A Beautiful Mind: Genie und Wahnsinn

The more I watch Russell Crowe, the more I am becoming a big fan of his acting talent. Here again, he demonstrates his skills in a role that had me spellbound. Of course, mentally-ill people are usually fascinating. Look how popular the cable television show "Monk" has become.

Crowe's character, mathematician John Nash, is not nearly as eccentric as "Monk," but his schizophrenia makes for a fascinating portrait of a very troubled man. This is another of those Ron Howard based-on-a-true-story films, so don't take everything here as gospel truth....because it ain't so. (One example: in real life, Nash's wife was anything but as supportive as Jennifer Connelly was portrayed here.)

The first time I saw this film I was disappointed. Maybe I expected more, maybe I felt the story was unfair to the viewer and I felt like this was just one more attempt at Liberal Hollywood to make fun of those in the 1950s who were opposed to Communism. Well, on the second viewing, just a few weeks ago, I didn't have a problem with any of those things, just enjoying the performances and the classy-looking cinematography, thanks to one of the best cameramen in the business, Roger Deakins. I'm not always a fan of director Ron Howard, but his films are usually interesting and pleasing to the eye. He and Crowe seem to be a good pair, too, as witnessed by 2005's "Cinderella Man."

For those who enjoy a cerebral thriller, this is a very intriguing film. Ed Harris, Paul Bettany, Adam Goldberg, Judd Hirsch, Josh Lucas and Anthony Rapp all deliver solid supporting help and, if you haven't seen this, this story will deliver a big surprise. If you know the ending, a second viewing is even more interesting as you trace Nash's actions from the beginning.

A poorly tailored trailer does not begin to describe what is one man's journey from the heaven of clear thought to the hell of schizophrenia.

Russell Crowe does an excellent role as John Nash, a mathematician who revolutionizes Group Theory, only to have his mind crash into confused and split views of the world.

Jennifer Connelly is superb as his wife. It is through her that we begin to understand the range of problems and pittfalls Nash is facing, most of his own devising. She deserves an Oscar, period.

The director has arranged beautiful 'red herrings' to kept viewers guessing and it works suprisingly well. Ron Howard's best work to date.

A beautiful movie to decribe a beautiful mind.

A Beautiful Mind

Director Ron Howard has experience in playing with his audience's heartstrings. Remember in Apollo 13, when the fate of the astronauts was uncertain? (Ok, so if you remember your recent history, you knew.... but still!) Or remember in Parenthood, when Steve Martin's kid was about to make the crucial catch? Ol Opie can still pluck those strings with the best of them. (And you know, he'll never stop being called Opie, even by those of us who never saw The Andy Griffith Show during its initial run.) And plucking heartstrings is not a bad thing at all, not when you can do it in such a sincere, noncloying way as the masterful Beautiful Mind presents to its viewers.

John Nash is a mathematics prodigy who has a decided knack at solving previously unsolvable problems. He's socially dysfunctional, rarely looking anyone in the eye, but pours all of his energy - and soul - into producing one original idea, an idea that will distinguish him from all of the other mathemathical minds at Princeton University.

But John, like most who have had movies made about them, had his ups and downs. He meets and falls for a beautiful student of his named Alicia (Jennifer Connelly), and they produce a baby. But John also suffers from tremendous delusions and is diagnosed with a form of schizophrenia. Schizophrenia's a tough disease, folks - it's still not fully understood, and Nash was diagnosed with it in the middle of last century. He spends time in a sanitarium, as doctors struggle to find a cure.

Russell Crowe is absolutely powerful as the confused and confusing Nash. Although the marquee says "Russell Crowe", you'll immediately forget this is the hunky guy from Gladiator. I mean after all, he's playing some nerdy scientist dude! But Crowe completely disappears in the role, and he's unforgettable. Actors kill for roles like this one, because it gives them a chance to show off their acting chops. For many actors, this is the kiss of death, because then they're exposed as poor thespians. But not for Crowe; if anything, this proves once and for all that he's a grand master of acting. I realize that sounds like overkill for him, but I think that when actors are labeled as a "hunk" - their skills as actors aren't seen as very substantial. Hey, looking darn good worked against Tom Selleck, and to a degree it has worked against Crowe as well.

And he ages well, too. The movie takes place over a fairly extended period of time, ending with Nash's acceptance of the Nobel Prize in 1994. The makeup on Nash is neither garish nor schmaltzy; he looks completely genuine. And that's the essence of Crowe's performance. It's sincere, never trying to win over the audience with a sly wink here or a toss of the hair there. Crowe shows remarkable poise, elegance, and is utterly astounding in the role.

His supporting cast is more than able. Jennifer Connelly is better than I thought she would be; in most roles, she's the eye candy. But this role had meat to it, and she held her own. It wasn't an easy role to play, and she pulled it off. And her scenes with Crowe do have that movie magic that each of us looks for when we go to movies, that one moment, that compatible chemistry that leaves audiences mesmerized.

