Die Spannungen innerhalb einer Asbestsäuberungsmannschaft steigen, während sie in einer verlassenen Nervenklinik mit einer schrecklichen Vergangenheit arbeitet, die zurück zu kehren scheint.Die Spannungen innerhalb einer Asbestsäuberungsmannschaft steigen, während sie in einer verlassenen Nervenklinik mit einer schrecklichen Vergangenheit arbeitet, die zurück zu kehren scheint.Die Spannungen innerhalb einer Asbestsäuberungsmannschaft steigen, während sie in einer verlassenen Nervenklinik mit einer schrecklichen Vergangenheit arbeitet, die zurück zu kehren scheint.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Charley Broderick
- Security Guard
- (as Charles Broderick)
Lonnie Farmer
- Doctor
- (Synchronisation)
Jurian Hughes
- Mary Hobbes
- (Synchronisation)
Sheila Stasack
- Wendy
- (Synchronisation)
Linda Carmichael
- Wendy
- (Nicht genannt)
Empfohlene Bewertungen
Peter Mullan is truly fantastic here, as indeed are the whole cast, the acting if first rate in this well made, unusual horror.
I'm not sure if classify this so much as a horror, I see it more as a psychological thriller, and a truly good one at that. If I'm totally honest, I didn't fully understand all that was happening, but on a second viewing it made more sense.
I see a degree of originality here, it's far from a run of the mill film.
There is enough to keep you interested, and there are definitely a few twists that you won't see coming.
This is a film if gladly sit down to watch again, 8/10.
I'm not sure if classify this so much as a horror, I see it more as a psychological thriller, and a truly good one at that. If I'm totally honest, I didn't fully understand all that was happening, but on a second viewing it made more sense.
I see a degree of originality here, it's far from a run of the mill film.
There is enough to keep you interested, and there are definitely a few twists that you won't see coming.
This is a film if gladly sit down to watch again, 8/10.
I had read a lot on Session 9 before going to see it and had certain expectations. Although it started out slowly, the story was good. The "scary" parts were fewer and farther between than I expected and there was some mild gore at the end. The psychology and personalities were what I found most interesting. As the days passed after seeing the movie, I found myself remembering what I had thought to be insignificant things, and putting more of the subtle "creepy" things together.
I had been hearing about Session 9 for a while now, and I finally decided to give it a go.
First off, I have to say the film has incredibly nail-biting atmosphere. There were actually not that many 'scary' scenes, but it was what I feared would come. But don't let that fool you- this is a film that I will be afraid to think about when I go to sleep. The sound effects are incredibly tense and very creepy, to the point that they are disturbing. Certain images in the film are sure to stay with me for a long time. As far as plot goes, like I expected, I knew there would be a twist at the end, but the film does so many different things with itself that I never knew how it was going to come. When all is said and done, the actual twist isn't even all the surprising, BUT the final 20 minutes getting there are very, very tense and I could not look away.
I also want to give a shout out to Peter Mullan, who gives a fascinating performance here. He is the driving force of the film. Also, the cinematography, editing, score, and sound make this perhaps one of the creepiest and unsettling films of its decade. I look forward to rewatching this.
First off, I have to say the film has incredibly nail-biting atmosphere. There were actually not that many 'scary' scenes, but it was what I feared would come. But don't let that fool you- this is a film that I will be afraid to think about when I go to sleep. The sound effects are incredibly tense and very creepy, to the point that they are disturbing. Certain images in the film are sure to stay with me for a long time. As far as plot goes, like I expected, I knew there would be a twist at the end, but the film does so many different things with itself that I never knew how it was going to come. When all is said and done, the actual twist isn't even all the surprising, BUT the final 20 minutes getting there are very, very tense and I could not look away.
I also want to give a shout out to Peter Mullan, who gives a fascinating performance here. He is the driving force of the film. Also, the cinematography, editing, score, and sound make this perhaps one of the creepiest and unsettling films of its decade. I look forward to rewatching this.
No point in mincing words: Brad Anderson's Session 9 is the best horror movie I've seen in a long time. It's intelligent, well-written, it's completely unpredictable, it looks great (I didn't really notice until the second viewing how well the editing and the photography work together), and the soundtrack is downright creepy. Until recently only two films had managed to make me lie awake at night: Dario Argento's "Opera" and Tobe Hooper's "Texas Chain Saw Massacre". Well, now the list includes three films. Honestly, there is no excuse not to see this one, folks. Horror doesn't get any better than this.
With a brilliant premise, "Session 9" is a slow build of genuine atmospheric creepiness. More akin to Nicolas Roeg's classic "Don't Look Now" than more recent horror fare with high body counts, director Brad Anderson effectively builds tension in layers of voiceovers and (mostly subtle) foreshadowing to build to a climax of madness, with sparing use of the cheaper horror devices. Unfortunately the characters are not as fleshed out as one would have hoped, so we are left with some unanswered questions (we would have liked to have met Gordon's family and Hank's girlfriend. Why did Mike drop out of law school?). Though the subtle horrors of this film may fail to grasp the short attention spans of younger moviegoers who consider "I Know What You Did Last Scream" to be the de facto standard of the genre, this is a very cleverly executed, if imperfect, thriller.
Wusstest du schon
- WissenswertesActor David Caruso reports in the official Production Notes that he saw "something pass my window" when shooting inside the Bonner Medical Building of Danvers State Hospital. "I didn't want to tell anybody, because people would start looking at me strangely..." Actor Peter Mullan also reports strange happenings on the set. He claims that while filming on the roof, a voice in his head told him to jump off to see what would happen. Mullan said the building brought out a morbid kind of "overactive curiosity."
- PatzerPeter Mullan kept forgetting to limp during his scenes resulting in many continuity errors. These are noted in the director's commentary as well.
- Alternative VersionenThe US DVD contains an additional subplot that was removed from the final cut of the film. A homeless woman resides in Danvers State Hospital, and watches the crew go about their business. Initially presented as a menacing "being", shown as collecting objects (rubbish, leaves, insects) in threes in a room, she then becomes more and more human through the film. The crew observe things to give her presence away. She witnesses their murders, and becomes scared. She then kills Gordon at the end in retribution. Unfortunately, it is badly cut, and shows at several points during the film.
- VerbindungenFeatured in WatchMojo: Top 10 Demon Movies (2015)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Sesión 9
- Drehorte
- Danvers State Hospital - 450 Maple Street, Danvers, Massachusetts, USA(Danvers State Hospital)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 378.176 $
- Eröffnungswochenende in den USA und in Kanada
- 76.493 $
- 12. Aug. 2001
- Weltweiter Bruttoertrag
- 1.612.259 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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