Füge eine Handlung in deiner Sprache hinzuA high school shooting has repercussions on the town and students.A high school shooting has repercussions on the town and students.A high school shooting has repercussions on the town and students.
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Paul Ryan, the director, who is working and editing his own material, is a talented man who is rewarded by some amazing acting all around by his cast.
Alicia Browning is an older girl who is trying to graduate high school. She has been away a couple of years and doesn't seem to be in the same wave length of the other students. For one, she is a rebel with a punk look, lots of makeup and a mouth that will cut anyone who dares to come near her orbit. Alicia was among the students in the home room where nine students have died, supposedly killed by her boyfriend. Alicia, we realize, is a wounded girl who has gone through a terrible ordeal in her life, but we are not given any clues to that effect.
What follows is the aftermath of the tragedy, as it concentrates on a young woman who has survived it. Deanna Cartwright is a wealthy teen ager who shouldn't have been at the school, at all. When a ricochet bullet hit her, she is hospitalized with more than a wound. She is trying to get over this dark period in her mind but the nightmares don't let her forget.
Alicia is made to go to the hospital by the school principal. Since she doesn't cooperate with the police, the head of the school wants her to see Deanna in her terrible state and perhaps she will soften up and will tell the authorities what she knows. Alicia dislikes Deanna, but in a matter of days, both girls will make peace. We don't realize until the last sequence what really happened that horrible day in school.
Busy Phillips makes an excellent Alicia and Erika Christiansen is equally good as Deanna. Victor Garber, James Pinkins, Taylor Holland, and the rest of the cast play as an ensemble.
The film has an intensity because it's not explicit in showing how the shootings occurred, which helps the tone that Mr. Ryan wanted to give this movie.
This movie could have been another easy slam dunk anti-gun film, but instead they chose to examine the aftereffects of the shootings. And even better, the movie kept on with the real life - just when you think they are going to take the easy and obviously contrived way out, a twist comes along and changes the whole outlook of the movie. This film not only doesn't follow the formula, it shows how other events often lead up to and/or affect what happens afterwards.
I only wish the filmmakers had explored the issues around anti-depressant drugs more - the kids from Columnbine who did the shootings were on them for years and it was frightening to watch the way Deanna popped them every time the nightmares started. Up until recently they were dispensing the stuff like candy and only now do they even begin to understand what long term effects the drugs have. It was very refreshing to see that the mental illness aspect of the story was given quite a bit of film, having a relative who suffers from a mental illness, I can say that the movie was dead nuts on in every aspect of mental illnesses. Bravo to the director and writer who obviously did their homework on those issues. And for those who think certain things couldn't happen in a hospital (I don't want to tell any particulars), you're dead wrong on that too - I've been there. The script was so real it was amazing.
Go BUY this film and show it to your teenage kids before it's too late. Someday they'll thank you for it.
As I read the awful opinions about the movie I actually wondered if you had actually viewed the same movie that I did.
What I viewed was incredible! I think the actresses and director did a fantastic job in the movie.
I hadn't had the pleasure to see either actress previously and I couldn't have been more set back by the incredible job that they did I'd have to say its the most believable movie that I've seen in a long time.
What I don't see is why everyone has such a problem with Deanna's choice of drug in the attempt of suicide scene, from the comments made you sound like it was the actresses choice and her stupid choice. That I don't understand, its a movie written by someone else and directed by someone else so how it can be the actresses error I fail to see. I think it was a real believable movie that I would see again and recommend. Opinions are what the are and its too bad that so many are so close minded. I hope to see any of the actors soon I think that all played great roles.
Busy Philipps will be the highest paid actress someday and I hope she can laugh in the face of everyone that criticized her! You Go Girl!
Busy Philipps carries the movie on her shoulders as Alicia, a troubled girl; the ones we always see in television series. With dark hair and black clothes; a package of cigarettes in the pocket, weird look and disturbing eyes (with makeup, of course). An event has occurred at her school; a shooting. Some students have died, and she saw everything. Now Detective Martin Van Zandt (Victor Garber) is investigating the case, and, as expected, Alicia is a suspect. But the shooting is just the genesis; the movie is not about the shooting.
