Truckin' Man

This is a TV movie level film. Starring Christian Slater's father--he would later go on to be more successful in several Daytime Drama. Mike Kelly is a typical 70s trucker. He is called in after his father's death and slowly becomes aware that perhaps the old man was murdered by the officials at the trucking company. As Mike investigates, the daughter of the trucking company's owner falls for him--much against the will of her father. Mike--again typical of the 70s male attitude--leads her own, and through a series of misadventures the pair are drawn closer to each other. The film is light, and the humor tries. If you can catch the Rifftrax version you will enjoy it even more.

Truck driver Mike Kelly is sure his father's death was no accident. He sets out to prove his crooked boss had a hand in the accident.

This cheap, poorly made movie is barely worth writing about. Just about everything in Truckers Woman (or the more apt title, Truckin' Man) is bottom-of-the barrel - production values, acting, sets, sound . . . you name it and it's probably pretty bad. And unlike a lot of movies of this ilk, it's not sleazy enough to even be a good exploitation film. I will, however, give Trucker's Woman credit on two fronts. First, when it comes to the characters Mike Kelly and Karen Fontaine, they're relationship is somewhat oddly compelling. Second, the music fits perfectly with the film. A low-budget trucking movie set in the South should have a whiney, twangy country music soundtrack.

2/10

The highlight of this all time turkey is the subliminal shot of pizza that lingers a little too long to actually be subliminal. It's the most subtle and profound part of this film that's otherwise about a bunch of unlikeable characters and the women who inexplicably go to bed with them.

If you missed the 1970's, this film will make you happy you're too young to remember the celebration of trucker culture.

Thank goodness I only watched the Rifftrax version. I can't imagine the regret and self-loathing that would have ensued if I had to watch this movie without their commentary.

Features Larry Drake 12 years before L. A. Law. Proof that aspiring actors just need work, no matter how terrible the work is.

After his father is mysteriously killed while driving a tractor-trailer, "Mike Kelly" (Michael Hawkins) quits college and joins the same trucking firm to find out why. It's during this time that he meets an attractive woman named "Karen Fontane" (Mary Cannon) at a roadside diner and they begin to have a romantic affair not too long afterward. Meanwhile, Mike begins to encounter some suspicious people working at the company and combined with the heavy-handed tactics of the boss "Frankie" (Sid Rancer) begins to makes things quite difficult for management and things rapidly spiral out-of-control afterward. Now rather than reveal any more I will just say that this was obviously a low-budget production with relatively unknown actors and rather poor picture quality as well. Yet despite these obvious faults this type of movie managed to fill a void at drive-in theaters who were often desperate for cheap films during this particular time in America. That said, while this may not have been a good film by any means, it wasn't terribly bad either and for that reason I have rated it accordingly. Slightly below average.

Starting with its title, which contains a typo ("Truckers Woman," with no apostrophe) this little gem is the ne plus ultra of truly bad film-making. The cast consists of an oddball group of truly bad "actors". Michael Hawkins (who is actually Christian Slater's father)gives a hilariously off-kilter performance as the ersatz butch "Mike Kelly". His leading lady (Mary Cannon) is probably the most unattractive actress ever to be featured in a "starring" role, and couldn't act to save her life. She wears a helmet-like, streak-frosted fright wig throughout, even in her unfortunate nude scenes (she repeatedly exposes only one breast, mysteriously). Doodles Weaver (Sigourney's uncle) play's Mike Kelly's sidekick, Ben, and is obviously smashed throughout. Also, in a bone-chillingly over-the-top performance as "Diesel Joe," Larry Drake (who later won multiple Emmys for his role on TV's "L.A. Law") is hilarious. The writing, the dismal sets and appalling 70's polyester fashions all combine to make this one heck of a great bad film. I'm surprised more folks haven't caught onto this one yet. It's on DVD now on the Turner Classic Movies site...I suggest you RUN to get a copy!