Camera
- 2000
- 6 Min.
IMDb-BEWERTUNG
6,9/10
2040
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhile a veteran actor laments the state of film and film acting, a group of young children sneak a Panavision camera into the apartment where the actor resides and decide to make a film with... Alles lesenWhile a veteran actor laments the state of film and film acting, a group of young children sneak a Panavision camera into the apartment where the actor resides and decide to make a film with it.While a veteran actor laments the state of film and film acting, a group of young children sneak a Panavision camera into the apartment where the actor resides and decide to make a film with it.
- Auszeichnungen
- 2 Nominierungen insgesamt
Natasha La Force
- Child
- (as Natasha LaForce)
Danny Mags
- Child
- (as Daniel Magder)
Chloe Randle-Reis
- Child
- (as Chloe Reis)
Empfohlene Bewertungen
A man with an expressive face sits in a chair and laments his aging. While he is there, a group of elementary aged kids bring a big, professional movie camera into the house. He is to be the subject. He talks about how his life is coming to an end and he doesn't seem to have the desire to do much about it. Meanwhile, those kids literally put that camera to its appropriate use. An unusual but thoughtful film.
Camera is a surreal, at times impenetrable film following the attempt of a group of young children to make a short film with an elderly actor using an antique camera. In the process, they examine many of Cronenberg's typical themes, all without the use of body horror.
Or is it? In the end, the film deals with the ultimate transformation of the body, death. The actor's monologue deals with his aging and mortality, and the way that the camera catches past moments. In some respects, this is the ultimate body horror, a very real threat to all people.
Simultaneously, this short deals with some of Cronenberg's past themes regarding technology and in particular the visual image. To a certain extent, the film is a meditation on how cinema captures chunks of the past. This visual focus makes it a good complement to Videodrome. (Indeed, it is included on the Criterion Collection DVD of said film.)
As some reviewers have stated, this film does not really have a narrative and can be difficult to decipher. However, I think most people who are actually willing to seek this film out will be able to appreciate it.
Or is it? In the end, the film deals with the ultimate transformation of the body, death. The actor's monologue deals with his aging and mortality, and the way that the camera catches past moments. In some respects, this is the ultimate body horror, a very real threat to all people.
Simultaneously, this short deals with some of Cronenberg's past themes regarding technology and in particular the visual image. To a certain extent, the film is a meditation on how cinema captures chunks of the past. This visual focus makes it a good complement to Videodrome. (Indeed, it is included on the Criterion Collection DVD of said film.)
As some reviewers have stated, this film does not really have a narrative and can be difficult to decipher. However, I think most people who are actually willing to seek this film out will be able to appreciate it.
I saw this short on youtube and have watched it twice and probably will watch it again. Camera deals with an aging actor that has passed his prime, both in life and career vise. The old man talks to the screen about life, acting and the effects a camera that ,,the children" brought home will have on them all. He speaks about the camera as it were a curse that would destroy them all as the children make the camera and other film equipment ready to film the old man.
In over six minutes Cronenberg manages smoothly to summon up the most common human flaw: fear, and its effect. As soon as the old man finishes talking about the terrible effect the camera will have on them and the children start filming the old man starts lying and the short film changes from being realistic to being a fraud.
After watching this film I finally ,,discovered" Cronenberg and what it is that he has been trying to say with pretty much all of his films. Cronenberg has dedicated his career into revealing the ugliness behind mechanism by connecting it with monstrous things such as the scientist who becomes a fly, the victims of a car crash who become perverse, the TV producer who becomes illusional, computer game players who can't separate the game from reality, the exterminator who starts sniffing bug spray and also becomes illusional and can't separate truth from imagination, and most of his other work like in Dead Ringers, Scanners and The Dead Zone and probably in his older work that I have yet not reviewed. They are all trying to examine the horrifying side of machinery and the cause it will have on us in the end. Camera is the piece of film that made me realise the genius of David Cronenberg, even though I had loved most of the films I have seen by him I now have a more profound respect for him and I'm going to watch all of his work that I can get my hands into.
