Raat

This is a classic early Indian horror much too advanced for its time in Indian cinema. A person watching this film in 2007 will inevitably have to bypass the trends and fashion which is can only be described as historic however horror fans will see Raat was a template for Ram Gopal Verma's later horror release of Bhoot.

I consider Raat to illustrate excellent example of direction and editing and production when obviously finances and resources may have been low. From excellent camera angles to inventive scare sequences this film in my view is a must to watch, I especially applaud the classic "cinema scene" in which the possessed character is involved.

Individuals looking for scare a moment action will be disappointed this is a thinking horror and watched intently through out will effect a lot more.

The film offers powerful atmosphere of unease throughout and although perhaps too long and involving an unnecessary cat, the film will leave one looking over ones shoulder at night.

I had started to become a fan of Ram Gopal Verma when I saw this movie. And I was all the more impressed by this talented film maker. The movie can remind us of Exorcist. But only as far as the main theme goes. Otherwise it is shot completely differently. Believe me, you will be kept on the edge of your seat if you see it in full attention. The atmosphere is kept tense all the time from beginning . The movie has many innovative scenes which I had never seen before (the one in the theater, and the one in the jungle off a road for e.g.). Not to mention, the background score, Revati's performance, and Om Puri's role. The possessed Revati's expressions really scared me.

Final note : See it !!

(Actually I was disappointed when I saw Bhoot recently. Why did he have to make a not-that-good horror movie when he had already accomplished more successfully in Raat ?)

This is one of the best horror movies and the milestone of Indian Cinema. Ram Gopal Verma is really a genius. Wonderful cast with wonderful acting. Om Puri is a well reputed theater artist of Indian Cinema. RAAT is the story of a family that moves into a haunted house, and the eventual possession of their daughter Minnie.

At the releasing time of RAAT people were fed up with Ramsay brothers types movies which contains several sex scenes, some dirty faces and some Haunted Hawelis but this movie gave audience new experience.

You will not see any high class special effects in this movie but the sound effect and acting are out of the world. Hats off to Ramu. I will give 10/10 to this. A must watch.

'Raat' reeks atmosphere and is intense at several places. Revathi is brilliant and truly convincing in her efforts. This is one of the best horror movies and the milestone of Indian Cinema. Overall, this film will make you shiver for sure, the performances are very memorable.

Minnie Sharma (Revathi) and her family have just moved to a new town. Her sister and sister's husband died in a car accident, and she's left taking care of their young child, "Bunty" (Master Atit), in conjunction with her parents and their "manservant", Narayan (Chinna). As Raat opens, Minnie is having nightmares about being isolated as some strange, mysterious force chases her. Eventually these nightmares cross over into daydreams/hallucinations. When she goes out on a date with Deepak (Kushant), she ends up in the woods by herself, and her nightmares threaten to become real.

Raat is a quality Indian Psychological Horror/Thriller, marred by some looseness in the plot. Die-hard horror fans may also be occasionally distracted by pegging where the film is derivative of popular western horror films. The performances are fine, with Revathi standing out in particular, and the technical aspects are good, even though the version I watched--the Eros International DVD version for the UK and the United States (and other English-speaking areas)--was made from a very questionable print of the film. The image is frequently dirty and scratched, the soundtrack is slightly out of sync with the video, the subtitle timing is often off, and there is a lot of artifacting on the DVD transfer, which also wasn't properly divided into chapters. Of course for these technical issues, I do not subtract any points, as I'm rating the content of the film imagining an ideal print. It was a shame that the transfer couldn't have been better, as Teja's cinematography seems like it would otherwise be very attractive.

I enjoyed Raat the most in its opening scenes. Writer/director Ram Gopal Varma begins right in the middle of a horror sequence that could very well be the climax. Minnie steps off of a bus by herself and is soon running from some unseen force through a somewhat rundown looking neighborhood, which is eerily void of other humans. I would guess that the creepiness of such "ghost town" isolation might hit native Indians even harder, as it's probably unusual to find such a deserted town, and especially unusual for someone to exit a bus without being met by family or friends. The scene goes on long enough that it's a surprise when she finally wakes up. The first section of the film is primarily focused on these bizarre lapses into an alternate, desolate reality. To an extent, I later wished that Varma had kept the whole film in this same mode, as it was done so excellently--it was on firm "10 out of 10" ground throughout the first section. But the subsequent material was entertaining enough, even if the meandering and eventual slight lack of logic for the menace caused me to lower my score a bit.

Varma wears his horror influences on his sleeve throughout Raat. The beginning has some strong resemblances to the first two Evil Dead films (1981 and 1987)--this is especially noticeable in the interesting hand-held cinematography representing the evil force. Shortly after, Raat takes a turn towards an Amityville Horror (1979)-styled haunted house flick, complete with the sound of masses of flies (and this occurs periodically throughout the film). Later, there are elements of A Nightmare on Elm Street (1984), the Exorcist (1973), and even Friday the 13th (1980)--I suppose we could say that if you're going to "steal", steal from the best. If you dislike strong influences and you know those precursor films, this might be a cue to avoid Raat. I don't mind influence; Varma weaves his disparate sources together adeptly.

The music, by Mani Sharma (an obvious influence on the main character's name in the film), can be a bit uneven. At times it is almost comically over-exaggerated, with very prominent "cheesy" late 1970s/1980s synthesizer tonalities. At other times, it's almost sublime, perfectly atmospheric. I was especially fond of the way Sharma and Varma incorporated traditional Indian wedding music during a crucial, "big turning point" scene. Other than that, there is not a lot of traditional music in the film, and there are no musical song/dance numbers--a characteristic that has become somewhat common in Indian horror, even if it is very unusual otherwise.

Horror fans should not expect to see a lot of gore or special effects. When such effects do occur, they come off a bit cheesy. So it's better that Varma tends to stick with subtlety, suggestion and reaction to experienced/observed horrors. He easily handles this more understated style.

Finally, even though Raat eventually ends up in more off-the-wall supernatural territory, much of the film can be taken as a metaphor for schizophrenia--in fact, Varma goes to some lengths to show us a literal parallel while engaging in the metaphor at the same time. Minnie's early "hallucinations" and her later "possessions" tend to be accompanied by catatonia. She has olfactory hallucinations as well. She loses track of Bunty and lets him remain in unusual isolation when she's supposed to be watching him. She becomes anti-social and violent, and so on. Even the more supernatural material works well for this interpretation, as mental disorders such as schizophrenia were misdiagnosed as "possession by demons" and similar claims throughout history. I wouldn't say that Varma intended the whole film as only a metaphor for schizophrenia, but that's obviously one of his intentions, along with simply telling a good horror/thriller yarn.