Uptown Girls - Eine Zicke kommt selten allein

RELEASED IN 2003 and directed by Boaz Yakin, "Uptown Girls" is a dramedy with a little romance about Molly (Brittany Murphy), a fun-loving 22 year-old who suddenly loses her inherited riches and is forced to become a nanny to a stoical neat-freak girl, Ray (Dakota Fanning). Heather Locklear plays Ray's distant mother who's an exec in the music biz while Jesse Spencer plays a hunky musician who gets signed. Marley Shelton and Donald Faison are on hand as friends of Molly.

The first act didn't do much for me, but at the halfway point something made me bust out laughing and I busted out four more times before it was over. More importantly, the movie is rich with quality mind/spirit food. Both Molly and Ray are broken people who handle their grief in opposite ways. And each has what the other needs to heal and escape their disorder.

"Uptown Girls" boldly reveals that "meds" (drugs) cannot heal or deliver a person; the best they can do is help a person cope. In fact, they usually have negative side-effects, mentally and physically. Sadly, six years after the release of the film Murphy ironically died of cardiac arrest due to inadvertent overdoses of a mixture of over-the-counter & prescription drugs taken (they presume) for a respiratory infection. She was only 32.

The flick encourages growing up and achieving true success through (1.) recognizing "golden connections" and taking advantage of them (after all, no one makes it alone, no one; they had help); and (2.) discerning and cultivating one's special talent(s). I'd say more, but it's better to see the movie, enjoy it, and quarry the gems for oneself.

THE MOVIE RUNS 1 hour 32 minutes and was shot in New York City (Manhattan & Brooklyn with studio work done in Queens). WRITERS: Julia Dahl, Mo Ogrodnik & Lisa Davidowitz wrote the script based on Allison Jacobs' story.

GRADE: B+

Over the years, we've seen dozens of films labeled as chick-flicks that hold true to the same clichés, jokes and rehashed plots that have been done over and over again. After seeing a trailer for `Uptown Girls,' one would naturally think that the film would be a hopeless mesh of the same simple ideas of a lost girl or woman trying to find herself in the most unlikely of places. In all honesty, `Uptown Girls' is just that. However, it has some redeeming qualities that make it rise above its own conventional nature-it actually has an emotional depth to its characters that wouldn't occur under normal circumstances. Also, it stars Brittany Murphy and Dakota Fanning, two wonderful actresses that dazzle the screen with their very presence.

Molly (Murphy) is a woman in her mid-twenties who is completely detached from reality. Her deceased rock-star father has left her a wealth that affords her the finest apartment, friends and possessions that money can buy. However, life turns upside down for Molly when her broker skips town with all of her money. All of sudden Molly is faced with a world where everything she's been absorbed in has disappeared. Her only choice now is to get a job and start living life like a normal person. After several attempts at some of Manhattan's most elite shops, she accepts a position as a nanny for a friend's boss. But she has no idea what she's in for-a little girl named Ray (Fanning) who is completely obsessive and compulsive. What's more, she wants nothing to do with Molly. The two feel each other out and eventually start to discover that they have a great deal in common, as they are both suffering from the loss of the one's that they cared for most deeply. As such, they have both entered into their own delusional worlds that don't hold true to reality. It's up to the two to help each other out in finding a purpose in life and discovering the true beauty of friendship.

Fanning is truly the prize of `Uptown Girls.' She's an adorable young actress who can actually perform. She steals every scene she's in and the audience can't get enough of her. The moments in the film where she breaks down and cries, you get the impression that its real and this isn't acting-she has that the innate talent to become the characters that she portrays in the script marvelously. Look for her in the recent `I am Sam,' as well as in `The Cat in the Hat,' coming this November. Murphy proves once again that she is a gifted actress. I guess we can forgive her for this past winter's `Just Married,' as her track record generally shows her showing off real talent in films like `8 Mile,' and `Girl, Interrupted.' Her portrayal of Molly makes the audience feel sadness for her character, but at the same time, we can't help but feel that she is incredibly pathetic, and not in the comic sense. The most rewarding part of viewing `Uptown Girls' was how tender the film is. Murphy and Fanning come alive together and you feel their pain and the isolation that they have surrounded themselves in because of the lack of truly loving people in their lives. You walk out of the theater fond of the characters and rooting them on at the end, regardless of the film's parallels to so many others in the genre. `Uptown Girls' isn't a great movie, but it sure is something that is surprisingly likable, if not lovable. ***

Boaz Yakin's "Uptown Girls" doesn't have anything new to say, but it offers us the perfect excuse to spend a mindless hour and a half in the company of Dakota Fanning, one of the best child actresses to come out of Hollywood in quite a while. If the viewer is looking for a light comedy, this film will do the trick.

Molly Gunn, a spoiled young woman, finds out in the worst way she has been rendered destitute because of the man in charge of her trust fund has swindled it and ran away with all her money. She must face reality, so she takes the easy way out in trying for the job of being the little girl Ray's nanny. She is in for a rude awakening!

Molly finds out that Ray is a grown woman trapped in a little girl's body. Ray is wise beyond belief. She makes Molly's life a living hell until Molly realizes that the little girl is to be pitied because she hasn't known any happiness in her short little life.

The combination of Brittany Murphy and Dakota Fanning is what makes this film work. Both are fun to watch together. Both actresses show they have a strange chemistry that works on the screen. The supporting cast does its part, but of course, we can't take our eyes from Dakota Fanning.

I will not attempt to prove that this movie should be ranked among the great movies, but I am more than willing to defend Uptown Girls against the mostly male haters. True, this movie could be deemed a 'chick flick', but why is that so unbelievably, unforgivably horrible? If you don't like movies with mostly female characters and even some slightly feminist themes, than you will not like this movie. I, on the other hand, watched this movie for the first time expecting the worst and most guilty kind of entertainment, and was more than pleasantly surprised by the dark tones and impeccable performances. I'm a harsh critic, and if you don't trust me, check out the link to Ebert's review of this film via 'external reviews'. Murphy and Fanning are a refreshing duo in a buddy film and like many female buddy films, Uptown Girls is unfairly abused and underrated. If you are trying to sound pretentious you probably shouldn't admit to liking this film. However, if you honestly found this film entertaining, and in some small respect, refreshing, you should admit the merit of this 'chick flick'. Murphy should be commended for choosing roles like Molly and her character in Little Black Book, because in a sea of fantasy and escapism there is an aspect of actual female representation written by women and made for women. Boys, if you want to win points with the ladies, stop letting your testosterone take over your actual pleasure gauge, and attempt to see the positive attributes of films such as this one. Trust me, it will do no good in the long run to hide your opinions on the basis of reputation and ornery stoic persuasion.

As other reviewers have suggested, "Uptown Girls" is a hard film to classify: it's not a "comedy," per se, because it isn't funny (and barely even seems to try), but it also isn't particularly dramatic (though there are dramatic elements). I'm reminded of a term I've heard critics use a number of times -- "charmer" -- but only now do I realize how necessary it is to their lexicon. This film's greatest ambition, it seems, is to make its audience smile - and, as far as that goes, it succeeds. I may not have laughed at all for the whole ninety minutes (though I probably did), and I wasn't very moved; but, oh boy, did I smile a lot. Very few movies accomplish even that, so I'm forced to give "Uptown Girls" a strong recommendation.