Tod auf Abruf

Great little made-for-tv murder mystery with a real shocker at the end... Good script, acting was solid, well shot and edited. By all means, this is not big Hollywood stuff, but it was excellent for what it is. I really enjoyed it overall and would recommend it as a good rainy-day popcorn flick.

The whodunit is a genre that has not fared well over the years. Murder, She Wrote is typical - uninteresting stories, poor acting (except, in M,SW, for the lead actress) and an unimaginative climax. This movie is the very rare exception. The story is quite good for a TV movie and the actors keep you engaged. Yes, Marc Singer's performance is over the top, but so is his character, as evil a villain as you'll find in any film. Singer is a fine actor, which makes his wildly intense bad guy a pleasure to watch. All of the other actors do a better than creditable job, and the ending is a genuine surprise and makes sense to boot. The writing is entertainingly manipulative, designed to keep you guessing and off the track. -- Remarkably, the movie never drags and everything going on is essential to the internal logic of the story - except of course for the obligatory love interest between Greene's and Katt's characters. And the use of flashbacks to the attempted murder is a bit overdone. But on the whole this film is far better paced and absorbing than 8 or 9 out of 10 of the TV thrillers turned out these days.

Decent cast but the plot plodded along very slowly. It was very hard to suffer all the way to the end. A few twists here and there towards the end helped a little but not a lot.

There is hardly anyone in the cast that I particularly like and would normally tune in to watch. However, I recorded this and figured I could dump it if it wasn't good.

I didn't dump it.

I will say nothing about the plot--except that it will probably keep you guessing to the end. (At one point I correctly figured it out, but I soon changed my mind.) The clues are all there, so you won't feel cheated by the ending--surprised probably, but not cheated.

As for the cast, everyone is good. However, Veronica Hamel and Michele Green are not aging too well. Greene was, surprisingly, much less annoying than I usually find her; and John Ratzenberger was very likable in a totally different, for him, role.

It's a long way from Hill Street to this, but Veronica Hamel is still good to watch. In this case in an interesting situation wherein everybody would like to see her brother-in-law dead. And this seems to happen without anyone knowing how. Then a fat insurance policy turns up, the company sends in their investigators, but nobody finds out anything – except the spectator in the last five seconds. Ho, hum; good TV-style scripting, as may be guessed from the director's experience in producing these kinds of films. Of course Hamel is OK, and Michele Green is quite good, but Marc Singer as her husband has played this rôle so many times he did not have to try very much. The result is an entertaining TV-style film, with only a little violence at the beginning, and lightly humourous touches to keep things rolling. Nothing difficult: just to keep you amused trying to guess who did what to whom – and you won't get it right! Worth five out of ten, simply because it does not try to be pretentious and does not leave you with a headache afterwards.