Tuno negro

This movie was recommended to me by the owner of a videorent-shop in Córdoba, Spain, saying it was a good thiller. Unfortunately, there was no real suspense here, I could only laugh about the "horrifying" scenes. Killing scenes for example were very implausible, exaggerated and absurd, it spoilt the whole movie for me. Though the scenery was very beautiful (University of Salamanca for example), I was very disappointed by this Scream/I Know What You Did Last Summer clone... My advise: watch on TV is you´re really bored.

I´m been living in Spain about 6 month´s and I was trying to whatch some new spanish films to catch the ways of this industries. I watched ¨Tuno Negro¨ last friday and I was disapointed. It was really awful, totally dumb script and the acting was hard as a rock. This film is trying to be like all the american Teen slasher films but just can´t get it. Is not like those films are great, most of the are really bad (only ¨Scream¨ is a good movie in that bunch) but this one is even worst. Worst than ¨Cherry Falls¨ and ¨I still know what you did last summer¨. They are a lot of plot holes and thing that you wont understand and the ending is so stupid that you will think that is a final joke. They are only 2 thing that I have pitty of this movie. One of those thing is Fele Martinez, one of Amenabar´s favorite actor´s who is really good in movies like ¨Tesis¨ and ¨Abre los ojos¨ but here is the carachter is so underwrited that he can only soy the lines in a dumb way. The other thing that could be good but it is not it was Eusebio Poncela, another great actor who was espectacular in ¨Martin (hache)¨ but here it have the same problems of Martinez. Really a pitty

What a disappointing film! What called my attention to this movie was its plot's main idea (a killer inside a University campus covered by the background context of "Tunas" – an academic celebration which exist in some Latin countries like Spain, Portugal and others from South America). It made me remind a Portuguese film I had watch some years ago called RASGANÇO which had the same plot topic (curiously both movies were produced in 2001!...). As I did like that film and I usually appreciate Spanish cinema too, I decided to give TUNO NEGRO a chance! I regret now! It has nothing to do with what I expected or even to the Portuguese movie I had watch before (except the plot main topic which is the same). While RASGANÇO is quite realistic, having a very "possible to happen" plot and demonstrating how really works the "Praxe" and the "Tunas" concept here in Portugal; TUNO NEGRO is a thriller around the "Tuno Negro" tale, made up with clear Hollywood standards (it follows the typical Hollywood teen slasher, like SCREAM or I KNOW WHAT YOU LAST SUMMER), but ends being just an Hollywood wannabe Spanish little film… It uses the same kind of suspense, chilling, characters, twists, plot's construction, etc; but all in a ripen-off style…quite pathetic isn't it?

I wouldn't even need to mention that comparing both movies I would definitely choose RASGANÇO because it's much more interesting, realistic and doesn't need any rip-off to produce a plot about a serial-killer that commits his crimes covered by the academic context…

TUNO NEGRO was really a disappointment, especially because of the Hollywood wannabe feature! I score it 2/10!

Like `El arte de Morir', this is a Spanish example of the teen slasher pic, that has some original ideas, but isn't as good as the efforts of other Spanish directors in horror film making, like Amenabar's `Tesis', de la Iglesia's `Dia de la bestia' or del Toro's marvelous `Devil's Backbone'. Still it is a lot better than the boring and predictable `I know what you did last summer', which had nothing, absolutely nothing new or inventive to it. The story tells of a secret society of serenade singers, and, guess what, lots of students are being killed. One of the highlights of `Tuno Negro' is the impressive setting at the university of Salamanca, a location that gives the film a slightly Gothic touch. Then there's the female lead: an interesting divergence from the usually dull well-behaved heroines in Slasher flicks; I liked Silke's acting a lot, although the version I've seen has been dubbed into German; can't say nothing about her original way of speaking that got criticized below. This is certainly not a masterpiece, but it's quite entertaining; I've seen much worse than that.

This is an interesting movie. On one hand it is kind of slick Hollywood-style slasher movie involving an ultra-modern killer who stalks his prey in internet chat rooms and posts his murders on the internet. On the other hand it is enjoyably atmospheric and highly stylized, resembling the much more interesting (to my mind) early 80's slasher movies or the Italian gialli(many of which, people tend to forget, were Spanish co-productions). It has a great setting--the University of Salamanca, one of the oldest and most storied universities in the world. The high-tech slasher operates against this almost medieval background. He calls himself the "Dark Minstrel", connecting himself to a legendary (albeit fictional) group of poor student minstrels who took it upon themselves in earlier times to weed out the most undeserving upper-class underachievers. Like his brethren, the dark minstrel targets students who cheat or have bad grades--his motto: "la ignorancia mata" (ignorance kills).

The plot of this movie is actually pretty good, and those who claim it doesn't hold together really need to watch it again. The revelation of the killer is pretty surprising and is NOT a cheat if you are paying close attention. It's definitely as violent as your average giallo or slasher movie. The victims look pretty long-in-the-tooth to be college students, especially the most recognizable actress, Maribel Verdu (of "Y tu Mama Tambien" fame), but they are no less likable or any more stereotypical than your average slasher movie cast. The lead is a smoking hot German actress, who goes only by the name of "Silke". She's pretty decent and has a nice nude scene, something that is usually missing in most modern-day Hollywood movies (that may sound like a sexist thing for me to say, but the day they start casting remotely average-looking women in these things, based on their acting talent rather than their physical attributes, I'll stop complaining when they don't take their clothes off).

This is pretty decent movie overall, and I'd recommend it to anybody, but especially giallo and slasher movie fans.