The Time Machine

Well written and produced film , it is an acceptable rendition from H. G. Wells novel . In fact , a picture of H. G. Wells is watchable in starring's house in various shots . Before being filmed by George Pal/Byron Haskin with nice protagonists as Rod Taylor , Sebastian Cabot , Whit Bissel, and Alan Young who has a tiny role in this 2002 second version . Here the star results to be Guy Pearce who gives a good interpretation . The film deals with time travel because his girlfriend -played by Sienna Guillory- has been killed and Guy Pearce invents a device in which tries to go back in time with the aim to reborn her . His travel machine to transport him within the dimensions of time and ahead for a future world . But the time travel machine is occasionally got frustrated when he wasn't allowed to go the appointed place and he was ahead at future world where the brutish Morlocks inhabit and rule over the good Eloi . There Guy Pearce lives dangerous and frustrating experiences . As he travels forward into time , it reveals a dark and dangerous society. 0 to 800,000 years in 1.2 seconds. Where Would You Go? The Future Awaits . Jump-Start the Future . Be Careful What You Wish For . The greatest adventure through all time! .He was searching for the answer to his past. He became a hero for the future.

This exciting movie mingles noisy adventures , franctic action , a love story , drama , breathtaking special effects and it results to be entertaining enough . The release was modified to a subsequent date because of a decision whether to change a scene involving a visible meteor shower which fell on New York . The financers were concerned that such a scene may stir records of the terrorist attack on the World Trade Center . Filmmaker provides an interesting and adequate adaptation by prestigious screen-writer John Logan , co-producer too , who equally wrote the Eloi language .

Guy Pearce stars the main role giving a cool acting , he even did most of his own stunts . In fact , Guy Pearce broke a rib and suffered wounds during the shooting when he tackled the Morlock from the side . The support cast is agreeable , singer Samantha Mumba is nice in his film debut , Mark Addy is fine , Jeremy Irons plays an incredible villain person and Orlando Jones delivers a humorous acting , as always . The cinematography by cameraman Donald McAlpine and musical score by composer Klaus Badlet are excellent , direction by Simon Welles (H. G. Wells'descendant) is first-rate . However , Gore Verbinski was brought in to take over the last twenty days of shooting , as Simon Wells was suffering from real exhaustion and extreme stress ; later on , Wells went back for post-production . The creation of the Morlocks were created by three companies : Industrial Light & Magic made digital versions of the Hunters when they run and performing heavy action , KNB Effects Group provided the make-up effects , and Stan Winston Studios created the spy Morlocks and the evil hunter Morlocks .Rating : 7 , entertaining and charming remake . Better than average , the picture contains all the ingredients that make it a fun Sci-fi movie . It's still highly amusing and maintains its sense of wonder.

I was interested in seeing this remake simply to find out if it was as bad as a myriad of critics have suggested it to be . I did love the 1960 version and I am not keen on people remaking my favourite movies , but surely last year`s remake of HG Wells romantic fantasy wasn`t going to be as bad as painted was it ?

Herbert George Wells wrote the source novel so why not call the hero Herbert or George ? It`s also a Victorian sounding name so why`s the hero got a name that resembles Steve Martin`s character in THE MAN WITH TWO BRAINS ? This screenplay just like David Duncan`s from the 1960 version lacks an opening hook but it does speculate that even if time travel did exist it would be impossible to change ones destiny , an interesting thought . Screenwriter

John Logan adds a post modernist sequence featuring both HG Wells and STAR TREK . I didn`t think the humour worked very well but I had to admire his cheek , and since everyone cycles everywhere Logan suggests that in the mid 21st century America has elected a president from the green party which no doubt caused civilisation to collapse . Like most other movies set in the far flung future there are illogical gaps in the screenplay . For example remnants of the present day would still exist . Put it like this : The pyramids of Egypt are a few thousand years old and at the present rate of degeneration they won`t exist in a few thousand years but Alexander goes 798,000 years into the future and the skeletal remains of 21st century New York still remain ! , but as I said this is a common flaw in time travel stories as is the ridiculous notion that hundreds of thousands of years into the future people will still be able to understand and speak English , so this can be forgiven on the grounds of dramatic license . My only real criticism of the screenplay is that John Logan borrows a bit too much from Duncan`s earlier screenplay , otherwise this is a fairly good adaptation on Wells groundbreaking novel . Adding the ubermorlock is an inspired idea that works very well

