stars.

    And then we have Rodney Dangerfield, who seems to be unable to do anything wrong. That man has funny-bones for sure.

    The story here is ridiculous but who cares? For anyone who hates opera this film is a disaster but for us opera-lovers or, should I say "aria-lovers" (because a long opera with no good arias is some serious pain in the ... whatever).

    The only bad film I've seen with Rodney Dangerfield so far is "The Godson" and that was with Dom DeLuise as well! Strange movie that one - everybody looked as if they would rather be sleeping.

    Here everybody looks as if they would rather be in Italy and I do not blame them.
    5briefcase119

    The music is the best part.

    This is a very predictable romantic comedy. Although he is the main character, we see very little of the Rodney we have come to know and love. We see so little of Vincent Schiavelli, its hard to tell its him. The operatic ingenue-diva, early on, is certainly fetchingly sensual, but her portrayal of a devious wench is unconvincing by any measure. Generally, the acting by all parties is tepid.

    There are a few beautiful landscapes of Italy in the movie; watch for them. Sadly, most of the action is shot on a soundstage.

    The operatic elements are wonderful, but all too short. The fans of opera will play this soundtrack over and over, and use the DVD as a coaster for their iced latte.

    Lose the DVD, save the Soundtrack.

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    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      The opera song the mediocre female singer sings who ends up dating "Lupo" (Dangerfield) to further her career (since he owns a famous restaurant), is the same tune written for Citizen Kane (1941) in which the main character, buys his "trophy" girl an opera house.
    • Patzer
      When the bartender is talking to the server about how much Rodney is in love, his white shirt collar tucks itself under his black vest between shots.
    • Zitate

      Rosa: I've never heard of wanting to kill somebody because they sang.

      Lupo: Well you never heard me sing.

    • Verbindungen
      Spoofs The Lone Ranger (1949)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 3. Dezember 2004 (Finnland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Offical Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Četvrti tenor
    • Drehorte
      • Santa Clarita, Kalifornien, USA
    • Produktionsfirma
      • WW & S Productions Inc.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 2.152 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.152 $
      • 24. Nov. 2002
    • Weltweiter Bruttoertrag
      • 2.152 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 37 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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