Camera - 10 out of 10.
In over six minutes Cronenberg manages smoothly to summon up the most common human flaw: fear, and its effect. As soon as the old man finishes talking about the terrible effect the camera will have on them and the children start filming the old man starts lying and the short film changes from being realistic to being a fraud.
After watching this film I finally ,,discovered" Cronenberg and what it is that he has been trying to say with pretty much all of his films. Cronenberg has dedicated his career into revealing the ugliness behind mechanism by connecting it with monstrous things such as the scientist who becomes a fly, the victims of a car crash who become perverse, the TV producer who becomes illusional, computer game players who can't separate the game from reality, the exterminator who starts sniffing bug spray and also becomes illusional and can't separate truth from imagination, and most of his other work like in Dead Ringers, Scanners and The Dead Zone and probably in his older work that I have yet not reviewed. They are all trying to examine the horrifying side of machinery and the cause it will have on us in the end. Camera is the piece of film that made me realise the genius of David Cronenberg, even though I had loved most of the films I have seen by him I now have a more profound respect for him and I'm going to watch all of his work that I can get my hands into.
Camera - 10 out of 10.
While a veteran actor (Leslie Carlson) laments the state of film and film acting, a group of young children sneak a Panavision camera into the apartment where the actor resides and decide to make a film with it.
While I understand that the inspiration for this film comes from a childhood dream that Cronenberg had, I am not at all clear on why he apparently made it much later in life and threw it on as an extra for "Videodrome". But it is interesting to note that Cronenberg in 2000 is not the man he was in, say, 1980. He has increasingly moved away from experimental film and is today (2013) largely mainstream. This same film made in 1980 would have likely had a very different -- perhaps surgical -- feel to it.
What is the message (if there is one)? Hard to say. Clearly it is about youth, aging, death, and the world of film and photography. But how does the camera affect aging? The common belief seems to be that photos keep us young forever, but the man in this film says almost the exact opposite...
While I understand that the inspiration for this film comes from a childhood dream that Cronenberg had, I am not at all clear on why he apparently made it much later in life and threw it on as an extra for "Videodrome". But it is interesting to note that Cronenberg in 2000 is not the man he was in, say, 1980. He has increasingly moved away from experimental film and is today (2013) largely mainstream. This same film made in 1980 would have likely had a very different -- perhaps surgical -- feel to it.
What is the message (if there is one)? Hard to say. Clearly it is about youth, aging, death, and the world of film and photography. But how does the camera affect aging? The common belief seems to be that photos keep us young forever, but the man in this film says almost the exact opposite...
This 6 minute short film directed by David Cronenberg, which can be viewed on the Criterion Collection 2-disc DVD of "Videodrome" has an elder actor (Genre great Leslie Carlson) coming to terms with his own waning mortality after a group of young children find an old Panavision camera and wish to film him with it. He goes into a monologue about how he distrusts this camera equating it with death. For some reason I felt it was Cronenberg himself trying to express his thoughts and fears. The short itself is a tad impenetrable and difficult to derive any specific meaning from and although I did think it was good. it's not one of his better works. Despite (or maybe because of) this short being so introspective) or perhaps I just wasn't used to this kind of work to come from David.
My Grade: C+
My Grade: C+
Wusstest du schon
- WissenswertesDavid Cronenberg was inspired to make this short film by a dream he had when he was a child in which he was watching a movie in a theater and growing old quickly while watching it.
- Alternative VersionenThe entire film was shot in digital except for the final shot, which was filmed using the same Panavision camera featured in the movie. Director David Cronenberg assumed that audiences would easily be able to tell the difference, but as it turns out, most of the people in the premiere audience didn't notice the switch. For subsequent screenings, Cronenberg added music to the shot to give it additional emphasis, although audiences still had trouble.
- VerbindungenEdited into Short6 (2001)
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Details
- Laufzeit
- 6 Min.
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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