Memento Mori - Gedenke des Todes

Fans of the original "Whispering Corridors" will be disappointed to learn that this is a sequel in name only; it shares absolutely no connection with the original movie apart from its title. The story tells of a girl, Min-ah, who finds a diary kept by two lesbian lover classmates at her boarding school - and soon begins suffering from strange hallucinations whenever she reads from it. Shortly after, one of the lovers is found dead and it's up to Min-ah to discover whether she killed herself or whether someone murdered her; before her spirit returns to the school for revenge.

"Memento Mori" is a wonderful movie, but it isn't an out-and-out horror flick as some have suggested. It's actually a cross between "The Virgin Suicides" and the original "Whispering Corridors", ie. a school ghost story ridden with teen love and infatuation, and the result is a beautifully crafted dreamlike feature which is a true delight to watch.

Acting is phenomenal from all concerned, with the actress playing Min-ah using a wide range of skills to play the different states her character finds herself in to perfection. The directors do a commendable job, too, even if their choice of camera angles is sometimes confusing - and the storyline occassionally lacks a clear narrative - I haven't enjoyed a Korean movie as much as this for quite some time.

Basically, "Memento Mori" is excellent from start to finish and seamlessly blends horror, suspense and romance to create a truly unforgettable feature. You'll need to think about some plotpoints carefully in order to fully understand what's happening - but it's totally worth the extra effort. Highly recommended. ****.5 / *****

I have seen Memento Mori twice at the Melbourne International Film Festival and I think it's a very good film. My first impression of it was that it's quite like Virgin Suicides meets Carrie. And i maintain that it weaves between the romance and horror genres very effectively. I have not seen the original Yeogo Goedam but i assume it was more of a straight horror.

Because of it's genre crossing, Memento Mori adds to the horror theme of Shi-eun's return a sadness and tenderness that coagulates very strangely, but effectively with the terror-filled images of Shi-eun's body on the ground, and her haunting of the school. I really like the love story, but i see it as a horror film about adolescent love.

I had the privilege to speak to one of the directors, Kyu-Dong Min at the festival, and he said the film was supposed to tap into the horror of being an adolescent. Which i think he and his co-director do very well. the school-girl scenes are all extremely realistic. Some parts are humorous but humour is placed so tightly in the middle of horror that things shift so quickly.

the production design must be commended. I particularly love the piano design at the end of the film. With the diary, however, (i know, it's really good), but Kyu-Dong Min actually mentioned that they researched heaps of teenage girls' diaries and many were much more elaborate than the one they made for the film. just a sneak.

The cinematography too, should gain praise. Most parts are shot with stark whites, blacks and deep greens and it's really effective in bringing out the emptiness of the school in the lives of Shi-eun and Hyo-shin. But it is also the photography of the two girls on the roof during sunset really got me. when you first see it, it's a love scene - they walk left and right, playing with socks and all. And when you see it at the end of the film, it becomes a nostalgic scene.

Lastly, i must praise the acting of all three leads. Kim Min Sun is really likeable as Min-ah. Lee Young-Jin showed great control as the living dead girl and Park Yeh-jin arguably holds the whole film's acting performances together, both in terms of performance and narrative.

I really like Memento Mori. So far, it's in my top 3 films of the year. It's not exceptional. It's not one of those films with fantastically rapturous visual imagery, complex structure, or profound philosophical narrative. In fact, i don't know why i like the film as much as i do - apart from what i've just mentioned above. but i do. if i could see it again, i would. 9 out of 10.

Yeogo Goedam II starts out as an interesting story about adolescent love and turns into a nonsensical "horror" film. I felt mislead by the first part of the film. The way Hyo-shin and Shi-eun's relationship is revealed to Min-ah through their diary gave me the sense that this film would be far better than it turned out to be (the diary is pretty cool). Instead the film has a lot of amusing school moments that are fun but distract from the plot, and adds a few subplots that are not only confusing but boring. I don't know how this can be defined as a horror movie when nothing really horrible happens outside of one tragic event. Even the supposedly scary moments at the end of the film do nothing but stall the ending of the film.

I would not consider this film a waste of time - there are many great moments in it,but they lead nowhere.

out of 10 I give it a 5 - an even split - >

the Drama part of the film was great - the Horror part of the film was terrible

Although the Korean name for Memento Mori would lead you to believe it is a sequel to Whispering Corridors, other than the setting, the two films have very little in common. Having seen the first film is not a requirement to see and enjoy this film. The story in Memento Mori involves a love affair between two students at an all-girl's school. One of the girl's, for various reasons, can't take it when the other girl "outs" their relationship and decides to break things off with tragic consequences. A third girl finds the diary the two girls wrote together and, through its pages, begins a horrifying journey to understand what happened to her classmates and how one of them could end up dead.

Regardless of how Memento Mori has been marketed to American audiences, it's not a horror movie. Instead, it's a poignant look at young love and the consequences taken to the extreme of a relationship that doesn't work out. Sure, there are moments of terror to be found in the movie, but even in what should be the final chilling moments of the movie, the horror is never as front and center as the drama. It's not a movie for those who demand a new adrenaline rush every five minutes. Memento Mori moves slow and allows you to get to know the characters, their fears, their problems, and to really develop a sense of caring for them.

I haven't rated the movie any higher because this type of film and this subject matter don't appeal to me on an entertainment level regardless of how well made the film is. As with the majority of the other Asian films I've seen recently, Memento Mori is technically very sound. The direction and cinematography are solid. The movie presents numerous uniquely filmed scenes that really standout. Although the special effects are used sparingly, they are very realistic when employed. The music is fitting for a movie like this. And the acting is rock solid.

One question that has bothered me after having recently watched both Whispering Corridors and Memento Mori is: Do teachers in Korea really treat their students in the manner presented here, with physical and emotional abuse? I'm not saying it's right or wrong, it's just now what I'm accustomed to seeing in teacher/student relationships.

"Memento Mori" is a well acted mix of ghost thriller and lesbian drama - a strange union, but a very succesfull one. The young leads deliver strong performances and make the subtle relationships believable. As another user already stated, there are some similarities (especially atmosphere-wise) to "The Virgin Suicides" and although I liked VS better, "Memento Mori" remains a strong movie.

Did it have any flaws? Yes it did. It got a little weird towards the end and I thought that the ghost-story part of the whole thing turned out rather silly. That said, "Memento Mori" remains a strong movie with a great atmosphere of sadness and foreboding.

8/10