Der Appartement Schreck

I watched the preview for this movie in I think was "Lost in Translation" DVD, and I laughed so much just by watching the preview, I thought it would be awesome! After all, it had Ben Stiller, Drew Barrimore and directed by one of my favorite actors ever, Danny deVito. Boy am I disappointed or what?

The idea is good, but it's just not funny, there are some funny parts, but most of the movie just makes you angry! I guess that was the point, but it was also to make you laugh, I didn't.. maybe once or twice, that's about it.

I don't regret watching this movie b/c I really wanted to, but no way I would watch it again. *** out of *****

Put this on last night not know anything about it and was pleasantly surprised. The plot was interesting and finished with a nice twist. Stiller and Barrymore worked well together and had a good chemistry, and it was a nice surprise to watch a comedy without too many attempts at silly slapstick.

There are very few laugh out loud moments, but I was smiling on a number of occasions. Definitely reminds me of War of the Roses, which is no bad thing, and the leads play it very well.

I liked the ending too, although I would have gone absolutely mental if I was them. Not what I was expecting at all. Anyone expecting the regular Ben Stiller comedy like Dodgeball will be disappointed but if you approach this with an open mind, you should be OK.

Overall, quite good and a well earned 7 out of ten from me.

In Danny De Vito's "Duplex," Ben Stiller and Drew Barrymore play a young couple who buy a "dream apartment" in Brooklyn whose amenities include everything two upwardly mobile yuppies could possibly want: ample space, solid wood floors, three glorious fireplaces, and, above all, a quiet environment where Alex, a budding novelist, can spend his days writing in uninterrupted peace and quiet. Or so they think…for, unfortunately, the place also comes replete with what turns out to be the tenant from hell, a doddering old woman who lives on the second floor and who makes life miserable for the two of them with her continually blaring television and her constant intrusions into their daily lives. Finally driven to the breaking point, Alex and Nancy decide to take matters into their own hands in order to rid themselves of this human pest in any way they can.

"Duplex" is, essentially, a one-joke comedy and, as such, it does suffer from the occupational hazard common to all one-joke comedies of built-in repetitiousness. However, the writing has a surprisingly dark edge to it that lifts the film above the run-of-the-Hollywood-comedy-mill. I must confess to having a certain weakness for dotty old lady comedies, counting among my favorite films the original British classic "The Lady killers" from 1955. Eileen Essel is so delightful as the bete noire of the piece that it's hard not to fall under the spell of both her character and the film itself. De Vito, in a return to the black comedy form that served him so well in "The War of the Roses," keeps the comedy tough and brutal, even if it means bludgeoning the audience over the head a bit in the process. Stiller does his usual shtick as the put-upon Everyman, while Barrymore is able to use her customary cutesiness to full advantage as the sweet little ingénue driven to murder to save her own sanity.

"Duplex" is certainly not everyone's cup of tea, and I imagine that it would not win the stamp of approval from the AARP. Still, if you're in the market for something different in a mainstream comedy, "Duplex" just might fit the bill.

It's always nice to find a simple, pleasant comedy amidst the horde of mainstream moneymakers released every year. It's not that I have a distaste for epics or over-produced movies, but after viewing overwhelming films, it's always fun to view a simple one shortly afterwards. And if that's what you're looking for -- a simple, sweet comedy -- then "Duplex" certainly fits the bill.

Almost.

It's not evil but it isn't exactly sweet. Its premise sounds like the former -- it's about two landlords who try to kill their upstairs tenant, who is unable to be forced from the apartment due to contractual obligations. For Alex and Nancy (Ben Stiller and Drew Barrymore), this is at first no problem whatsoever. They purchase a nice New York duplex and have no hesitations about loaning out the floor upstairs. Quoting the title of a film starring DeVito (the director), "What's the worst that could happen?"

Well, a lot.

At first, as is always the case, everything seems nice and dandy. They move in, buy some furniture, set up their new lives, and manage to relax a bit. But soon the "sweet old lady" their real estate agent told them about turns out to be the spawn of Satan. She is an Irish woman who is "somewhere between ninety-five and a hundred-and-five," lives by herself upstairs, plays her television very loud all night long, boasts about her passed husband and how great a sea fisherman he was in his day, calls Alex Alan and refuses to admit she's made a mistake, etc., etc. She calls Alex upstairs every day and has him run extravagant errands for her. Alex is a struggling writer with a deadline before his second book is due, so he tries to tell the sweet old woman that he can't help her out all the time. "But there's just this one thing," she says, and fits on an angelic smile in order to make him feel sorry for her.

But soon she's claiming that her landlords are trying to rape and murder her and the cops side with the woman. Left with nowhere to go, Alex and Nancy eventually succumb to their anger and decide they must put the hag out of her misery and take over the upstairs floor. Their excuse is that a baby is on the way, and they'll need the room, but by this time we sympathize with both of them and want to see this woman murdered anyway. Trust me, after you watch this movie, you'll be feeling the same way, too.

And I suppose that's part of the success of "Duplex" -- like other DeVito movies, it takes a seemingly appalling plot (see "Throw Momma From the Train") and, by advancing and developing its characters, and drawing us into their conflicts, has us relate to them. We want the hag dead, too.

Danny DeVito's directorial debut, "Throw Momma from the Train," (1987) was a simple dark comedy that borrowed its premise from Hitchcock's "Strangers on a Train." Since then, DeVito has delivered a fair share of hits ("The War of the Roses") and misses ("Death to Smoochy"). One thing's for sure, though: all of his films have a distinct style of humor, and exploitation of the weakness of humanity, that separates them from the rest of the genre.

DeVito is able to make the audience relate with his characters and have them fantasize about doing similar things. "I'm so evil," Barrymore complains halfway through the movie. "Well, I have my fantasies, too," Stiller tells her, which is then followed by images of him killing the old woman upstairs and smiling about it. He tells her his ideas. She grins. "You're evil, too!"

From a text standpoint, this indeed seems very evil, and appears as if it would be in a Stone ("Natural Born Killers") or Tarantino-written ("True Romance") movie. But when you're watching "Duplex," it all comes across as a joke, and it doesn't seem very cruel at all, and DeVito's ability to transform his audience into fantasizing sickos is sort of mildly genius if you stop and think about it. I'd never kill an old woman but "Duplex" is able to make us sympathize with its characters and agree with their decision. Now that's the sign of a good director if you ask me.

4/5 stars.

• John Ulmer

Eileen Essell was 80 when she made her Hollywood debut in Duplex. And she steals Duplex from Ben Stiller and Drew Barrymore.

Essell's portrait of a bothersome old tenant is a tour-de-force. Somehow she's sympathetic despite being a royal pain in the ass.

Stiller and Barrymore do so well I almost started to consider Barrymore to be a legitimate Barrymore. You know, an actual actor instead of just a smirking twerp. Watch her face at the restaurant when Stoiller is ranting.

And Stiller, well, his comic talents are under-appreciated in a world where Adam Sandler baby-talk movies haul in billions of dollars.

OK, they have murderous intent. But who could blame them. I would have murdered the old bat within a week.

At any rate there are a lot of laughs in this movie. I don't understand what else people want out of a movie.