Die 10 Regeln der Liebe

This film offers just a bit of insight to the relationship game. This is not really anything new, but it's still entertaining and the acting worked for me. So, don't run out of your way to see it, but if it's on, go ahead and you should enjoy it.

This is NOT a good movie . Ok Viveca Fox maybe beautiful, but that doesn´t matter when she is totally unlikeable in this role. She plays a very smug woman who thinks very high of herself and can´t believe it when 'her man' suddenly is out with another girl. I got so enormously tired of her lipsmacking, necksnapping and curving of her lips as she tried to convince herself, and me, that noone can treat her this way. I am no fan of the 'look-into-the-camera' kind of storytelling and this film got it a lot. The 'rules' are also very boring: 'no 3', 'day 2', rule four, 'sixth day'. The only really funny parts involved the characters played by Anthony Anderson (I) and Mo'Nique Imes-Jackson Last and not least: What signifies a bad comedy? When the 40-seconds of outtakes in the end is funnier than the movie itself.

This movie had the potential to do something great, but failed. Vivica Fox was decent in her first starring role (was it a starring role?) as Shante. She is a great actress who doesn't get great roles (like most black actresses) but she put accurate effort into the character. The problem was that the movie relied too heavily on Shante's in-your-face-dialogue. And the game itself was a bit too farfetched. Of course women play games, but the lengths Shante went to just to teach Keith a lesson wasn't realistic. And is it just me or was practically everybody from The Brothers in this movie? (Morris Chestnut, Tamala Jones, Gabrielle Union). Good note - Monique was hilarious in her role as she should be. I did like this movie, but it would be nice to see a black movie that doesn't always rely on humor and battle of the sexes-type themes. What I would give to see a serious movie about African-Americans again. Another Soul Food-esque film would be excellent.

Just wanted to say that I think that a lot of viewers are really hard on this fun romp between African-American Professionals. You see, if you don't like it, you probably can't relate to relationships, or African-Americans. If you are African-American and you don't like it, well, all I can say is that you must be young. Anyone over the age of 35, would probably enjoy this light-hearted matching of wits between Shante'(Vivica Fox) and Keith (Morris Chestnut). The reason that age comes into view, is because growing up in the 60's, there were plenty of light-hearted romance comedies to enjoy. With one exception. You didn't see African-Americans in those movies. In the 70's, people like Richard Pryor provided us with plenty of funny movies, along with Veteran's such as Bill Cosby and Sidney Poitier. Romance comedies never quite made an impact within our community. And the love stories that did make it, such as "Melinda" starring Richard Roundtree and Vonette McGee, were dubbed blaxploitation movies and not given the exposure that movies garner today. I enjoy African-American films that are light-hearted, because the urban experience is often depicted as violent, drug-related, and unintelligent. We have plenty of movies for our children to see that offer no intelligent plot, and continue to perpuate stereotypes that we have been trying to tear down forever. Seeing African-American professionals deal with some of the challenges of nurturing a relationship in the 2000's was a lot of fun. That is, if you are looking for a little break from the shoot 'em up, drug-smoking, genre's. Women do have a tendency to expect certain things from men, and vice versa. Any game can be taken too far, which is what the movie depicts. No, it couldn't and should not have been an "Academy Award Nominee" by no stretch of the imagination, but it is highly entertaining and does have it's comedic moments. When movies are being made with names like Dumb and Dumber, and How High? I think I'll keep my viewing priorities straight and preference a movie like this over them.

This would be standard middle-brow entertainment were it not for three factors that I'll discuss in a little bit. The concept, that women can be as deft "players" of the field as men, is certainly not new to most. It may be new to A level films, and it probably is new to director/producer Mark Brown, the creator of HOW TO BE A PLAYER. But it is not a concept new to almost any B level direct-to-video thriller, anything on Cinemax after 11pm, or to any newspaper. Women have almost always been better players (see Anna Nicole Smith, Leona Helmsley, that maid that married the Johnson & Johnson fortune, and almost all of the guests on either Jerry Springer, Jenny Jones, or Ricki Lake). But, this movie does have an easy going pace and sound track that combine to make it as smooth as a ride in Shante's convertible Jaguar. What makes the film stay slightly above average is the presence of the three lead thespians. First of all, let it be said that Anthony Anderson does in fact walk away with this film. He simply owns every second that he is on screen (including the out takes at the end). His natural and easy manner combined with impeccable comic timing simply makes him the de facto owner of the material, the screen, and the film as a whole. Next, Morris Chestnut, whether given a lot or a little (like here) to do simply comes off as likable. And in the main role, few actresses - good looking or not - could carry off the part that Vivica A. Fox plays. The film would not be believable were it not for this particular actresses commanding presence and astonishing good looks. She, like her character, is someone who has worked her looks and her intelligence to get exactly what she wants out of life, and she is not afraid to show it. So, if you go in not expecting too much, you will come out pleasantly surprised. A 7 out of 10.