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A sad, unfortunate fact about this movie is that the 2 young female stars Brittany Murphy and Skye McCole Bartusiak (who plays the daughter of Michael Douglas) both died in a young age.

Anyway, this is a conventional thriller, nothing extraordinary. Although the critics hated it, it manage to become a commercial success doubling its budget in box office.

The plot is flimsy and fragile: The daughter of a psychiatrist is kidnapped, and her kidnappers want from his to "extract" a secret from a young woman who is imprisoned in a mental institution, that could lead them to a valuable object they tried to stole some years ago.

It starts slow but soon some action picks-up but it becomes exaggerated and coincidental maybe even absurd.

Michael Douglas does what he cans to save the movie but doesn't seem enough.

Overall: If you can catch it on TV watch it, but never think of paying a single dollar/euro/whatever for it.

My 11 year old nephew said it was the scariest movie he's ever seen. I can't quite agree with that, but the level of intensity and the fast moving plot really impressed me, even if it all didn't quite add up in the end. I can't remember a movie that I've seen in awhile that just MOVED along so well and had so little downtime. Given the 'deadline', it felt like it was in real-time for the second half of the movie.

I was a little bothered by Michael Douglas having a wife the age of Famke. I love her and its not a knock against her but there was no need to keep up Douglas' legacy of attracting wives under 35 for him. Gwyneth Paltrow, Demi Moore and Daryl Hannah have all been love interests for him - why? Because its the male fantasy? Reeks of insecurity to me. Plus I don't see Dame Judi Dench romancing Leo, do I? Meryl Streep and James Franco? Anyway, this is not important, just slightly annoying.

There are questions I'd like to ask the screenwriter because there are inconsistencies along the way and about one or two things that are totally out of the question.

However, as I mentioned, the movie moves along so fast that you might not have time to dwell on anything for too long. I don't think it was speeded up to cover anything up either.

The best part is the acting, especially by Brittany Murphy. I didn't enjoy her in "Clueless" but really loved her in "Girl Interupted" and thought she was the best thing about that movie. Here she gives it all, in a part that could have been laughed off the screen if it weren't played exactly right. Jennifer Esposito is also very believable as a cop, Sean Bean as a kidnapper and, as mentioned, Famke as a trophy wife.

Worth watching, for sure. 7/10.

"Don't Say A Word" belongs to that group of films that, while they're not bad, do nothing to stand out from the crowd.

The surprise twists in the story are so over-foreshadowed that they end up being no surprise at all.

The casting of a Brit as the head villain was a cliche twenty years ago - now it is truly old hat and shows a lack of imagination on the part of the producers and casting agents. This is compounded by the lack of an interesting an original script for grade A actor Sean Bean to work with. Brittany Murphy is also shortchanged by the script, and what at first appears to be a promising performance is not allowed to blossom.

This is symptomatic of the film as a whole - truly dramatic events are underplayed, and as a result the film feels like it has no climaxes.

"Don't Say A Word" is a film with an interesting premise that has been produced as a run-of-the-mill thriller.

Renowned psychiatrist Nathan Conrad visits an 18 year old woman who is mentally disturbed with his colleague Dr Sachs. The next morning he awakes to find his daughter kidnapped and him and his wife under surveillance by a shadowy group of men. He is given until 5pm that day to get the patient to reveal a 6 digit number to him that is locked up in her head. Meanwhile his wife is trapped in their flat and police woman Cassidy is piecing together a puzzle that begins with the discovery of two related murders.

It doesn't matter how daft a story is if it manages to convince you for as long as it's on screen. For example Face/Off has the most absurd plot in the world, but for 2 hours it doesn't matter and it carries you along. This doesn't quite manage the same trick. The plot is daft - every single part of it is silly from the idea of a girl being unreachable is daft, the idea of the gang doing this is daft and the way that with very little notice the gang manage to set up cameras everywhere.

That said it has it's moments - the opening robbery is good and some of the drama works well. However for too much of the film you feel like the director is really trying to make it feel more tense than it is - witness the scene where Conrad first finds talks to Patrick Koster on the phone, the camera spins wildly all round him. Similarly he uses a lot of handheld stuff to give the impression of more action than is really happening, he also uses other lazy tricks like having everyone shouting their lines at times and making everyone squeal their tyres etc when they drive! These combined with the silly plot make it hard to get into.

Douglas is OK but he doesn't convince as the strong father figure that saves the day - he looks too old to take on Bean in a fight. He also looks far to old to have a beauty like Famke Janssen. She does well despite being stuck indoors all the time - the only problem with her is that she is far to warm and perfect a character. Murphy is good although she has moments where she's too hammy. Bean and his gang are good but they are distant from the action and never feel like a real threat - in fact you could almost sympathise with Bean, having been double-crossed at the start and wasting 10 years of his life. Esposito is OK but she doesn't really have a character - she tries to be tough and slightly sassy (a role she did so well everyday in Spin City) but she comes across as nondescript as her black leather coat. Victor Argo is a pleasure to see, but he's wasted here with nothing to do in a really small role. Fans of Abel Ferrera will know him while he's been in other things (notably the two Smoke films) and know how good a character actor he can be.

Overall this never manages to rise above it's silly plot. It has it's moments but with lesser stars this would have been just another silly straight-to-video thriller.

This movie provides in the thrills department. It stars Michael Douglas in the lead role (and he IS well cast) as a psychiatrist whose daughter is kidnapped by a bunch of men who want him to extract a six-digit number from a mentally disturbed young lady. Both parties then proceed to match wits en route to a great climax towards the end of the movie.

This was based on the book by the same name. The book was quite good, too. I rank this movie as your typical thriller with good twists.

*** out of ****