Lying in bed in a hospital room is Deanna Cartwright (Erika Christensen). She is one of the survivors of the hospital. The script establishes a bond between them, by the school Principal (James Pickens Jr). He is helping all the students to recover from the event, but Alicia doesn't seem to care. She's isolated. So the Principal punishes her; she needs to visit Deanna every day until five o' clock. Then the movie starts.
I can't even describe how wonderfully written I think the movie is. I can identify with the characters and the situations they live; I like reality. These things could happen to anyone. And the things they say are totally understandable. They're growing up and trying to deal with things they haven't experienced; they're doing their best. Without knowing it, Alicia (when she visits Deanna for the first time) and Deanna (when she sees Alicia standing in front of her) are commencing a journey of that will define their personalities and ideas for the next step in life; after high school.
The director leads Christensen and Philipps through their roles very well. Look the contrast between them. Deanna seems naive and with plain thoughts; no complexity inside of her mind. When Alicia enters her room and sees tons of flowers she asks: "Who has brought them?". "Many people", Deanna answers; although some days later we learn they're from her parents, who come every week. The parental figures are all well represented, but are not as important as their sons' characters. Deanna is lonely. Alicia seems mature and violent; smoking cigarettes and talking roughly. But after two days of visiting, she finds herself coming back to the hospital every day; even sleeping in Deanna's room all night. When they both have a fight afterwards, I believe Deanna says: "Why do you keep coming back?". Alicia is lonely too.
The ending of the movie, without ruining it, comes a bit disappointing; it's something I wasn't waiting for. It eliminates some of the strength the movie has. The revelation comes totally unnecessary; ruining the logical climax the movie could have had. It was an excellent script anyway; and an excellent direction. A damn fine movie.
When it comes to Erika Christensen, this was the role she needed to fly higher. Her role in "Traffic" was impressing, but this was the big step; the main role. Maybe not many had the chance to see her in this film, and that's a pity. She hasn't made one false move since then. She has even come out with good performances in awful movies. On the other hand, Busy Philipps, who proved to be very promising in this movie (what a transformation), hasn't got many opportunities for other roles.
The same I say about Paul F. Ryan (in directing, of curse), and I expect he is sitting now in his computer finishing his new script; I'm waiting for his next movie. I'm hoping the best for all of them.
Wusstest du schon
- WissenswertesIn his book "Schlock Value," film critic Richard Roeper discusses this film as a prime example of what he incorrectly calls a "lost film" - a movie (often excellent) which does not get strong enough backing from the studio, and is either swept aside, or goes straight to video. That is, however, not what a " lost film " is. The correct meaning of a lost film is one where no copies are known to exist anywhere in the world.
- PatzerWhen Principal Robbins opens the locker for Detective Van Zandt, the locker has a keyed combination dial on it. When Van Zandt slams the locker shut, the dial is missing and there are holes in the door where it was moments before.
- Zitate
Alicia Browning: WHO THE FUCK DO YOU THINK YOU ARE? You think you can come in here and you can spend ten minutes and come out with all the FUCKING ANSWERS? Hey, I've got one: kids pick up guns and THEY KILL OTHER KIDS. That's it! And if that answer isn't good enough, then maybe you should see a doctor or a priest and you can ask THEM why. And they'll feed you all the psycho babble you can stand or they'll tell you that God has some "greater plan" for everyone. And when you keep pressing and those answers aren't good enough, all they'll have left to tell you is the unholy truth, that KIDS JUST DIE.
[long pause]
Alicia Browning: And babies
[like mine]
Alicia Browning: die too.
- VerbindungenFeatured in Beyond Clueless (2014)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 5.216 $
- Eröffnungswochenende in den USA und in Kanada
- 3.467 $
- 7. Sept. 2003
- Weltweiter Bruttoertrag
- 5.216 $
- Laufzeit2 Stunden 13 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1