Gefangen auf Sankt Helena blickt Napoleon Bonaparte 1816 auf sein Leben zurück.Gefangen auf Sankt Helena blickt Napoleon Bonaparte 1816 auf sein Leben zurück.Gefangen auf Sankt Helena blickt Napoleon Bonaparte 1816 auf sein Leben zurück.
- 1 Primetime Emmy gewonnen
- 4 Gewinne & 11 Nominierungen insgesamt
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On the minus side: we never really get a feel for what Napoleon actually stood for or why and how he was such a military genius, the film dwells on his private life when it could be dealing with the huge social and political issues of the time, the actors playing some of the secondary characters are laughably bad (Murat, Ney, Marie-Louise), and one has to strain to hear the dialogue (due to the foreign accents, background noise and music).
As for Christian Clavier, it's amazing how the comments on his performance stretch from "brilliant" to "trash." My own view is that he was off the mark as the younger Napoleon, but as the mature Napoleon had basically the right look and plenty of gravitas.
A good contribution to the body of film about the Emperor but also full of flaws.
IMDb users seem to hate this TV movie for all the wrong reasons. It can't be faulted for historical accuracy. There is every indication that almost every single word spoken in this script was actually said by the protagonists. And here is at least one English-language movie that doesn't show Napoléon's soldiers taking aim at the Sphinx's nose for target practice (an English myth). The sets and costumes are magnificent. The action is a little simplified for my taste but it allows the viewer a more unencumbered comprehension of the timeline. I have seen many French movies that naturally expect their French audience to know all the dates and the battles by heart and take it from there, so to speak. I am sure that the DVD version, which is longer, will reconcile many critics with scenes that seemed a little too short on TV.
I only noticed two major goofs in the whole four hours. John Malkovitch seems to think he is too great an actor to accept suggestions as to the pronunciation of French names, either from his co-stars or from a French coach, which must be responsible for his coasting through every possible phonetic permutation of the words 'Duc d'Enghien' in the course of an hour, some of them successful. Also, the same character warns Joséphine not to go to Poland before Napoléon has even met Marie Waleska, which is mysterious indeed. Did he actually know they would meet and fall in love?
But, all in all, it is a magnificent effort in a TV series, one that is not without its artistic and poetic merits.
One minute we are in a tent somewhere in the olive fields of Italy the next we are in a ball watching Napoleon meet the beautiful Comtesse Walweska.
Christian Clavier plays a fantastic Napoleon Bonaparte with that cunning and yet short tempered mind that the Emperor is so famous for. Isabella Rossellini does a good job at playing Josephine De Beauharnais and Marie Horbiger plays an equally good Marie-Louise matching the real Empress's personality well. Out of the three women however Alexandra Maria Lara played the strongest character as Comtesse Walweska, the enigma who in the latter stage of the series takes a prominent role.
I found John Malkovich's portrayal of Charles-Maurice Talleyrand yet another fantastic performance. Napoleon's family was also represented with great representations of Caroline and of Murat Bonaparte. The role of Fouche was well represented by Gerard Depardieu.
In total however I found the series too short, I thought it should have been double the size. The Peninsular Campaign is way to brief in the series and many of the battles are not accurately represented nor really showing Napoleon's real genius which was on the battlefield as well as at the drawing table. The 16 Marshals are badly represented with only a couple being mentioned and Marshal Ney 'The Fearless' is briefly added in at the end to fit the story line. Many of the key points of the era are missing from this otherwise stunning portrayal of one of Europe's Greatest Men.
I caught part of this on A&E, recently. I watched a few minutes, then turned the channel to watch a regular show. I came back to it, and watched the end of the first half. The next day, I ran into the second part. I missed quite a bit, but watched the last hour, or so. I started craving the rest of it. I got online and did a search, found it was out on DVD, and made a trip to my local video retailer. I got the 3-DVD set and have since made a website devoted to Christian Clavier because I thought he did a wonderful job, and this movie made me a fan almost instantly. I've always liked Isabella Rossellini, and her role as Josephine was very convincing.
I've always been a fan of Napoleon movies, and I've seen several, but this one has to be the best. The interaction between Napoleon and Josephine and the action during the war scenes had me on the edge of my seat. Most people know how the end turned out, but that didn't stop me from thinking that things would be different.
I highly recommend this movie, in DVD format for the "making of" section. I wish I had watched this in high school because I would have learned quite a bit.
Go watch this movie!
Wusstest du schon
- WissenswertesThe series was shot simultaneously in French and English. Thus, two versions exist, with the same actors and near-identical edits, but different original languages.
- PatzerTsar Alexander and Napoleon are listening to Paganini's Caprice No. 24. However, that piece was only composed in 1817, when Napoleon was already in St. Helena.
- Zitate
Napoléon: The English are calling upon my men to desert by flooding our lines with this drivel. It'll have no effect on them!
Maréchal Joachim Murat: I'm not so sure. The men have had enough. Most of the time we have to force them to obey!
Napoléon: Have the officers discipline them again. That's why they're here.
Maréchal Joachim Murat: The officers, they say that you torture your soldiers, and that you will never be able to seize Egypt.
Napoléon: I have, Murat, Egypt is ours, almost ours. Cairo is a French city. The Nile Delta has been pacified, and all there is left to subjugate a few Turkish regiments.
Maréchal Joachim Murat: Turks and Arabs, supported by the English. Be realistic, Bonaparte. We can't go on, especially with the plague on our heels.
Napoléon: The doctors assured me that the epidemic could be contained.
Maréchal Joachim Murat: The doctors can do nothing against fear.
Napoléon: I can.
- Alternative VersionenShot simultaneously in French and English. For the French version, the French actors spoke in French, the rest recited their dialogues in English and were later dubbed by other actors. For the English version, the French actors repeated the same shots reciting the dialogues in English.
- VerbindungenFeatured in The 55th Annual Primetime Emmy Awards (2003)
- SoundtracksNapoleon
Written by Richard Grégoire
Performed by Bulgarian Symphony Orchestra-Sif 309
Courtesy of Virgin Classics
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