And yes, this does have some very, very touching moments. The final scene, while predictable (even if you don't know the outcome in real life), will bring more than one tear to the eye. Yes, I'll admit it, it got me right here. But it's okay; I did that old 'guy-crying-in-movie-theater' trick. If you feel the brime falling from the lid, you make a motion toward your cheek and then you scratch vigorously; people might think you have a skin infection and move away slowly, but at least they won't think you're a girly man.

At any rate, it's certainly one of the best movies of the year. Everything's in place: the direction, the photography, and especially the acting.

'A Beautiful Mind' had a lot going for it. An intriguing story based on an interesting man, a great cast full of talented actors, the involvement of James Horner and Roger Deakins (perhaps one of the best modern cinematographers in the business) and Ron Howard as director (a very competent director with some great films under his belt, directing always with a lot of quality and polish if not always distinction).

Finally seeing it, always wanting to but never quite having the time, 'A Beautiful Mind' was to me a good, often very good, film, if not quite great. Of its four Oscar wins, Connelly and adapted screenplay (on the most part) were worthy wins, though there were better contenders in the Best Picture and Director categories, 'Fellowship of the Ring' for Best Picture and David Lynch for 'Mulholland Drive' for director. Again, from personal opinion, 'A Beautiful Mind's' Oscar nominations were worthier of wins generally, especially Russell Crowe for Best Picture, make-up and the film editing, cinematography also should have been under serious consideration.

There are a few things that stop 'A Beautiful Mind' from being great. Pacing can be messy, feeling rushed in some spots and then dragging in others. Admittedly though there were other places where it was perfect.

Do agree with the portrayal of schizophrenia being problematic, it is a sensitive and courageous subject to address but those with schizophrenia and mental illness in general will find problems with how it's portrayed. It is a complex and often frightening illness, that the film tries to take seriously and sensitively, but it just felt too clean and like it was being careful not to offend but ended up being too careful. Other aspects are heavy-handed.

The espionage subplot was intriguing mostly and gave some powerful conflict, at the same time parts not quite gelling with the rest of the film and feeling a little confused.

However, 'A Beautiful Mind' for want of a better word looks absolutely beautiful. The cinematography with the vibrant colours and seamless fluidity was one of the best of its year, and the period detail remarkably evocative and a joy to look at. James Horner's score has garnered mixed views, mostly leaning on the positive, personally though it added a lot to the emotional power of the film, swelled thrillingly and was beautifully and cleverly orchestrated, didn't think it was melodramatic at all.

'A Beautiful Mind's' adapted screenplay really makes one think while also capturing a wide range of emotions, more than making up for the lack of accuracy. The story is compelling on the most part with a spot on portrayal of mathematics, something that was praised by the maths community at the time including John Nash. It is very moving and uplifting, many scenes dealt with powerfully.

Ron Howard's direction is some of the best he's done. As ever from him it is rich in quality and polish but it also is some of his most distinguished and shows that he can direct with distinction (even if he doesn't always elsewhere.

Can't praise the cast enough, along with the visuals it is the best aspect of the film. It is impossible to find fault with the powerhouse and perhaps career best performance of Russell Crowe, while Jennifer Connelly is touching in a loyal and sympathetically written role (even if not as challenging as a few of her other roles such as in 'Requiem for a Dream'.

Ed Harris is chillingly malevolent, while the rarely less than game Paul Bettany and Adam Goldberg charm and Judd Hirsch and Christopher Plummer also not putting a foot wrong.

In conclusion, admirable and extremely well made, directed and acted with a sizeable range of emotions, if missing the mark of being a "great" film instead of a good and often very good film and not doing enough justice to a great man and his life. The divisiveness is understandable. 7/10 Bethany Cox

I went along to the movies not really wanting to see this movie, thinking it was a 'girly' movie, one which had more technical skill rather than a storyline. I was surprised more than anything I could imagine.

I have seen a lot of movies in my time, but this movie just took me by storm. Its uniqueness, ironically enough because it was based on a real life situation was a refreshing change from the usual Hollywood blockbuster. This movie provided a brilliant (pardon the pun) insight into many aspects of a genius at work.

This movie touched me on many levels. The psychology of the movie was intriguing, the mathematical philosophies was actually realistic from my own experience, and the icing on the cake making the movie stand out was surprisingly the humanistic side of Love. While love is a common basis in most movies, the interaction of this theme with other aspects of the plot was planned phenomenlly.

As for the cast, I have never noticed the actual difference in skill between many actors/actresses before. I like Mel Gibson, Tom Cruise etc, but I wouldn't be able to pinpoint a classic actor's performance. But Russell Crowe in this film showed me what it was like to act in a way where I was in awe of his skill in playing this character, especially when considering the extreme difference from characters in his other movies such as the Gladiator and The Insider. Russell Crowe was one of the big reasons this movie was so brilliant. Added to that the stellar performances of Jennifer Connelly, Ed Harris and Adam Goldberg, and this made for the 'perfect' movie.

A Beautiful Mind was by far the most original, intelligent and entertaining movie I have ever seen. And this from a movie I didn't expect big things from. Kudos to Ron Howard, the cast and the crew of this movie. It was truly worthy of the Oscar, and Russell Crowe was definately the most deserving of this production team to miss out on the highest accolade. Perhaps politics played a bigger part than I previously would have thought.