I`m in two minds who to credit / criticise as director . As you may know Simon Wells left the project days before the project was completed and was replaced by Gore Verbinski so for the purposes of this review I`ll refer to the director simply as " The director " , and the director does manage one show stopping moment as the camera pans out from Alexander at the end of the 19th century across an ever evolving landscape eventually stopping on a lunar colony . The most controversial aspect of the film seems to be the casting or more especially the casting of dark skinned actors as the eloi , but I fail to see what the problem is . The eloi live on the surface in bright sunlight so why shouldn`t they be dark skinned ? It`s also in keeping with the social darwinism of Wells novel . The eloi have evolved due to environment the same way as the ubermorlock has evolved , and social darwinism is totally amoral so there`s no right or wrong , or good and bad involved . I do wish people would stop playing the race card . As for the ordinary morlocks they`re superbly designed with some great make up involved but the director throws a massive spanner in the works by having them running a hundred miles an hour and being able to jump great heights which suddenly makes them unconvincing which is a great pity , they would have worked better as men dressed up rather than CGI supermen . I did like Jeremy Irons as the scene stealing ubermorlock though . A word of warning for those of you who suffer from photo sensitivity , sadly once again this is a movie that heavily features strobe lighting . I`m not epileptic which is just as well because I wouldn`t want to risk a seizure watching THE TIME MACHINE . Sadly there seems to be more and more films being produced with this technique in style used and sadly I`ve had to keep saying - Stop using strobe lighting in movies . It`s totally irresponsible for directors to do this .

To sum up the 2002 remake of THE TIME MACHINE was light years away from the debacle I`d been led to expect . It`s fairly good in its own right but not as good as George Pal`s 1960 version , maybe because it lacks the charm of the former , a charm that movie had in abundance , but this version is still pretty good as remakes go

I have a theory that if you can watch a movie twenty years or so after it was initially released, it's probably a good movie.

A lot of folks complain that it wasn't "the original", and that's okay. The original is a good movie, and this doesn't really need to be it. Instead it takes a story, updates and tweaks it just a bit and creates a delightful world of it's own. Sure, there are a few plot holes, and yes, there are a few scenes that could have done better. But they aren't hell-worthy trespasses, and are forgivable for the sake of propelling the plot forward.

Other than the spot on casting, which is enjoyable and fun and really well portrayed, what brings you into this film are the sets and sceneries. This movie came out before CGI was used to replace the world rather than augment the world, and so you have real sets in real woods and real costumed creatures, and it just pulls together nicely. The music fits incredibly well to capture the tribal setting that humanity has found itself back into without it being too anachronistic.

All in all a fun, enjoyable film to watch, and much better than a lot of movies that have been coming out lately that force the narrative, rather than letting the story unfold.

When Victorian scientist Alexander Hartdegen sees his fiancé murdered during a petty robbery, he throws himself into his work while all even his closest friends know is that he is doing nonsense research and physics. Four years later though and Alexander has created his machine – a time machine – that he plans to use to return to the fateful night and save his true love. Somehow he cannot do it though and, in despair, he drives himself forward into the future to find progress beyond his wildest dreams. This progress though, comes with costs and risks – both of which Alexander is very aware of as he moves into a world where mankind has changed beyond all recognition.

This film was wildly derided when it came out in the cinemas and I never bothered to go and see it, preferring to let time pass and pick it up for free on television in a few years. That time came recently and I watched a version of HG Wells' Time Machine that is loosely based on the source material. It starts with potential but all too quickly it becomes obvious and surprisingly heartless – almost making a conscious decision that the effects will be what people come for and that doing a solid job on those will be enough. Sadly that is not the case but, were it, the effects are already superseded and do not look as impressive as they once may have done. With the humanity and the emotion built into the story, the delivery is quite stiff and dull and I found myself surprised by how little interest I had it the story even when I was far into it. Not totally sure where the problems lie with this but script is certainly one of them (some of the dialogue and exposition is terribly clunky) while the overall production did appear effects driven.

It is a shame because Guy Pearce frequently offers more from his performance and his potential but the film never really takes him up on it and it leaves him isolated, trying to be a character in a film that would seem to just prefer an action hero. Mumba looks good (if you ignore that at times her face is chimp-like, and no it is not racist to say so) but she cannot act for toffee – she didn't even run and scream all that convincingly. God knows what about the film made Irons decide to do his poor character but he is not alone as other famous faces such as Bloom and Addey show up.

The Time Machine is not the awful film that some say but it is just very heartless and dull. Some of the effects are good and the plot did have potential but the script and design never let this come out, seemingly more interested in visual bang-for-buck than they were about producing an effective and engaging story.

I first watchd this flm with my parents who, when rewatching it with me, felt so nostalgic. I didn't get that feeling obviously being younger, however I can tell how magical this film would have been to them previously because I felt it even now.

I really liked this film. I thought the great storyline of time travel and the sets I thought were amazing. The time machine itself as a prop and his I think its like a study or an office I thought was gorgeous in the way it looked.

Brilliant acting I thought from everyone, intersesting concepts and just overall a very enjoyable film to watch.

I strongly reccomend!