The Hours - Von Ewigkeit zu Ewigkeit

"The Hours" is an extremely intelligent movie. It's deep and sensitive and the script is something different for a change. The acting couldn't get any better. EVERY role was casted perfectly. I never really liked Nicole Kidman but she is a fantastic actress and at the moment she just chooses the right roles. She definitely deserved the Oscar. Juliane Moore is amazing, too. I wonder if there is any genre she can't do. And then, there's Meryl Streep. Will this woman ever stop being great? I mean after all the great movies she's been in in the 80's, she's still making exceptional films such as "Adaptation" and "The Hours", whereas other actors who were great 10 years ago pretty much lost it today *cough*Pacino*cough*DeNiro*cough, cough*. The director did a wonderful job and the score is another big plus of this movie. The haunting music underlines the depressing all around atmosphere and lets one feel how miserable these main characters are all the time. At times I felt like these women's sadness was explained too little, though. Maybe that's manly ignorance but I couldn't totally figure out why Juliane Moore's character was so depressed all the time. It was a little annoying that she never stopped crying and you couldn't tell why. I paid attention and I did try reading between the lines but that was a mystery to me. Probably just a personal problem. All in all I think this is the 2nd best movie of 2003's Oscar movies (1st being "The Pianist", 3rd "About Schmidt").

In all honesty, as much as I liked Nicole Kidman's performance, the movie was made for me with Julianne Moore's. She made me so nervous, has me so much on edge, cause you didn't know what the hell was wrong with her. Did she have a crush on Toni Collette? Did she just have a breakdown? Does she want to burn the house down? To the movie's credit, you don't know what exactly is wrong, until the end. But as tense as it made me, I realized that in most movies you are clearly tipped off as far as who is angry, and why. This movie doesn't, and I didn't appreciate that until it was over.

Kidman was great, but I've always thought she had more talent than she was given credit for. Not many people could have made "To Die For" so convincing. Kudos to Nic for her career choices, post-divorce.

Streep, Ed Harris and Jeff Daniels were non-entities. I worship Streep and Ed Harris, but their part of the story didn't do a single thing for me. I kept waiting to see if Julianne was going to drive her car off a cliff. Without having seen all the nominees in Best Supporting Actress, I'd have to say another actress would have to go pretty damn far to impress me as much as she did. 8/10.

WARNING: This is an intensely depressing film and should not be seen by kids or the severely depressed. Additionally, if you just can't handle an unrelentingly dark and somber film, then you might want to look further.

"The Hours" is a very unusual film in that there completely separate but parallel stories that are interwoven throughout. While "Julie and Julia" did this with two, "The Hours" manages to do it with the lives of three women--three very, very, very depressed women who are suffering in silence.

I loved reading Claudio Carvalho's review. While short, it really summed up the film very well when "The Hours" was called 'A depressive and boring movie with outstanding cast'. I couldn't have said it any better. While there are three dynamite performances by three top actresses (one of which earned the Best Actress Oscar for this film), the film itself is all about depression and is a bit slow. Despite this, the writing IS good--and weaves together the disparate stories in a very unusual manner that is quite clever. So, it's a film I can respect but certainly didn't enjoy. After all, three ladies who have parallel stories who are fixated on suicide--this isn't exactly a comedy!! I see this film as one that is worth seeing for the performances and I can respect the way the film was constructed...but I just felt disconnected from the characters and didn't like the film. Well done but very inaccessible for most viewers--including me. If you are severely depressed, I sure DON'T recommend you watch it--it might just send you over the edge. Also, it's really NOT a film for kids...so think twice about having them watch it.

I saw this film for the first time when I was fifteen and beginning to discover my own feminism.

Nicole Kidman plays Virginia Woolf writing her famous novel Mrs Dalloway, Julienne Moore is Laura Brown, a 1950 s housewife reading Mrs Dalloway and Meryl Streep is Clarissa Vaughan, a modern-day version of Mrs Dalloway. These three women, in their separate timelines, affect each other's day as they grapple with the threat of suicide (in one form or another) and the ghosts of their past.

One moment in particular that makes my heart ache every time I watch it is when Clarissa (Streep) is preparing the "crab thing" for a party for her writer friend Richard (who is battling AIDS). Streep has a wonderful way of using her body language to express more than words ever could. Clarissa stands over the sink and tries to hold back tears. In that moment, we know all that she has lost, all that she yearns for, all that she regrets all that she has laboured and all that she can never change.

In case you are wondering, I don t think it is necessary to read Mrs Dalloway or the novel The Hours before watching this movie. Although I strongly recommend an attempt on these masterpieces of literature, this film is a beauty on its own.

Stand outs: Despite being a male character in a female-centred film, Richard (Ed Harris) is a linchpin in this story. Harris manages to balance stubborn martyrdom and crippled pride. Toni Collette also delivers a powerhouse scene as Laura's neighbour Kitty. Overall, stellar performances from the entire cast.

"The Hours" is about time - time we have left to make our lives enjoyable or to spend it in misery. It features the lives of three women, which might explain why half the film-goers (the males) might not want to see it and why it was left out of Ebert and Roeper's Top 10 films. If that perception is true, that would be a shame. "The Hours" is a wonderfully crafted film about universal themes of life and death, suppression and freedom, and unresolved love. That it is told from the viewpoint of three women should not diminish any of its appeal. Virginia Woolf must combat her life long mental affliction even as husband Leonard tries to manage her condition. Using the novel, 'Mrs Dalloway', the film conveys the heartache of isolation and forlorn lives in two other women who are directly connected to the book. In 1951, we meet Laura and Dan who, with their young son, would seem an ideal family. But Laura yearns for freedom, much as Mrs. Dalloway, and she must choose between giving up her family or dying. Move to 2001, and there is yet another Mrs. Dalloway in Claire and her dogged responsibility toward her former lover, Richard, now dying of AIDS. The themes of liberation, lesbianism, and dying enthrall all three women, and one does die in order that those around her might value even more the living. You cannot find three better actresses to portray these very complex individuals, in Julianne Moore, Meryl Streep, and Nicole Kidman, any or all should be nominated for Oscars. An equally fine supporting cast of Ed Harris, John Reilly, Stephen Dillane, Claire Danes, and Allison Janey make "The Hours" one of the most interesting and intelligent melodramas to come along in a while.